Kalani Hilliker Dishes Details About "Dance Moms"—and Where Dance Might Take Her Next
Kalani Hilliker made "Dance Moms" fans sit up a little straighter when she first appeared on "Abby's Ultimate Dance Competition" back in 2013. The then–12-year-old ballerina had charisma, she had sass—and, wow, did she have technique! Abby Lee Miller, the show's infamous host, saw Kalani's star potential from the start, saving her from elimination and ultimately inviting her to perform alongside Maddie Ziegler on Season 4 of "Dance Moms." "I was never supposed to be on 'Dance Moms' beyond that one performance," says Kalani, now 16, but she ended up staying on the show for the whole season—and the following three. "It was my first time, but not my last time, causing drama. And it was also the first time I got to meet the other dancers, who have become like sisters."
A lot has changed since Kalani joined the cast of "Dance Moms": Many longtime team members have moved on, the show has relocated from Pittsburgh to L.A., and Miller has left amidst legal troubles. But Kalani remains a refreshing constant on the show, practically unfazed by the utter chaos around her. She's stood out as a leader onstage and in the studio, performing near-flawless routines weekly and serving as a mentor to dancers on the show and in its audience. "Dance Moms" may be on its way out, but this extraordinary performer has staying power.
Journey to the Spotlight
With her endless extensions and crazy-archy feet, it's hard to imagine Kalani as anything except a dancer. But there was a time when she considered taking her talents to the soccer field instead of the stage, switching back and forth daily between soccer practice and dance rehearsal. When the 9-year-old was caught doing grand jetés on the field instead of keeping her eye on the ball, her mom knew it was time to commit to dance.
The pint-sized phenom trained at Club Dance Studio in Mesa, AZ, and quickly signed with an agent in L.A. She got her first taste of TV at age 10, when she and three friends won a chance to appear on Disney's "Shake It Up." From there, Kalani started commuting to L.A. regularly for appearances on "Bunheads" on ABC Family (now Freeform).
Once "Bunheads" wrapped, Kalani was excited to return to normal life, competing with her home studio. So when she was invited to join the cast of "AUDC," she hesitated. "I didn't want to take two months out of my training," she says. "But they called so many times to ask that I ended up doing it. And that led to the rest of my life."
A Life on TV
Over the next few years, Kalani grew up in the public eye, experiencing major life events—from hearing about the birth of her baby brother to getting her first car—in front of cameras. These days, her schedule is nonstop: She's constantly running to rehearsals, filmings, competitions, and photo shoots, plus meetings for her three fashion lines and auditions for new projects. And since she's a junior in high school, she still has to fit in at least three hours of schoolwork from home per day.
"There's a lot of pressure that comes with being in front of cameras, which gets stressful," Kalani says. "I have to watch every little thing I do, but I also have to remember that I can't make everybody happy. Part of being on reality TV means having no regrets." Since "Dance Moms" only shows a small portion of Kalani's life ("Usually when we're upset or crying," Kalani says), she opts to show off her personality on her own terms on her YouTube page, where she posts makeup tutorials, cooking demonstrations, or meet-and-greets with her adorable brothers Jax and Jett.
At the end of the day, she loves her life in the spotlight, especially when she gets to be a role model to her fans. "One of the most amazing things to hear is 'I started dancing because of you,'" says Kalani, who's swarmed by admirers whenever she arrives at a competition. "Most of my competition friends knew me before all this, and while they may complain about having to take photos for me with fans, they know I haven't really changed. I'm still Kalani."
One thing that certainly hasn't changed with fame is Kalani's competitive edge—and she makes a point of attending competitions, both with and without the "Dance Moms" crew, as often as possible. Her proudest achievements have been at The Dance Awards, where she's placed in the top three for the last six years. In 2013, she won Junior Female Best Dancer; in 2016, she took home 3rd in the Teen Female Best Dancer category.
With her hectic schedule, keeping up her technique isn't easy. "I don't have time for regular classes, so I've needed a lot of self-discipline," she says. "I'll give myself a barre when I can, and I'm constantly reminding myself to straighten my legs and point my feet. I'm so happy I did a lot of ballet when I was younger, because it comes in handy now."
