My Extracurricular Activity
Sure, dance is fun, but these performers have other skills they’re putting to good use:
Alexandra Johnson in Sidra Bell's House Unrest. (Jubal Battisti)
Sidra Bell Dance New York
Hobby: Reupholstering furniture
“My mother has always been into sewing and she’s worked in interior design, so I latched on to her interests. Now, I own a lot of furniture that I’ve reupholstered. People don’t realize that reupholstering isn’t hard if you’re willing to take time to do it—and it saves money!”
Sarah Braverman and Ian Spring (Lois Greenfield)
Hobby: Learning Italian
“I decided to take up Italian because two of the dancers I work with speak the language and we spend a lot of time together. Plus, Italy just happens to be on Parsons’ tour schedule! At the end of a long day it feels good to have something spark my interest that’s outside of the dance world. Keeping your mind open makes your dancing more informed.”
Jermaine Terry (Eduardo Patino)
Alvin Ailey American Dance Theater
Hobby: Costume design
“I discovered costume design in college. I had choreographed my senior piece and my roommate suggested I buy slips and add to them for costumes. So that’s what I did. I started to do it professionally later by accident. In rehearsal one day, I was wearing a pair of jazz pants I had made. The choreographer liked them and asked if I would make the costumes for his piece. People have been asking me to make things for them ever since.”
Shelby Elsbree in Christopher Wheeldon’s Sleeping Beauty (David Amzallag)
Royal Danish Ballet
Hobbies: Blogging, cooking and photography
“A little over a year ago, my sister encouraged me to do something with my free time besides working out. I invested in a camera and took a picture of a chocolate cake baked by my sister. It was the most beautiful picture ever. I love food and cooking, so I combined these side passions with dance and started a blog. Tutus & Tea was born.”
Sona Kharatian in The Great Gatsby (Brianne Bland)
The Washington Ballet
“During Nutcracker season, I’ll knit scarves and socks to give as Christmas presents. If someone has me as their Secret Santa, they know they’ll get something knitted.”
Suluashvili and his wife, fellow Joffrey dancer Victoria Jaiani. Suluashvili says his favorite piece he’s crocheted is a shawl for Jaiani! (Herbert Migdoll)
“One day I decided to pick up crocheting needles and see what happened. I thought it could be a fun challenge. With crocheting you can do a little at a time—a few minutes here, a few minutes there, and before you know it you have a scarf or legwarmers!
When you’re dancing all day, it’s nice to have something calming to do when you get home. It lets your mind and your body rest, and you create something beautiful in the process.”
Much of Janelle Ginestra's career has been about helping others shine. She's dedicated herself to supporting and cheerleading her partner, WilldaBeast Adams; the emerging talents in their dance company, ImmaBEAST; and the countless dancers she inspires at master classes and conventions. Her YouTube channel has become a launching pad for young talents like "Fraternal Twins" Larsen Thompson and Taylor Hatala, thanks to viral videos featuring Ginestra's creative vision.
But Ginestra's a skyrocketing success in her own right—an in-demand choreographer, a social media influencer, and a dance entrepreneur, building a legacy one eight-count at a time. It's time for her turn in the spotlight. And she's more than ready. "I want to be a legend in whatever I do," she says. We'd argue that she already is.
For more on choosing whether to compete or not, click here.
I started dance classes at a young age. By the time I was 3, I was training at The Dance Club, and I grew up there. I started with the basics—ballet and jazz—and eventually added tap, tumbling, contemporary, and hip hop.
Early on, I did compete. I remember my first time: I did a trio at a small local competition, and it got first place. The trophy was as tall as I was, and I loved it. I attended conventions as a mini, and had the opportunity to take classes from Travis Wall, Sonya Tayeh, Andy Pellick, and Joey Dowling-Fakhrieh. There was so much variety—I was in awe.
For more on choosing whether to compete or not, click here.
My mom was a dancer growing up, and she went on to become a dance teacher, so I've really grown up in the studio. I started classes when I was 2, and by the time I was 9, I was training at The Dance Club and knew I wanted to dedicate all my time to dance.
Daphne Lee is a queen, and not just in the "OMG Girl Boss Alert" sense of the word. She's an actual queen—a beauty queen. Crowned Miss Black USA in August, she's been doing double duty as she continues to dance with the Memphis based dance company, Collage Dance Collective. Lee's new title has given her the means to encourage other black girls and boys to pursue their dreams, while also pursuing dreams of her own. The scholarship money awarded with the pageant title will assist her as she earns a Masters of Fine Arts degree at Hollins University.
When a choreographer finds a composer whose music truly inspires her, it can feel like a match made in dance heaven. Some choreographers work with the same composers so frequently that they become known for their partnerships. New York City Ballet soloist and resident choreographer Justin Peck, for example, has tapped composer Sufjan Stevens numerous times (last spring, the two premiered The Decalogue at NYCB, to rave reviews); L.A. Dance Project's Benjamin Millepied's working relationship with composer Nico Muhly has spanned a decade and two continents; and when tap dancer Michelle Dorrance premiered the first-ever Works & Process Rotunda Project, a site-specific work for New York City's Guggenheim Museum, last year, percussionist Nicholas Van Young was by her side as an equal partner. Successful collaborations require compatibility between artists, direct and honest communication, and flexible, open minds. But when the stars align, working with a composer can be extremely rewarding.
For ballerinas, it's the dream role to end all dream roles: Odette/Odile in Swan Lake, the type of part dancers spend years preparing for and whole careers perfecting. And it's a role that New York City Ballet principal Tiler Peck never thought she'd dance. Though Peck is one of the world's preeminent ballerinas, her short stature made Odette/Odile, typically performed by longer, leggier dancers, seem (almost literally) out of reach.
Then—surprise!—her name popped up on the cast list for NYCB's fall season run of Swan Lake.