Meet the Editors
Margaret Fuhrer, Editor in Chief
Photo by Erin Baiano
When I was 3, I told my mom that I wanted to be a ballerina. She thought I just wanted a tutu, so she made me one—but she quickly discovered I was serious! Two years later I started taking ballet classes, and I've been dancing ever since. During high school I attended summer programs at the Chautauqua Institution and Boston Ballet, and performed with a youth ballet company. Bad knees kept me from auditioning for professional groups, so I ended up at Princeton University, where I discovered choreography (and hip hop!) in a fantastic student-run dance troupe, diSiac Dance Company. College was also where I fell in love with writing. After graduation I pursued a master's degree in journalism as part of New York University's Cultural Reporting and Criticism program (where I met my idol, New Yorker dance writer Joan Acocella). Now I'm lucky enough to be combining all of my passions at Dance Spirit.
Courtney Bowers, Managing Editor
Photo by Nathan Sayers
For my first tap performance, at age 5, I wore the world's itchiest blue tutu—but I couldn't have cared less, because from that moment on I was absolutely in love with being onstage. A few years later, I got into musical theater dance and began attending summer programs at Broadway Dance Center. While studying at Georgia State University, I performed in regional productions—Chicago, Thoroughly Modern Millie, 42nd Street—and also discovered my love of magazine journalism. After working for a few years at a publishing company in Atlanta, I decided it was finally time to make the move to NYC. Now, I'm beyond grateful to be merging my passions here at Dance Spirit.
Olivia Manno, Assistant Editor
Photo by Lucas Chilczuk
I was 4 years old when my mom thought it would be a good idea to put me on a pony rather than in a dance class. 18 years later, I have no regrets—I had an incredible competitive horseback riding career—but the itch to dance never really disappeared. So, instead of attempting an art form that takes a lifetime to master (not to mention some serious natural ability), I decided to admire dance as a spectator and a student. Attending New York University as a fine arts major was especially eye-opening. There was so, so much amazing dance within NYC. I started going to New York City Ballet and to shows at the Joyce Theater as much as possible, and was lucky enough to witness works of every dance genre by some insanely talented student-choreographers at NYU. Now I'm reading and writing about dance all day, and I couldn't be more excited!
Helen Rolfe, Assistant Editor
Photo by Erin Baiano
Because she knew I'd end up tall (I'm just over 5'10"), my mom thought I should learn to stand up straight and wear my height with pride. So she put me in a combination ballet/tap class when I was 4—and I hated it right off the bat. Everything changed a few years later, when I realized working hard meant improved technique and—even better—time in the spotlight! I tackled every style I could get my hands on in my hometown of Norfolk, VA, and on weekend trips to D.C. and NYC. During high school, I trained in musical theater at the Governor's School for the Arts and spent summers at the Rockettes Summer Intensive, Ballet Chicago and Interlochen Arts Camp before moving to NYC to model professionally. After four years studying Japanese, dance and philosophy at Connecticut College, I'm thrilled to be living my dance-writing dreams in the greatest city in the world. (Yes, that was a Hamilton reference!)
Katherine Beard, Assistant Editor
Photo by Jayme Thornton
I started studying ballet at three years old, and have been smitten with it ever since. When I was seven, my mom asked me why I liked dancing so much, and I told her that when I danced nothing else mattered and everything just made sense. (Although I 'm not gonna lie—the gorgeous tutus were a major draw, too.) Though I've tried to quit ballet, the little girl within just won't relent. After working at Marie Claire, U.S. News & World Report , and The New York Times, I now get to combine my passion for journalism and my love of dance, working at the company that nurtured my dreams of tutus and pointe shoes to begin with.
Dance Spirit is beyond excited to announce the first round of 2017 Future Star winners! Every year, DS partners with competitions to recognize dancers with exceptional presence and ability. The second round of winners will be featured in our January issue, so stay tuned!
You're obsessed with class videos. We're obsessed with class videos. The passion, energy, and talent showcased in these clips, which give us an insider-y peek at the commercial dance world's hottest classes, are totally irresistible.
But at what point does the phenomenon go from being a good thing to a bad thing for dancers and the dance world? Is the focus on filming distracting from the work dancers are supposed to be doing in class? Are overproduced videos presenting a dangerously misleading picture of the dance world? Is the pressure to be a class video star becoming too much for dancers to handle? These are some of the questions A-list dancer and choreographer Ian Eastwood—no stranger to the class video himself—has been asking on Twitter. And they've sparked a lively, important debate.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Our favorite drama-filled, dance reality show may have ended this past fall, but "Dance Moms" stars Chloe, Kalani, and Kendall aren't about to let that end their dance careers. In fact, these dancing kweens are taking their moves to a city near you with their Irreplaceables Tour! The girls are going all out for the three-week dance production, which is taking them across the country. And these dazzling dancers aren't just content with showing off their dance skillz—they want to pass along their tips and tricks in a dance workshop where they'll lead fans in stretches and dance routines from the show.
Dance Spirit caught up with Chloe, Kalani, and Kendall to find out what they love about tour life and where they see themselves five years from now.
When most of us think of The Nutcracker, we imagine a growing Christmas tree, dancing mice, and a little girl named Clara (or Marie) traveling to the Land of Sweets. But companies around the world have been reinventing the holiday classic, changing the storyline or adding their own spectacular sets and characters. To get in the Nutcracker spirit this season, check out these out-of-the-box productions.
Aspiring ballerina Katarina Jakimier, a Dallas, TX, native, was just 12 when Dance Spirit first featured her, highlighting the innovative pointe shoe recycling program she created in her community. Now 16, Jakimier is still studying ballet intensively—this past fall she started training at the John Cranko Schule in Stuttgart, Germany—and is still on a mission to make the world a better place. Recently, she founded the Silver Swans Ballet Program, which allows senior citizens in retirement homes to experience the magic of ballet, and to reap all of its health benefits. Here, she tells us how the initiative came to be. —Courtney Bowers