Michaela DePrince (Rosalie O'Connor)
Ballerinas aren’t often described as powerful. Strong? Maybe. Dynamic? Sure. But when you watch 17-year-old Michaela DePrince, a student at The Jacqueline Kennedy Onassis School at American Ballet Theatre, powerful is the first word that comes to mind. While her technique is elegant and fluid—particularly her expressive, eloquent port de bras—underneath the surface there’s a turbo-charged engine. You can almost hear it revving as she flies across the floor, tossing off supersized sauts de chats and triple pirouettes and finishing with an endless balance in arabesque.
Most dancers trace their fascination with ballet back to their first time seeing The Nutcracker or a dance special on TV. But Michaela’s story is dramatically different. Born in war-torn Sierra Leone, she lost both parents at a very young age, and was taken in by an orphanage. When she was 4, she found a European magazine lying outside the orphanage gates. “It had a picture of a woman standing on her tippy toes,” Michaela says. “I didn’t know it then, but she was standing on pointe.” Fascinated, she ripped out the page and put it in her underwear for safekeeping. “I decided that if I ever got adopted and made it to America, I would dance like the lady in the magazine,” she says. A few months later, an American couple did adopt Michaela, and she moved to Cherry Hill, NJ. Though she spoke little English, she showed her adopted mother the magazine photo. Before long, Michaela was enrolled in ballet classes at The Rock School in Philadelphia, where she continued to train until she was 15.
Michaela developed a formidable technique at The Rock, which led to a slew of awards when she began competing at Youth America Grand Prix as a teen. Film director and producer Bess Kargman took notice of Michaela’s competition success and selected her to be one of the young dancers featured in the 2011 documentary about YAGP, First Position. The film follows Michaela’s path to the 2010 NYC finals of the competition, a journey that concludes with a beaming Michaela accepting a scholarship to the JKO School.
Now, Michaela is adding polish and finesse to her technique at JKO. “My teachers here have shown me that it’s not all about the tricks—about how high your leg goes or how many pirouettes you do,” she says. “They’ve helped me focus on artistry.” What does the future hold for the talented dancer? After a guest performance in the Netherlands last winter, she started dreaming about joining a company like Dutch National Ballet.
“I took class with the company when I was over there, and I just loved the way everyone danced,” she says. “They express themselves in a unique, exciting way. I want to be part of something like that.”
Kalani Hilliker made "Dance Moms" fans sit up a little straighter when she first appeared on "Abby's Ultimate Dance Competition" back in 2013. The then–12-year-old ballerina had charisma, she had sass—and, wow, did she have technique! Abby Lee Miller, the show's infamous host, saw Kalani's star potential from the start, saving her from elimination and ultimately inviting her to perform alongside Maddie Ziegler on Season 4 of "Dance Moms." "I was never supposed to be on 'Dance Moms' beyond that one performance," says Kalani, now 16, but she ended up staying on the show for the whole season—and the following three. "It was my first time, but not my last time, causing drama. And it was also the first time I got to meet the other dancers, who have become like sisters."
You may already know Apolla Shocks are able to replace your current footwear and dance shoes because of the durability, aesthetics, and traction, BUT there are many other reasons to ALWAYS keep a pair in your dance bag. BESIDES wearing them in class or onstage:
Move over, Sergei Polunin*: There's a new ballet heartthrob in town.
Well, not "new," exactly: The fabulously talented Isaac Hernández has been a lead principal with the English National Ballet since 2015, and previously danced with Dutch National Ballet and San Francisco Ballet. (He's also part of a distinguished dance family: You met his brother, SFB corps member Esteban, in our March issue roundup of up-and-coming danseurs.)
But a dreamy new video by filmmaker Ezra Hurwitz—"Despertares" [Wake Up], featuring Hernández dancing in studios and on rooftops all over NYC—makes a strong case for this beautiful dancer becoming your next ballet crush:
You probably already know the dance division at the Boston Conservatory as a top destination for contemporary dancers. But in June 2016, the Conservatory uncovered a new part of its identity when it merged with Berklee College of Music. It's a move that's opening up all kinds of new opportunities for students—especially dancers.
In an audition or onstage, knowing how to use eye contact appropriately is a total game changer. Dancers who aren't afraid to meet the eyes of judges or audience members exude a special confidence that allows them to be seen as capable, talented performers. When dancers look at the floor or around the room, though, they telegraph insecurity. Don't send your critics looking for flaws! Avoid these three no-no's and become a true master of eye contact.
Pretty much every class at L.A.'s Millennium Dance Complex features a combo set to a serious banger of a song. But not every class brings in the ACTUAL POP STAR BEHIND THE SONG to watch dancers take on that combo.
A few days ago, Demi Lovato dropped by Jojo Gomez's class at Millennium to see what Gomez had made of her hit "Sorry Not Sorry." Gomez's 🔥 choreo—and the incredible performances by some of Hollywood's best dancers/most devoted Lovatics, including Kaycee Rice—didn't disappoint.
Is there anything better than a killer dance photoshoot? OF COURSE NOT! Whether you're taking headshots, model shots, or simply images that'll slay on Instagram, dance photography makes the world a prettier place.
To make sure your next dance photoshoot is as 🔥 as you are, we asked photographer Kenneth Edwards for his dos and don'ts. Follow his advice and your dance photography future will be as bright as your "golden hour" lighting.