Dance Spirit: When did you start dancing?
Richy Jackson: I grew up watching music videos, and when I was 16, my friends and I would sneak out to the clubs in San Francisco to go dancing. I went to Tuskegee University because I wanted to be a lawyer. While there, I saw a friend dancing in an Aaliyah video, and I basically left for L.A. that week. I called my mom to tell her, and she almost had a heart attack. At the time, I had no formal training. But I landed a job dancing for Will Smith.
DS: Did you know you ultimately wanted to be a choreographer?
RJ: Absolutely. My mother coached a cheerleading squad, and I started choreographing for them when I was 13. They even went to Nationals with some of my routines. But when I got to L.A., I wanted to take the time to learn the craft. The first person I assisted was Michael Rooney, and he changed my life. He showed me that “simple but effective” is the way to choreograph. It took time to get to the point where I could call myself a choreographer.
DS: When did you meet Lady Gaga?
RJ: Six years ago. I watched her perform three songs in the studio, and I said, “Wow, you are going to be a problem in this industry.” At that time, pop music looked like Britney Spears—Barbie-doll perfect. But when I saw Gaga, I knew she was anything but. She was a live singer, she played instruments, she was vulnerable and expressive and she’d take chances no one else would.
DS: You’ve also worked with Katy Perry, Keri Hilson and Nicki Minaj. How is working with Lady Gaga different?
RJ: When Gaga’s learning a dance step, she works until she gets it exactly right. If it’s an eight-hour day, she’s there for the full eight hours to make sure she has it. She cares about what her dancers look like, what the aesthetic is and what artistic approach we’re taking for each song. She brought entertainment back to the music business.
There are dancers and then there are DANCERS! Whitney Jensen, soloist at Norwegian National Ballet, is the latter. The former Boston Ballet principal can do it all. From contemporary to the classics this prima has the technical talent most bunheads dream about. Need proof? Look no further.
Luis Fonsi and Daddy Yankee's dance inducing hit, "Despacito," is so catchy it should probably come with a disclaimer that warns people of an uncontrollable itch to tap your feet or bob your head. Some might even feel inclined to go all out and break it down. Niana Guerrero is a prime example of "Despacito's" uncanny ability to unleash the red dressed emoji dancer within. 💃🏽 💃🏽
Guys, we all knew this was coming—"World of Dance" was eventually going to eliminate someone. But man, is it brutal to watch these talented dancers give their all, only to be sent home. It's the name of the game, though, and after last night's episode, only two dancers per division remain. (At least Misty Copeland guest-judging was a silver lining!) Here's what went down last night:
They've impressed the judges, now it's time for the Top 100 dancers to enroll at The Academy—and to impress the All-Stars. Welcome to So You Think You Can Dance Academy!
The 100 dancers who made it through auditions in NYC or L.A. are now at The Academy, which is basically a beautiful building with floor-to-ceiling windows. The show opens with that Mandy Moore-choreographed Academy routine which, even after watching it 12 times and trying to learn all the choreography at home, is still delightful.
This Nationals season, Dance Spirit followed four talented dancers from The Dance Awards, NYCDA, Showstopper, and Starpower for an inside look at everything that goes into the biggest competitions of the year. First up: Isabella Torres from Mid-Atlantic Center for the Performing Arts in Baltimore, MD, who competed at New York City Dance Alliance Nationals for the first time this year. (All photos courtesy Shannon Torres.)
Merritt Moore is a ballerina who just so happens to be graduating from Oxford University with a PhD in quantum physics. Is she even human? The jury is still out on that - but the 29-year-old, who earned her undergrad degree from Harvard, has actually found dance to be a powerful tool that assists her in her studies.
Happy #WorldEmojiDay, dance friends! 🎉 👯 🎉 👯
Because it's just the cutest, we thought we'd share the emoji challenge the Royal Opera House is currently hosting on Twitter. They've retold a series of ballets (and operas, for that crowd) in emoji form. If you correctly guess the name of a ballet, you'll be entered for a chance to win two tickets to a ROH production.