It’s a classic NYC tale: ambitious small-town boy comes to the big city and lets loose. That’s how it went for 19-year-old Michael Holland, national champion Irish dancer, when he visited the Big Apple last year. The “letting loose,” though, was no wild party; it was an artistic journey. And the final chapter held an unbelievable reward—a chance to perform at the Baryshnikov Arts Center and a pat on the back from a living legend.
Since learning his first Irish jig at age 5, Michael, an Ohio native who traces his roots to Donegal, Ireland, has excelled at Irish-dance competitions across the globe. What some dancers might call the pressures of competing, he calls “the joys.” “The adrenaline rush makes me perform better,” Michael says. When he gets on stage he soars through the air and gobbles up space with razor-sharp precision, propelled by fast-flying feet. In addition to three national and five regional titles, he’s won an All-Ireland championship and two runner-up prizes at the Worlds. (Oh, and he was a 2008 Presidential Scholar in the Arts.) Plus his rigorous training at the Richens/Timm Academy in Columbus, OH, has him practicing about four hours daily!
But in May 2008, Michael wrapped his mind (and body) around a foreign idea: “Don’t worry so much about every detail. Just let yourself go.”
Those were the wise words of Jean Butler, a former Riverdance star who mentored Michael during Arts Evolution, a week-long residency at the Baryshnikov Arts Center in NYC. As a high school senior, Michael was invited to BAC with 33 other young artists after winning a prestigious youngARTS award from the National Foundation for Advancement in the Arts. “The week in New York was about doing things in a new way,” Michael says. “Jean merges Irish dance with other forms, and she encouraged me to do the same.” For a final black-box showing at BAC, Michael infused traditional choreography with impromptu moments—like pacing the stage in bare feet—for an improvised feel that’s rare in Irish dance. “I wasn’t used to that. But
I started to like it,” Michael says. “It was nice to break out.”
The audience liked it, too, and one guest of honor was especially impressed: Mikhail Baryshnikov. Michael “could not believe it” when, after the show, Baryshnikov came up to him. “He said, ‘Michael Flatley, eat your heart out.’ He told me he thought I was amazing! I was in shock.” Baryshnikov also asked Michael about his plans for the future. “I remember he said, ‘You’re obviously very talented. What are you going do with this? Are you going to bend the art form?’”
For Michael, who is now a freshman at The Ohio State University, that’s a difficult question. His competitive streak continues to guide him. This month, he heads to Ireland for his ninth World Championships. “Once I win the Worlds,” he says, “then I might stop competing.”
While he’s open to joining a production like Lord of the Dance or Riverdance, he hopes to contribute something new to the field by choreographing or starting his own company. “I love to choreograph, and I think that, with Irish dance, there’s more than what meets the eye,” Michael says. “I have to take time to think about what I can do that’s different and what will draw people to watch.” Finding that creative path might be tricky, but with Mikhail Baryshnikov in his fan club, getting people to his show, at least, shouldn’t be too tough.
Photo: Robert Leslie
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
For a long time, I was the strongest dancer at my studio. But this year there's a new girl in my class who's very talented, and my teacher's attention has definitely shifted to her. I'm trying not to feel jealous or discouraged, but it seems like my whole dance world has changed. Help!
In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.
Marzia Memoli may be the Martha Graham Dance Company's newest dancer, but her classical lines and easy grace are already turning heads. Originally from Palermo, Italy, Memoli started studying at age 16 at the Academy of Teatro Carcano in Milan. Later, she attended the Rudra Béjart School in Lausanne, Switzerland, before heading to NYC in 2016 to join MGDC. This month, she'll perform The Rite of Spring in the Martha Graham Studio Series in NYC, and tour with the company in Florida. Read on for the dirt.