Remember that feeling you used to get on Christmas morning, as you ran downstairs to see what presents were waiting for you under the tree? That’s how I felt walking into the Juilliard Dances Repertory concert last night. The annual showcase gives Juilliard’s stable of dancers a chance to tackle well-known contemporary works. And every year, new faces have big breakout moments. Hence the Christmas-tree feeling: What phenomenal young dancers will surprise us this time around?
This year’s lineup includes works by Jose Limón (The Waldstein Sonata), Nacho Duato (Gnawa) and Ohad Naharin (Secus). Three very big names—and three very different styles. It was wonderful to see Maddie Swenson, one of last year’s Cover Model Search finalists, come into her own in Gnawa, and to discover the delightfully odd Kyle Scheurich (who reminds me of recent Juilliard alum Billy Barry—right down to his topknot) in Secus. But I left thinking less about individual dancers and more about the remarkable range all these young artists have. To be able to transform themselves into celestial innocents in the Limón, sensual mystics in the Duato and alien flashers (!) in the Naharin—how extraordinary is that?