Making Your Own Luck
(L to R) Keltie, Allie Meixner and Chantel Aguirre backstage before a performance with Beyoncé at the 2011 Billboard Music Awards
Some people might call me lucky: I’ve performed alongside Taylor Swift and Beyoncé, spent six seasons as a Radio City Rockette and have more than 20 music videos under my belt. But if there’s one thing I’ve learned, it’s that as dancers we have to make our own luck. You’ve heard about being in the right place at the right time, but it’s so much more than that. A successful career isn’t just about being talented—it’s about making yourself known and cultivating personal relationships with choreographers, agents and fellow dancers. Read on for tips to help you get the job.
Be a Familiar Face
Find one memorable trait people can associate with your name—like a unique haircut, accessory or lipstick shade. For years I wore a striped bandana scarf around my head, ninja style. I became known as the “girl in the headscarf.” If you’re unsure what your “thing” could be, talk to your agent. “We work hard to find that one thing that makes each of our clients special and different,” says Brandon Sierra, an agent at Clear Talent Group. “We help them discover fresh ways to stand out while still being able to adapt to what choreographers are looking for.” Don’t have an agent? Ask a fashion-forward friend who knows your personal style for advice.
You’ve booked your first job. Hooray! But how can you make sure the choreographer will hire you again? Be on time, work hard and take corrections—but most importantly, make sure everyone you work with has your contact information. I have small business cards that I keep in my wallet; then it’s easy to hand out my information at the end of a shoot. Also, a simple “thank you” to the choreographer—both in person and in a follow-up email—goes a long way.
Keltie on the set of Christina Perri’s “Jar of Hearts” music video
Keep in mind that most choreographers and directors meet and work with hundreds of dancers each month, so the next time you see a choreographer you’ve worked with, reintroduce yourself. Remind him or her where you worked together and how great you thought the project turned out. My only caution: Be careful with your timing. Don’t bother a choreographer who’s busy and be aware of when your time is up. It can take three or four meetings before someone remembers you, but it will be worth it!
When Sarah Mitchell, who has worked with Christina Aguilera and Katy Perry and starred in E!’s “The Dance Scene,” first booked a commercial with Aguilera choreographer Jeri Slaughter, she was nervous: She knew this relationship could lead to great things and wanted to continue working for him. “I made sure I handled everything I could control well,” Sarah says. “I was on time, I knew the choreography and I worked hard.” It paid off: Not only did she book more jobs with Slaughter, but he also helped jump-start Sarah’s career by recommending her for other jobs. “People saw me dancing on his jobs and wanted to hire me,” Sarah says. “I’m so grateful!”
Make Sincere Friendships
The dance and commercial worlds are all about relationships. It’s important to treat everyone you meet with respect and start every job with humility. One of the most important things you can do in your dance career is make long-lasting friendships with fellow dancers. At some point, someone is going to ask one of your friends if he or she knows anyone who want to work—and they’re going to recommend you! “You need to develop sincere friendships, because you never know when the girl you loaned your jazz shoes to will be the one casting the next big movie,” says musical theater and commercial dance veteran Allie Meixner.
Never create false friendships or use people to get ahead. It might seem like an easy way to book the job you want next week, but taking advantage of others will hurt your chances of building a long-term career. The key to success is to be a great person first and a great dancer second.
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
The dancers who take our breath away are the risk-takers, the ones who appear completely fearless onstage. "When you see somebody trying to travel more, go farther, push the limits of their physical abilities, that's always going to be inspiring," says Ballet BC dancer Alexis Fletcher.
But dance training can feel like it's in conflict with that idea. We spend thousands of hours in the studio trying to do steps perfectly, and that pursuit of perfection can make us anxious about taking risks. What if we fail? What if we fall?
Luckily, fearlessness is a mental skill that you can work on, just as you work on your technique. Here's how you can learn to push yourself past your limits.
The 2018 Oscar noms are here. Which is fun and all; we'll never not get excited about a night of glitz and glamor and, when we're lucky, pretty great dancing. But we'd be a heck of a lot more excited if the Academy Awards included a Best Choreography category. And really—why don't they?
Maud Arnold is one of the busiest tap dancers on the planet. As a member of the Syncopated Ladies, Maud—along with her big sis and fellow tapper Chloé Arnold—is on constantly the road for performances, workshops, and master classes. For the average person, that kind of schedule could lead to a serious derailment of healthy habits. But Maud's far from average. Here's how the fit, fierce, flawless tap star stays stage-ready—no matter what time zone she finds herself in.
If you're in need of a piece that's both trendy and sophisticated, look no further than this Só Dança crop top. Featuring elegant long sleeves, a high neckline, and a delicate lace trim, it's both classic and contemporary—perfect for everything from that big audition to a long night in the studio. Enter below for your chance to win it!
Auditioning for summer intensives in person may be the ideal—but for Anna McDowell, a 16-year-old student at Juneau Dance Theatre in Juneau, AK, it's rarely possible. “Living in Alaska, it's difficult to travel to auditions," she says. “It gets way too expensive!" Instead, each year, with help from her teachers and a videographer, she puts together a well-crafted video and submits it to schools around the country. Last year, her high-quality video helped her earn acceptance to nearly every program she applied for. Most summer intensive programs, eager to attract students from far and wide, will accept video auditions from those who can't travel to take class. But major schools look at hundreds of submissions each year, which means video auditioners have just a few minutes—or even seconds—to make a great impression. If you're about to create an audition video, follow these tips from the professionals to put your best digital foot forward.