Houston Ballet principal Melody Herrera has been described as “the Audrey Hepburn of ballerinas.” It’s not hard to see the physical resemblance—the delicate frame, the porcelain skin—but Herrera also shares the actress’s dramatic intelligence and beguiling vulnerability. Melody lives up to her own name, too: Her fine-tuned musicality illuminates both the steps and the score, whether she’s playing Marie Antoinette in Stanton Welch’s Marie or dancing Jirí Kylián's contemporary ballet Petite Mort.
Born in Santa Cruz, CA, Herrera began her training at Santa Cruz Ballet Theatre. At 13, she started attending summer programs at Houston Ballet’s Ben Stevenson Academy, which led to a year with Houston Ballet II when she was 17. In 2001, she joined the main company, and in 2008 she was made a principal. Today, Herrera plays one of her most important roles offstage: Mom to 6-year-old son Isaac. —Margaret Fuhrer
I want to share with you the wisdom I’ve gained by making many mistakes and a few good choices.
Start setting goals for yourself now—goals with time frames. They’ll help you maintain your focus each day in the studio. Realize that these goals need to be challenging enough to push you, but not so challenging that they become discouraging.
Moments of disappointment will make you doubt yourself, but learning to persevere in the face of misfortune is one of life’s most valuable lessons.
Go out with friends and have fun—in moderation. This is the time to learn how to take care of your body, just as a musician keeps his instrument in good condition. The better you treat yourself now, the longer your instrument will play beautiful music.
Watch and learn. You’re fortunate enough to be surrounded by talented dancers. Be a sponge, and absorb not only the corrections given to you, but also the ones given to others.
Be brave. Don’t let your flaws make you timid. Draw strength from what you believe, and from all the people who love and support you. You are not alone.
What's better than a good dance joke? They're corny, they're punny, and they're exactly what you need to get you through long Nutcracker days. These 10 jokes are guaranteed to put a smile on your face—no matter how much your feet are hurting.
Some might say Charlize Glass' fame kicked off with a single three-letter word. In 2014, Beyoncé shared a video of the then–12-year-old dancer performing to "Yoncé" on Instagram, along with a simple caption: "WOW!"
But by that point, the hip-hop mini had already performed at the MTV Video Music Awards and on "The Ellen DeGeneres Show," and won first runner-up with her crew, 8 Flavahz, on "America's Best Dance Crew." And her Queen Bey Insta shout-out wasn't even the pinnacle of her tween career: She earned a spot on The PULSE On Tour as an Elite Protégé for the 2014–2015 season, and performed with Missy Elliott at the Super Bowl XLIX Halftime Show in 2015.
These days, the 16-year-old spends her time touring the country as Brian Friedman's assistant at Radix Dance Convention and blowing up YouTube and Instagram with her class-video cameos. And while the Char Char we fell in love with was a hip-hop cutie pie, the more mature artist we see today is sure to rock the dance world for years to come.
You're obsessed with class videos. We're obsessed with class videos. The passion, energy, and talent showcased in these clips, which give us an insider-y peek at the commercial dance world's hottest classes, are totally irresistible.
But at what point does the phenomenon go from being a good thing to a bad thing for dancers and the dance world? Is the focus on filming distracting from the work dancers are supposed to be doing in class? Are overproduced videos presenting a dangerously misleading picture of the dance world? Is the pressure to be a class video star becoming too much for dancers to handle? These are some of the questions A-list dancer and choreographer Ian Eastwood—no stranger to the class video himself—has been asking on Twitter. And they've sparked a lively, important debate.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
"So you Think You Can Dance" Season 14 finalists Lex Ishimoto and Taylor Sieve shocked fans at home (at least the ones who hadn't thoroughly scoured their respective Instagrams) during Episode 14, when choreographer Mia Michaels asked if either of them had ever experienced "the kind of love that takes your breath away." They confessed that, yup, they had—with each other. The two met at The Dance Awards in the summer of 2016, where they were each named Senior Best Dancer, and went on to tour with the convention as assistants. Before long—and long before their "SYTYCD" journey—they became a couple.
Take a look at Dance Spirit's exclusive interview where they dish on everything from their favorite dates to the dance moves that give them all the feels.
There's a surprising twist to Regina Willoughby's last season with Columbia City Ballet: It's also her 18-year-old daughter Melina's first season with the company. Regina, 40, will retire from the stage in March, just as her daughter starts her own career as a trainee. But for this one season, they're sharing the stage together.
Yes, we all know dancers are strong. But sometimes it takes a truly epic workout video to remind us JUST HOW INSANELY STRONG they actually are.
Behold, National Ballet of Canada principal Svetlana Lunkina's oh-so-casual pre-class exercise:
Dance Spirit is beyond excited to announce the first round of 2017 Future Star winners! Every year, DS partners with competitions to recognize dancers with exceptional presence and ability. The second round of winners will be featured in our January issue, so stay tuned!