Canadian Dance Company performs a memorable routine at Showstopper's East Coast Finals. (Photo Courtesy Canadian Dance Company)
Think fouettés are the key to a judge’s heart? Think again. While judges love strong technique, tricks aren’t what they remember in the long run. Instead, creativity, performance quality and moving storylines reign supreme. Here, seven competition judges dish on what made some routines more memorable than others.
Robert Bianca, Showstopper
I still talk about a number performed by 10 guys from Canadian Dance Company about three years ago. The dance was to Phil Collins’ “Take Me Home,” and it was about men returning from war. The dancers entered the stage slowly, as if they were shell-shocked by what they’d been through, and it built from there in terms of intensity, emotion and physicality. It was a technical piece, but it never felt like they were doing tricks. We were blown away by the artistry.
Christian Vincent, L.A. DanceMagic
In 2005, I saw a number called “Tricky” in Baton Rouge. The jazz dance wasn’t like the routines that typically dominate that category. The dancers wore black netted costumes with their hair slicked back. They were technically strong and as they danced you saw that they each had a mature performance quality. I have an affinity for dancers with an edge, who have the ability to go from strong movement to light movement easily—they had that. Dancers are most powerful when they have a strong focus and can connect with an audience.
Stephanie Landwehr, MOVE Productions
One of my favorite routines is a hip-hop number I saw last year in California. The dance was performed by five or six teenage dancers from Dancing Images in Moreno Valley, CA, and I remember it because it was more like a dance concert piece than a competition routine. The movement was clean and the dancers performed well as a group. Cleanliness is so important because it allows the judges to see the story more easily.
Dancers from Dancing Images in Moreno Valley, CA, perform a hip-hop number at MOVE Productions' Nationals (Photo Courtesy MOVE)
Rolann Owens, Headliners
A dancer named Nikki Mele, from Danceology in Toronto, did a dance called “I Speak Six Languages” this year and it was a true musical theater piece. She didn’t do all the jumps and turns you see in so many numbers and she had a lot of personality. Musical theater dancers can’t just be dancers dancing a role, they need to be actors dancing a role.
Mark Goodman, Hollywood Vibe
I remember a tap routine called “Too Darn Hot” that I saw seven or eight years ago. There were at least 40 dancers in it, and the staging was unbelievable. Best of all, every kid was committed to the style of the piece. These dancers totally captured, understood and embraced the 1940s movie style of dance. Remember, your choreographer will tell you what to dance, but the music will tell you how to dance it.
Sarah Jo Fazio, Dance Olympus
I loved a piece called “Mother,” danced by two teenage girls. The story was about a mother and a daughter over a stretch of time. It was done so the dancer playing the daughter behaved like she was a little girl, while the other dancer acted like a mother. By the end the mother was old and dying and the daughter was taking care of the mother. There were no tricks, just movement. I was in tears by the end.
Katy Spreadbury, JUMP
One number stands out in my mind: “Hit Me With a Hot Note,” choreographed by Ray Leeper. It was a great jazz dance rooted in musical theater. The dancers appeared to be having an active experience onstage instead of just doing what they’d done in rehearsal. When you’re watching a performance and it feels like something is happening for the first time, it evokes a genuine emotional reaction.
Since the NYC premiere of Alexei Ratmansky's Whipped Cream at American Ballet Theatre's spring gala Monday night, the DS editors haven't stopped talking about its creepy-cute sets and costumes, created by artist Mark Ryden. Well, the obsession is about to get even crazier, because we just heard that Ryden's artwork for the ballet is now on display in not one, but TWO locations in NYC.
Yes, yes, we know: Dancers are athletes as well as artists. But we haven't seen anything hammer home just HOW athletic dancers are quite as well as this video from Self magazine, which features American Ballet Theatre principal/fairy princess Isabella Boylston trying to teach top-level CrossFit enthusiasts ballet.
There's a reason Mia Michaels' nickname is "Mama Mia." The legendary choreographer invests deeply in her dancers, whether they're competitors on "So You Think You Can Dance," members of the Radio City Rockettes, or part of her own elite assistant squad. And now, Michaels is launching a project that aims to give more dancers access to her gifts as a teacher and mentor.
And that's a wrap on "Dancing with the Stars" Season 24, ladies and gents! It's certainly been one for the books. From injuries to shocking eliminations, let's just say Season 24 has had its emotional ups and downs. But despite all that, the season made for some seriously phenom dancing and some killer performances. And as usual, we've loved watching every second of those cha chas, foxtrots, and waltzes.
Let's get right to the exciting stuff, though: Last night's winning couple of "Dancing with the Stars" is...
Nearly 80,000 dance-loving Instagram followers can't be wrong: Quinn Starner is one to watch. And what's just as impressive as the 15-year-old's rabid online following is her ever-growing list of competition accolades. Quinn, who trains at Indiana Ballet Conservatory and Stars Dance Company, been named first runner-up at The Dance Awards for two years in a row (as a junior and a teen); was the 2016 West Coast Dance Explosion Teen National Champion; earned first place in contemporary and third place in the classical division at Youth America Grand Prix Regionals in Pittsburgh last year; has won the Grand Prix Award at ADC|IBC; and was a gold medalist at World Ballet Art Competition Grand Prix. Plus, she made it to the Academy round on last year's "So You Think You Can Dance: The Next Generation," and has performed as Clara in the Radio City Christmas Spectacular. Here's what Quinn has to say about her favorite songs, teachers, and career highlights.
Want a chance to get personally involved in the HOTLY anticipated TV show "World of Dance"? Of course you do. That's why J. Lo. and the rest of the "WOD" team have launched an interactive version of the upcoming NBC series that lets Snapchatters get in on the action.