Madonna's Bulls, Sia's Alter-Egos: Dance Highlights of the 2015 Grammys
Yes, the Grammys are all about the music. But they inevitably also feature a bunch of great dancers. And this year, those dancers seemed to play especially large roles—from Maddie Ziegler as Baby Sia to Katy Perry's shadow selves. Without further ado, here are the top five highlights from last night's show.
5. Lady Gaga danced cheek to cheek with Tony Bennett. OK, it wasn't the danciest moment of the night, but how amazing was Gaga's duet with one of music's all-time greats? Not only did both show off their legendary pipes, but they threw in a little waltz around the stage for good measure. The whole thing was pitch-perfect, literally and figuratively.
4. Pharrell showed us a different kind of "Happy." Whoa, we didn't think there was any way this song could go dark and moody, but somehow Pharrell managed to make a boppy unicorn-and-rainbow tune into an emotionally-charged anthem. It was intense. And the sweats-clad crew of dancers brought things to the next level.
3. Katy Perry went gospel. Much as we loooove us some dancing sharks, we were excited to see Katy Perry do a complete 180 from her over-the-top Super Bowl show. Her stripped-down performance of "By the Grace of God"—a tribute to survivors of domestic violence—was perfectly complemented by its sole decoration: a simple white scrim on which the shadows of two Katy-proxies danced.
2. Madonna got her bullfighter on. Well, here's something we didn't see coming: Madonna decided to go all matador on us, performing "Living for Love" complete with a team of dancing, bedazzled man-bulls. The whole woman-on-a-giant-red-table-surrounded-by-shirtless-men thing is actually straight out of Belgian choreographer Maurice Béjart's playbook—take a look at his Boléro, choreographed way back in 1961 and still performed frequently by the Paris Opéra Ballet. Also, we totally spy Madge favorite Lil Buck among the bulls! (The Grammys performance isn't available online, but here's the official video for "Living for Love," complete with bull-dudes:)
1. SIA OMG SIA. Unsurprisingly, Sia declined to show her face during last night's performance of "Chandelier." Unsurprisingly, the amazing Maddie Ziegler was there to play Bizarro Sia, and unsurprisingly, she was fantastic. But that's not to say this act was devoid of surprises. Because grown-up dancing Sia? That was "Saturday Night Live" alum Kristen Wiig. And she was great! Turns out, Wiig actually studied ballet for several years. We loved the crazy-quirky rapport she developed onstage with Maddie. (Also, "Wiig in a wig" is our new favorite phrase.)
What did you all think? Did you love or loathe Madonna's bull-dudes? Are you currently watching the Sia performance on repeat? On a scale of 1 to COMPLETELY DEVASTATED, how sad are you that Beyoncé's performance was basically dance-free???
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
The dancers who take our breath away are the risk-takers, the ones who appear completely fearless onstage. "When you see somebody trying to travel more, go farther, push the limits of their physical abilities, that's always going to be inspiring," says Ballet BC dancer Alexis Fletcher.
But dance training can feel like it's in conflict with that idea. We spend thousands of hours in the studio trying to do steps perfectly, and that pursuit of perfection can make us anxious about taking risks. What if we fail? What if we fall?
Luckily, fearlessness is a mental skill that you can work on, just as you work on your technique. Here's how you can learn to push yourself past your limits.
If you're in need of a piece that's both trendy and sophisticated, look no further than this Só Dança crop top. Featuring elegant long sleeves, a high neckline, and a delicate lace trim, it's both classic and contemporary—perfect for everything from that big audition to a long night in the studio. Enter below for your chance to win it!
Auditioning for summer intensives in person may be the ideal—but for Anna McDowell, a 16-year-old student at Juneau Dance Theatre in Juneau, AK, it's rarely possible. “Living in Alaska, it's difficult to travel to auditions," she says. “It gets way too expensive!" Instead, each year, with help from her teachers and a videographer, she puts together a well-crafted video and submits it to schools around the country. Last year, her high-quality video helped her earn acceptance to nearly every program she applied for. Most summer intensive programs, eager to attract students from far and wide, will accept video auditions from those who can't travel to take class. But major schools look at hundreds of submissions each year, which means video auditioners have just a few minutes—or even seconds—to make a great impression. If you're about to create an audition video, follow these tips from the professionals to put your best digital foot forward.
There are zillions of things to think about when choosing a summer program, but here's one you might not have considered: using an intensive as an opportunity to focus on a new style. Maybe you're a tap dancer who's ready to see where else your rhythm and quick feet can serve you, or a contemporary dancer curious about the more traditional roots of your genre. A summer program can be the perfect place to broaden your horizons, giving you the opportunity to make technical and artistic changes that stick throughout the year.
Happy birthday, George Balanchine! The great choreographer and founder of New York City Ballet would have been 114 years old today. Balanchine revolutionized ballet, especially American ballet—and he also had quite a way with words. To celebrate Mr. B's birthday, we rounded up some of our favorite iconic Balanchine quotes.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.