Meet the Editors
Margaret Fuhrer, Editor in Chief
Photo by Erin Baiano
When I was 3, I told my mom that I wanted to be a ballerina. She thought I just wanted a tutu, so she made me one—but she quickly discovered I was serious! Two years later I started taking ballet classes, and I've been dancing ever since. During high school I attended summer programs at the Chautauqua Institution and Boston Ballet, and performed with a youth ballet company. Bad knees kept me from auditioning for professional groups, so I ended up at Princeton University, where I discovered choreography (and hip hop!) in a fantastic student-run dance troupe, diSiac Dance Company. College was also where I fell in love with writing. After graduation I pursued a master's degree in journalism as part of New York University's Cultural Reporting and Criticism program (where I met my idol, New Yorker dance writer Joan Acocella). Now I'm lucky enough to be combining all of my passions at Dance Spirit.
Courtney Bowers, Managing Editor
Photo by Nathan Sayers
For my first tap performance, at age 5, I wore the world's itchiest blue tutu—but I couldn't have cared less, because from that moment on I was absolutely in love with being onstage. A few years later, I got into musical theater dance and began attending summer programs at Broadway Dance Center. While studying at Georgia State University, I performed in regional productions—Chicago, Thoroughly Modern Millie, 42nd Street—and also discovered my love of magazine journalism. After working for a few years at a publishing company in Atlanta, I decided it was finally time to make the move to NYC. Now, I'm beyond grateful to be merging my passions here at Dance Spirit.
Olivia Manno, Assistant Editor
Photo by Lucas Chilczuk
I was 4 years old when my mom thought it would be a good idea to put me on a pony rather than in a dance class. 18 years later, I have no regrets—I had an incredible competitive horseback riding career—but the itch to dance never really disappeared. So, instead of attempting an art form that takes a lifetime to master (not to mention some serious natural ability), I decided to admire dance as a spectator and a student. Attending New York University as a fine arts major was especially eye-opening. There was so, so much amazing dance within NYC. I started going to New York City Ballet and to shows at the Joyce Theater as much as possible, and was lucky enough to witness works of every dance genre by some insanely talented student-choreographers at NYU. Now I'm reading and writing about dance all day, and I couldn't be more excited!
Helen Rolfe, Assistant Editor
Photo by Erin Baiano
Because she knew I'd end up tall (I'm just over 5'10"), my mom thought I should learn to stand up straight and wear my height with pride. So she put me in a combination ballet/tap class when I was 4—and I hated it right off the bat. Everything changed a few years later, when I realized working hard meant improved technique and—even better—time in the spotlight! I tackled every style I could get my hands on in my hometown of Norfolk, VA, and on weekend trips to D.C. and NYC. During high school, I trained in musical theater at the Governor's School for the Arts and spent summers at the Rockettes Summer Intensive, Ballet Chicago and Interlochen Arts Camp before moving to NYC to model professionally. After four years studying Japanese, dance and philosophy at Connecticut College, I'm thrilled to be living my dance-writing dreams in the greatest city in the world. (Yes, that was a Hamilton reference!)
Katherine Beard, Assistant Editor
I started studying ballet at three years old, and have been smitten with it ever since. When I was seven, my mom asked me why I liked dancing so much, and I told her that when I danced nothing else mattered and everything just made sense. (Although I 'm not gonna lie—the gorgeous tutus were a major draw, too.) Though I've tried to quit ballet, the little girl within me just won't relent. After working at Marie Claire, U.S. News & World Report , and The New York Times, now I get to combine my passion for journalism and my passion for dance, working at the company that nurtured my dreams of tutus and pointe shoes to begin with.
Kalani Hilliker made "Dance Moms" fans sit up a little straighter when she first appeared on "Abby's Ultimate Dance Competition" back in 2013. The then–12-year-old ballerina had charisma, she had sass—and, wow, did she have technique! Abby Lee Miller, the show's infamous host, saw Kalani's star potential from the start, saving her from elimination and ultimately inviting her to perform alongside Maddie Ziegler on Season 4 of "Dance Moms." "I was never supposed to be on 'Dance Moms' beyond that one performance," says Kalani, now 16, but she ended up staying on the show for the whole season—and the following three. "It was my first time, but not my last time, causing drama. And it was also the first time I got to meet the other dancers, who have become like sisters."
