Michaela DePrince (Rosalie O'Connor)
Ballerinas aren’t often described as powerful. Strong? Maybe. Dynamic? Sure. But when you watch 17-year-old Michaela DePrince, a student at The Jacqueline Kennedy Onassis School at American Ballet Theatre, powerful is the first word that comes to mind. While her technique is elegant and fluid—particularly her expressive, eloquent port de bras—underneath the surface there’s a turbo-charged engine. You can almost hear it revving as she flies across the floor, tossing off supersized sauts de chats and triple pirouettes and finishing with an endless balance in arabesque.
Most dancers trace their fascination with ballet back to their first time seeing The Nutcracker or a dance special on TV. But Michaela’s story is dramatically different. Born in war-torn Sierra Leone, she lost both parents at a very young age, and was taken in by an orphanage. When she was 4, she found a European magazine lying outside the orphanage gates. “It had a picture of a woman standing on her tippy toes,” Michaela says. “I didn’t know it then, but she was standing on pointe.” Fascinated, she ripped out the page and put it in her underwear for safekeeping. “I decided that if I ever got adopted and made it to America, I would dance like the lady in the magazine,” she says. A few months later, an American couple did adopt Michaela, and she moved to Cherry Hill, NJ. Though she spoke little English, she showed her adopted mother the magazine photo. Before long, Michaela was enrolled in ballet classes at The Rock School in Philadelphia, where she continued to train until she was 15.
Michaela developed a formidable technique at The Rock, which led to a slew of awards when she began competing at Youth America Grand Prix as a teen. Film director and producer Bess Kargman took notice of Michaela’s competition success and selected her to be one of the young dancers featured in the 2011 documentary about YAGP, First Position. The film follows Michaela’s path to the 2010 NYC finals of the competition, a journey that concludes with a beaming Michaela accepting a scholarship to the JKO School.
Now, Michaela is adding polish and finesse to her technique at JKO. “My teachers here have shown me that it’s not all about the tricks—about how high your leg goes or how many pirouettes you do,” she says. “They’ve helped me focus on artistry.” What does the future hold for the talented dancer? After a guest performance in the Netherlands last winter, she started dreaming about joining a company like Dutch National Ballet.
“I took class with the company when I was over there, and I just loved the way everyone danced,” she says. “They express themselves in a unique, exciting way. I want to be part of something like that.”
It's time to get your pirouette on! From September 5th to September 30th, we're hosting a contest to find out who's the best turner of them all.
Put together your most impressive turning combo. Post a video online. Share your turns with us and thousands of other dancers around the world. And if our editors think you're the top turner, you'll win a fabulous prize.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
I know I'm not getting good enough dance training from any of my local studios. But I'm not sure I'm ready to move away to study at a big-name school, either. How do you know when you're ready to leave home to pursue your passion?
Instagram star Kylie Shea has built a following of nearly 170,000 with her playful workout videos, which combine traditional fitness activities, like jumping rope or running on the treadmill, with pointe shoes and sassy choreography. Shea's effortless cool-girl-next-door vibe and solid ballet technique make her vids totally irresistible.
Now Shea's using her platform to address the body image issues that tend to plague dancers. In a poignant video, she sheds her clothes and tugs at her skin. The caption explains her relationship with her body and the pressure she feels to maintain a certain aesthetic as a dancer.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Think about it: How often do you see a ballet pas de deux for two women? Almost never, right? Sometimes, choreographers will forgo the traditional danseur-ballerina pas to make a duet for two guys, since they can lift and partner each other easily. But a dance for two ballerinas is a rare thing.
That's part of what makes "Duet," a new video by director Andrew Margetson featuring Royal Ballet beauties Yasmin Naghdi and Beatriz Stix-Brunell, so compelling.