Some of "Matlida"'s amazing kid stars swing it out. Photo by Joan Marcus.
I was a tad nervous when I walked into the the Shubert theater to see Matilda: The Musical, the Broadway adaptation of Roald Dahl's story that officially opens tonight. The book manages to present this weird, perfect mix of cynicism and hopefulness—it walks that line only Roald Dahl can really walk—and I was worried that a big musical production might iron all of its nuances right out.
Was I ever wrong. There's nothing super-Disney about this show (though the kids in the audience still went absolutely wild for it), and thank goodness. Tim Minchin's music and lyrics don't drown the story in pounds of sugar—they keep the book's sharp edge and wit, even during the naturally mushier moments.
And the CAST, you guys! First of all, there are the four little wünderkinds who alternate playing Matilda, the kid genius with telekinetic powers. For anyone under the age of 12 to carry a show is pretty darn impressive (see: Billy Elliot's Billys), but the Matilda I saw, Milly Shapiro, was already holding the stage like a seasoned veteran. That's not to mention the other youngsters who play Matlida's classmates, all of whom manage to develop memorable characters. (Jared Parker, aka Nigel: You are my hero. I'll hang out with you in Chokey anytime.)
And then there's Miss Trunchbull. Oh, man, Miss Trunchbull. Let's put it this way: She's played by a he (Bertie Carvel). She's the most delightfully nasty, icky, terrifying school headmistress you'll ever meet. And she totally steals the show.
Oh, and there's a TON of very dance-y dancing—which isn't a surprise, given that the choreographer is Billy Elliot's Peter Darling. You get everything from a flashy spoof on competitive ballroom dance to a sweet number involving playground swings. And that explains why the rest of the cast is filled out with some of our favorite Broadway dancers—including cutie Ryan Steele, of newspaper-fouettéing Newsies fame.
The short version of this rant? Matilda is a musical that brings Roald Dahl's crazy world to sharp, hilarious, wonderful life. See it!
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.
The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
For a long time, I was the strongest dancer at my studio. But this year there's a new girl in my class who's very talented, and my teacher's attention has definitely shifted to her. I'm trying not to feel jealous or discouraged, but it seems like my whole dance world has changed. Help!
In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.
Marzia Memoli may be the Martha Graham Dance Company's newest dancer, but her classical lines and easy grace are already turning heads. Originally from Palermo, Italy, Memoli started studying at age 16 at the Academy of Teatro Carcano in Milan. Later, she attended the Rudra Béjart School in Lausanne, Switzerland, before heading to NYC in 2016 to join MGDC. This month, she'll perform The Rite of Spring in the Martha Graham Studio Series in NYC, and tour with the company in Florida. Read on for the dirt.