Meet the Editors
Margaret Fuhrer, Editor in Chief
Photo by Erin Baiano
When I was 3, I told my mom that I wanted to be a ballerina. She thought I just wanted a tutu, so she made me one—but she quickly discovered I was serious! Two years later I started taking ballet classes, and I've been dancing ever since. During high school I attended summer programs at the Chautauqua Institution and Boston Ballet, and performed with a youth ballet company. Bad knees kept me from auditioning for professional groups, so I ended up at Princeton University, where I discovered choreography (and hip hop!) in a fantastic student-run dance troupe, diSiac Dance Company. College was also where I fell in love with writing. After graduation I pursued a master's degree in journalism as part of New York University's Cultural Reporting and Criticism program (where I met my idol, New Yorker dance writer Joan Acocella). Now I'm lucky enough to be combining all of my passions at Dance Spirit.
Courtney Bowers, Managing Editor
Photo by Nathan Sayers
For my first tap performance, at age 5, I wore the world's itchiest blue tutu—but I couldn't have cared less, because from that moment on I was absolutely in love with being onstage. A few years later, I got into musical theater dance and began attending summer programs at Broadway Dance Center. While studying at Georgia State University, I performed in regional productions—Chicago, Thoroughly Modern Millie, 42nd Street—and also discovered my love of magazine journalism. After working for a few years at a publishing company in Atlanta, I decided it was finally time to make the move to NYC. Now, I'm beyond grateful to be merging my passions here at Dance Spirit.
Olivia Manno, Assistant Editor
Photo by Lucas Chilczuk
I was 4 years old when my mom thought it would be a good idea to put me on a pony rather than in a dance class. 18 years later, I have no regrets—I had an incredible competitive horseback riding career—but the itch to dance never really disappeared. So, instead of attempting an art form that takes a lifetime to master (not to mention some serious natural ability), I decided to admire dance as a spectator and a student. Attending New York University as a fine arts major was especially eye-opening. There was so, so much amazing dance within NYC. I started going to New York City Ballet and to shows at the Joyce Theater as much as possible, and was lucky enough to witness works of every dance genre by some insanely talented student-choreographers at NYU. Now I'm reading and writing about dance all day, and I couldn't be more excited!
Helen Rolfe, Assistant Editor
Photo by Erin Baiano
Because she knew I'd end up tall (I'm just over 5'10"), my mom thought I should learn to stand up straight and wear my height with pride. So she put me in a combination ballet/tap class when I was 4—and I hated it right off the bat. Everything changed a few years later, when I realized working hard meant improved technique and—even better—time in the spotlight! I tackled every style I could get my hands on in my hometown of Norfolk, VA, and on weekend trips to D.C. and NYC. During high school, I trained in musical theater at the Governor's School for the Arts and spent summers at the Rockettes Summer Intensive, Ballet Chicago and Interlochen Arts Camp before moving to NYC to model professionally. After four years studying Japanese, dance and philosophy at Connecticut College, I'm thrilled to be living my dance-writing dreams in the greatest city in the world. (Yes, that was a Hamilton reference!)
Katherine Beard, Assistant Editor
Photo by Jayme Thornton
I started studying ballet at three years old, and have been smitten with it ever since. When I was seven, my mom asked me why I liked dancing so much, and I told her that when I danced nothing else mattered and everything just made sense. (Although I 'm not gonna lie—the gorgeous tutus were a major draw, too.) Though I've tried to quit ballet, the little girl within just won't relent. After working at Marie Claire, U.S. News & World Report , and The New York Times, as well as a stint in Africa, I now get to combine my passion for journalism and my love of dance, working at the company that nurtured my dreams of tutus and pointe shoes to begin with.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.
The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
For a long time, I was the strongest dancer at my studio. But this year there's a new girl in my class who's very talented, and my teacher's attention has definitely shifted to her. I'm trying not to feel jealous or discouraged, but it seems like my whole dance world has changed. Help!
In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.