When Suzi Taylor started choreographing and teaching more than 20 years ago, lyrical dance was just beginning to grow in popularity. Now, Taylor has gained international renown for her lyrical jazz style: In addition to her long-term teaching commitments at New York City Dance Alliance and Steps on Broadway, she’s choreographed and led workshops in countries as varied as Brazil, Japan, Italy, France, Canada, Israel and Scotland!
Originally from La Cañada Flintridge, CA, Taylor started training at what is now the Pasadena Dance Theater. At 18, she moved to NYC, where she studied at The Ailey School and with ballet dancers Finis Jhung and Robert Blankshine. She began subbing at Steps in the late 1980s, and was soon asked to join the faculty. Taylor threw herself into teaching, but throughout her 20s and 30s continued to perform, often making guest appearances with the companies for which she was teaching and choreographing. Taylor’s lyrical choreography—easily recognizable for its unique mix of control and abandon—is now seen at NYCDA conventions across the country, and her much-loved Steps classes are routinely packed. —Amy Smith
To my younger self,
You have so many dreams and aspirations—so many goals you think are set in stone. Remember that dreams are there to guide you, but they don’t always lead you in just one direction. Be open to paths that might not end at your original ideal.
Be inspired by other dancers, but not intimidated by them. Learn from your teachers, but don’t let them tear you down. Work hard—it will bring results—but remember that perfection is elusive. Technique is key, but presence, strength, grace and vulnerability are what make an artist special.
Pay attention to your body. Let it heal when you’re hurting and rest when you’re weary. Doing so will save you so much pain later. And you’re going to want to dance for a long time!
You will have opportunities to travel to amazing places, work with gifted dancers and meet truly wonderful people. Appreciate every moment, because you will treasure these memories forever. And let love and family keep you balanced. You can have it all—maybe just not quite the way you expected.
It’s a wonderful life ahead. Keep dreaming, smiling and dancing!
The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
For an aspiring ballerina, there's no more exciting place to be than the ABT Studio Company, the pre-professional arm of American Ballet Theatre. The NYC-based troupe of 16- to 20-year-old dancers trains hard and performs harder, putting on multiple shows over the course of each season. We followed ensemble member Léa Fleytoux, a gifted 18-year-old from Paris, France, on a performance day to get an inside look at what it's like to live the Studio Company life.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
For a long time, I was the strongest dancer at my studio. But this year there's a new girl in my class who's very talented, and my teacher's attention has definitely shifted to her. I'm trying not to feel jealous or discouraged, but it seems like my whole dance world has changed. Help!
In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.
Marzia Memoli may be the Martha Graham Dance Company's newest dancer, but her classical lines and easy grace are already turning heads. Originally from Palermo, Italy, Memoli started studying at age 16 at the Academy of Teatro Carcano in Milan. Later, she attended the Rudra Béjart School in Lausanne, Switzerland, before heading to NYC in 2016 to join MGDC. This month, she'll perform The Rite of Spring in the Martha Graham Studio Series in NYC, and tour with the company in Florida. Read on for the dirt.
The union of dance royalty isn't something we take lightly—especially when it's between legendary hip hopper WilldaBeast Adams and dance phenom Janelle Ginestra. (#RelationshipGoals much?) So when we heard we were invited to their Big Day we sort of lost it. (I mean, what does one wear to the wedding of two dance icons? Better yet, what kind of dance moves does one practice for the reception?) Ok, so we might be getting a little ahead of ourselves, because we'll all be able to watch the wedding from the comfort of our own wifi. In true immaBEAST fashion the dance moguls decided to share their special day with devoted fans by streaming it online.