Melanie Moore Writes a Letter to Her Teenage Self
Contemporary Dancer Melanie Moore has come a long way since being named America's Favorite Dancer on Season 8 of "So You Think You Can Dance," where she became known for her captivating presence and elegant, fluid moves. In recent years, the 25-year-old has been blowing up Broadway: She originated the role of Peter Pan in Finding Neverland and starred in the most recent revival of Fiddler on the Roof as Chava. Moore started dancing at age 3 at Centre Stage School of Dance in her hometown of Marietta, GA, and later switched to Rhythm Dance Center in Marietta, where she fell in love with contemporary dance. She attended Fordham University for a year before leaving to compete on "SYTYCD" in 2011. These days, you can catch her in the Broadway revival of Hello, Dolly! —Courtney Bowers
First off: Don't freak out! It's just you at 25. And, yes, you're still performing! So take a breath and know that you really can do it.
Now: Take a moment to appreciate where you are in life at this moment. This is going to be a time you remember so fondly. You're in the perfect place to grow as a human and an artist. You're safe and surrounded by people who love you, so push yourself to be your best and to get outside your comfort zone at the studio. Really appreciate the love you have for those people and for dance—it will last forever. Nowhere will be as safe as that studio. Make as many mistakes as possible, and take as much class as you can.
Follow what your gut tells you, and try to let go of the things not meant for you. You have so many plans, but life has others that you can't even imagine. Try not to get too attached to what you think your future and career will look like. (Spoiler alert: It doesn't look the way you think it will now, but you won't be disappointed.)
Lastly, and most importantly, don't lose sight of what makes you special. You may not be right for some things or for some companies that you desperately want to be a part of, and that's OK! Ultimately, the things that make you different and special will lead you down another path, and you'll find your home.
Moore as a young dancer (courtesy Moore)
Stay open. Stay grateful. Keep growing. You're in for one crazy ride.
Love and luck,
P.S. Keep up those voice lessons—it'll save you some time later!
You've seen it a million times: A glamorous, toned dancer posts a perfectly styled shot of her colorful smoothie bowl. The caption gushes about how great you'll feel if you eat "clean"—but what does that actually mean? DS asked registered dietitian/nutritionist Rachel Fine and holistic health coach (and founder of The Whole Dancer) Jess Spinner for all of the dirt.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org a chance to be featured!
I'm being bullied by one of the girls at my studio, and it's awful. I've talked to my dance teacher and confronted the bully directly, but it hasn't made a difference. What should I do?
Bunheads, this one's for you. They say you can tell a Nutcracker by its "Snow" scene—and we fully believe it. There are so many versions with extra goodies—olive branches! Fake snow! Sleds! Choirs! Snow queens!—and each brings a special something to the holiday favorite. But do you know which ballet has what?
You're probably already following your favorite dancers on Instagram, but did you know that you can follow many of their dogs, too? We rounded up some of our favorite dog-centered accounts and hashtags to keep you pawsitively entertained (sorry, we can't help ourselves).
Consistent turns are a must for aspiring professional dancers, but pretty much everyone struggles with pirouettes at some point. Luckily, since we're all beholden to the same rules of physics, there are concrete steps every dancer can take to reach his or her top turning potential. “Three is the new two when it comes to pirouettes, but the secret to turning is technique, not magic," says Bojan Spassoff, president and director of The Rock School for Dance Education in Philadelphia.
Falling out of your doubles? Aspiring to go revolution for revolution with your class's star turner? No matter where you lie on the turning spectrum, our 360-degree guide to pirouettes will help you improve.
Let's face it—spare time is pretty tough to come by when you're a dancer. You're either rushing to get ready for rehearsal, rushing to rehearsal, a combo of the two, or in rehearsal (or performing, or in class, or at an audition...you get the picture). Well here at DS, we understand the struggle is REAL, which is why we've rounded up our favorite foolproof makeup hacks, approved by resident #LazyGirl when it comes to makeup (spoiler alert: it's me). On to the hacks!
Kalea (pronounced kah-LAY-uh) Hidalgo knows how to move. Her decisive, dynamic dancing commands the stage: She gobbles up space so confidently it's hard to believe you're watching a mere tween. Unsurprisingly, that presence and power have started turning heads in a serious way. Not only did Talia Favia choreograph one of her solos in 2017, but Kalea also recently signed with Bloc Talent Agency in L.A. and, last summer, placed first overall in the junior contemporary solo category at Radix Nationals.
"When you're out on the dance floor, don't ask for permission—ask for forgiveness."—Kalea Hidalgo
Taylor Swift is #blessed in many ways: She's got a great voice, insane song writing skills, and, to quote her new hit single, she's "Gorgeous." She is not, however, blessed in the dance department. But that doesn't stop her from busting out the occasional dance move. In fact, Swift likes to playfully show off her less-than-stellar dancing, be it in her music videos (hello, "Shake It Off") or at music award shows. So we weren't surprised when during the latest episode of her "Making of a Song" series for AT&T, she unveiled a new endearingly awkward maneuver, which she's dubbed the "dolphin body roll"—and it practically had friend and producer Jack Antonoff rolling on the floor!🤣
You rehearse your group routine to perfection, but when the big performance rolls around, everyone turns into speed demons. It's the runaway-train effect—and it only takes one loud tapper, or zippy turner, to throw the whole group off the music.
While nerves and excitement are partly to blame, the ability to keep to tempo begins in the studio. A well-developed sense of musicality is your best defense against the dreaded speed trap. "When you understand how the steps fit with the music, going too fast won't just feel like rushing," says Jeremy Arnold, lecturer of tap at the University of Texas at Austin. "It'll feel wrong." How can dancers develop that musicality? It all starts with learning to listen.