Now that "Dance Moms" Season 7 filming has come to a close, with no promise of a contract for Season 8, Kalani's thinking hard about what she wants to do next—and it'll probably involve more TV time. "I want to do more acting, and my dream is to be on 'Dancing with the Stars,' " says Kalani, who's ecstatic that "DWTS"
veteran Cheryl Burke has joined "Dance Moms" as Miller's replacement.
Burke, too, sees big things for Kalani. "It's nice to see a dancer who is such a hard worker, but also knows how to have fun with the process," Burke says. "She has great technique and so much passion. Out of all the girls, she's the one I could really see being a professional dancer."
For now, Kalani is keeping her options open. "All I know is I want to keep dancing," she says. "When I was little, I never thought I'd be on TV or move to L.A., but now I'm living my dream—and I'm not even an adult! I can't wait to see where dance takes me next."
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A version of this story appeared in the September 2017 issue of Dance Spirit with the title "I'm Still Kalani."
Misty Copeland. Her name is synonymous with exquisite artistry and outspoken advocacy. And her visibility has made a huge impact on the ballet world. Ballet's relationship with race has always been strained at best, hostile at worst. But Copeland's persistent message and star quality have finally forced the ballet industry to start talking about racial diversity, inclusivity, and representation. "The rarity of seeing ourselves represented is sad," Copeland says. "The more we see every hue and body shape represented on the stage, the more possibilities young dancers feel they have for themselves."
The Olympics are always full of inspiring Cinderella stories, where athletes no one had heard of mere months ago end up blowing all expectations out of the water, and maybe even nabbing a medal in the bargain. But we've recently caught wind of a different kind of Cinderella story—and it's one we really, really hope shows up in the Closing Ceremonies of the PyeongChang Olympics, airing tonight on NBC starting at 8 pm Eastern/5 pm Pacific time.
Being a dancer comes with the task of having to entertain the same questions over and over again from those outside the dance world. Of course, we love having our friends and family take an interest in our passion—but if someone asks ONE MORE TIME whether or not we've met Travis Wall, we might just go crazy.
Here are 10 questions that dancers hate getting asked.
Contemporary phenom Christina Ricucci has super-flexible hips, which means she can stretch her legs to unbelievable heights. But when she noticed herself making contorted positions in class, Ricucci realized she was approaching her extensions all wrong. "I went back to the basics in class, squaring my hips and using my turnout," Ricucci says. "I learned to create proper positions, rather than whacked-out versions of them."
Some dancers are so wonky they have a hard time supporting their high legs, while others struggle with limited flexibility. But no matter your facility, you can find a balance of stretch and strength to achieve your fullest range of extension. It's not about how high (or not) your legs can go: It's the quality of the movement, and how you get those legs up, that counts.
Last month, we asked why there wasn't a Best Choreography category at the Oscars—and discovered that many of you agreed with us: Choreographers should definitely be acknowledged for their work on the super-dancy movies we can't get enough of.
Now, we're taking matters into our own (jazz) hands.
We've decided to create a Dance Spirit award for the best cinematic choreography of 2017. With your input, we've narrowed the field to four choreographers whose moves lit up some of the best movies of the year. Check out our nominations for best choreography below—and vote for the choreographer you think deserves the honor. We'll announce the winner on Friday, March 2.
Once upon a time (until the 2014 Winter Olympics in Sochi concluded, to be exact), figure skaters had to compete to music without words. Before this rule change, a skater faced an automatic point deduction if the music even hinted at vocals. Understandably, there were *a lot* of Olympic programs skated to classical music, and you'd tend to hear the same music selections over and over and over.
There are plenty of current Olympic figure skaters who'd make beautiful dancers (first among them Adam Rippon, whose gorgeously choreographed long program won the internet, if not the gold). But today, as we wait for the women's figure skating competition to crown its new champions, we wanted to throw it back to one of the most beautifully balletic skaters of all time: Sasha Cohen.
The high-flying leaps of grand allegro are meant to be incredibly exciting. But at the end of an intense ballet class, when you're exhausted, it can be hard to give them the attention they deserve. Want to pump up your big jumps? Follow these 10 vital tips from Jennifer Hart, curriculum director and instructor at Ballet Austin.