Acupuncture has proven benefits for reducing pain and getting dancers back on their feet, but it's also a way to treat your overall well-being—in both mind and body. "Acupuncture works very holistically," says Cassandra Krug, licensed acupuncturist at the Acupuncture Clinic of Boulder, in Boulder, CO. "Even if you come in because of ankle pain, we're looking at your whole body. We're trying to return you to a place of homeostasis, or balance."
Peter Schmidt, a licensed acupuncturist who works with Pacific Northwest Ballet dancers, thinks that acupuncture—when combined with the work of dancer-friendly Western doctors, physical therapists, and orthopedists—results in a higher success rate for his patients. "Acupuncture can't address everything," he says. "But for things that are bothering you that don't show up on an X-ray or MRI, acupuncture could help." Is acupuncture right for you? We talked to the experts to find out what dancers should know before going under the needle.
Before we get into this week's recap, let's all show some love for Travis Wall, who had a day yesterday. Just hours before "So You Think You Can Dance" was set to air, Wall was at Disneyland (with friend and "Modern Family" star and aspiring Shaping Sound member Jesse Tyler Ferguson, NBD), where he found himself at a bit of a standstill—literally. "Not gonna be able to make 'So You Think' tonight...because I'm stuck on Indiana Jones," Wall shared on Instagram yesterday afternoon.
But hooray! He eventually did get off the stalled ride, and was in the audience alongside Mandy Moore. We're glad you made it, Travis!
On to the show:
This week, the Top 9 performed solos and duets with their All Stars. You know the drill. As always, we'll skip the solos and get right to the good stuff. (Though the solos were, like last week, so good.) Here's how it all went down.
To say that three-time-Emmy-nominated choreographer and dancer Stacey Tookey is in demand is an understatement. One glance at her resumé says it all: She's worked with artists like Celine Dion, Justin Timberlake, and Michael Bublé; performed with R.A.W. (Mia Michaels' dance company), Parsons Dance Project, and Ballet British Columbia; choreographed viral music videos like Christina Perri's "Jar of Hearts" and Ingrid Michaelson's recent "Celebrate"; presented full-length works for Los Angeles Ballet and Cincinnati Ballet; and formed her own contemporary company, STILL MOTION. She's currently marking her 10th season choreographing for and judging on "So You Think You Can Dance," which is where she racked up those Emmy noms.
Tulle is the common thread (or should we say fabric?) that has woven its way through the course of Janay Robison's life: She's handled the delicate netting in one way or another since the age of 7. Once a soloist on her university's ballet company, she's now an emerging designer in the wedding dress industry, and has seamlessly transitioned from tutus to big-day gowns.
Robison is currently one of Utah's leading ladies in fashion. She launched Utah Fashion Week, an event that has grown to incorporate over 50 local designers and hundreds of models, make-up artists, and hair stylists, in 2014, and has had her gowns featured in several magazines. But she's found ways to pay homage to her past life as a dancer—and to use her dance knowledge in her new business. From her work ethic to her designs, Robison says ballet has given her a solid foundation from which to launch a successful wedding dress line. Check out our interview with this talented artist, and discover how she's combined her passion for dance and her love of fashion.
Yesterday, Chrissy Teigen posted an Instagram video of her trying out a pair of pointe shoes, with a hand from husband John Legend.
Yes, Teigen is obviously not a trained dancer. Yes, she looks pretty awful in the video. Yes, she could've hurt herself. Dancers and dance fans have been quick to point out all of these facts in many a comments section.
But this video is not the next Kendall Jenner-esque ballet fiasco. And here's why.
P!nk's intense, addictive new single "What About Us" is an anthem worthy of blasting during a killer cross-training sesh, scream-singing out the car window, and inspiring some truly incredible movement.