Chapman as Myrta in "Giselle." Photo by Angela Sterling.
With her serene stage presence and powerful, statuesque frame, Pacific Northwest Ballet principal Maria Chapman embodies both grace and strength. The ballerina began studying dance intensively at Terpsichore Co., Ltd., in Atlanta, GA, and continued her training on full scholarship at the School of American Ballet in NYC. Chapman first came to PNB as an apprentice in 1995, joined the main company in 1996 and steadily climbed through the ranks, achieving the title of soloist in 2005 and principal in 2009. Though Seattle audiences know her for her vibrant performances of George Balanchine’s A Midsummer Night’s Dream and Twyla Tharp’s Nine Sinatra Songs, her work extends beyond the theater: In 1998 she helped create Second Stage, a PNB program that supports dancers transitioning into other careers. Check out Chapman performing this month in PNB’s “Love Stories” program. —Amy Smith
Chapman at age 12 in the Boston Ballet summer program. Photo courtesy Maria Chapman.
You are growing up so fast—slow down! You are in a wonderful phase of your life and it will be gone before you realize it. You have the skills you need to take care of yourself, but you don’t have to act like an adult yet. Don’t take yourself so seriously!
Realize that your friends are going through the same things you are. Don’t be afraid to talk to them about your feelings. You will all be friends for life, so you should begin supporting each other now.
Don’t be embarrassed about starting your intensive ballet training a little “late.” You will still make it! You don’t realize it now, but you actually started preparing for your ballet career before you knew it. Gymnastics, running track, playing the violin—these things gave you great tools. Use them. And keep running. It will help you get through that crazy growth spurt!
Whenever you’re frustrated, do something that makes you happy. Taking pleasure in ballet class—or even just homework—will make your problems easier to handle. You are going to dance for a long time, through many ups and downs; keeping a positive attitude will make a huge difference.
Be sweet to and confident in yourself. Know that just being you is enough. You don’t have to change anything!
The grown-up, ballerina you,
It's time to get your pirouette on! From September 5th to September 30th, we're hosting a contest to find out who's the best turner of them all.
Put together your most impressive turning combo. Post a video online. Share your turns with us and thousands of other dancers around the world. And if our editors think you're the top turner, you'll win a fabulous prize.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
I know I'm not getting good enough dance training from any of my local studios. But I'm not sure I'm ready to move away to study at a big-name school, either. How do you know when you're ready to leave home to pursue your passion?
Instagram star Kylie Shea has built a following of nearly 170,000 with her playful workout videos, which combine traditional fitness activities, like jumping rope or running on the treadmill, with pointe shoes and sassy choreography. Shea's effortless cool-girl-next-door vibe and solid ballet technique make her vids totally irresistible.
Now Shea's using her platform to address the body image issues that tend to plague dancers. In a poignant video, she sheds her clothes and tugs at her skin. The caption explains her relationship with her body and the pressure she feels to maintain a certain aesthetic as a dancer.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Think about it: How often do you see a ballet pas de deux for two women? Almost never, right? Sometimes, choreographers will forgo the traditional danseur-ballerina pas to make a duet for two guys, since they can lift and partner each other easily. But a dance for two ballerinas is a rare thing.
That's part of what makes "Duet," a new video by director Andrew Margetson featuring Royal Ballet beauties Yasmin Naghdi and Beatriz Stix-Brunell, so compelling.