Lauren Grant in Mark Morris' Mozart Dances. Photo by Stephanie Berger.
She may be small, but Mark Morris Dance Group’s Lauren Grant has a stage presence that’s larger than life. Whether gliding fluidly through Morris’ Mozart Dances or hamming it up as the spunky Marie in The Hard Nut (Morris’ tongue-in-cheek take on The Nutcracker), she commands attention with every inch of her 4' 11" frame. Grant began her dance training when she was 3, eventually studying ballet with Irena Makkai and Inesse Alexandrov and attending summer programs at Boston Ballet and New York University’s Tisch School of the Arts. After earning her BFA from Tisch, she joined MMDG in 1996 and has since appeared in more than 40 of Morris’ works. Today Grant is also on faculty at the company’s school (and married to fellow dancer David Leventhal). Catch her performing this month with MMDG at the Kennedy Center in Washington, D.C. —Margaret Fuhrer
Grant's college audition photo at age 17. Photo courtesy of Lauren Grant.
From the age of 3 your love of dance has been exceptional. You’ve developed the confidence to follow your dream even though so many dismissed your potential because of your unconventional body type. In actuality, your petite stature will serve you well in many of the roles you’ll dance.
As you continue to train, stay open-minded. Remain receptive to the information various teachers offer you. It’s easy to hold on tightly to habits you learned throughout childhood. Adapt, change and grow with enthusiasm.
Never assume you are done learning. As a 15-year veteran with the Mark Morris Dance Group I still spend every day working to better my technique and artistry. When you are ready, explore the texture, quality and musicality of dance. Advance beyond focusing on the look of the steps and play with the dynamics of the entire phrase of movement.
Remember, as a dancer, your job is to communicate with your audience. You chose this field because you’re comfortable speaking through your body. Be eloquent!
Dancing in a company is a social experience. As you strive for personal excellence, don’t neglect the importance of learning how to dance with others. And always interact with patience, generosity and kindness.
The career ahead will be worth every bead of sweat, shed tear and sore muscle. Toi, toi, toi!
With my best wishes,
P.S. A mere bowl of Raisin Bran won’t fuel you through that last attitude promenade of the Rose Adagio (which you’ll perform when you’re 16). Eat better!
The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
For an aspiring ballerina, there's no more exciting place to be than the ABT Studio Company, the pre-professional arm of American Ballet Theatre. The NYC-based troupe of 16- to 20-year-old dancers trains hard and performs harder, putting on multiple shows over the course of each season. We followed ensemble member Léa Fleytoux, a gifted 18-year-old from Paris, France, on a performance day to get an inside look at what it's like to live the Studio Company life.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
For a long time, I was the strongest dancer at my studio. But this year there's a new girl in my class who's very talented, and my teacher's attention has definitely shifted to her. I'm trying not to feel jealous or discouraged, but it seems like my whole dance world has changed. Help!
In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.
Marzia Memoli may be the Martha Graham Dance Company's newest dancer, but her classical lines and easy grace are already turning heads. Originally from Palermo, Italy, Memoli started studying at age 16 at the Academy of Teatro Carcano in Milan. Later, she attended the Rudra Béjart School in Lausanne, Switzerland, before heading to NYC in 2016 to join MGDC. This month, she'll perform The Rite of Spring in the Martha Graham Studio Series in NYC, and tour with the company in Florida. Read on for the dirt.
The union of dance royalty isn't something we take lightly—especially when it's between legendary hip hopper WilldaBeast Adams and dance phenom Janelle Ginestra. (#RelationshipGoals much?) So when we heard we were invited to their Big Day we sort of lost it. (I mean, what does one wear to the wedding of two dance icons? Better yet, what kind of dance moves does one practice for the reception?) Ok, so we might be getting a little ahead of ourselves, because we'll all be able to watch the wedding from the comfort of our own wifi. In true immaBEAST fashion the dance moguls decided to share their special day with devoted fans by streaming it online.