My Favorite Performance
Wendy Whelan (by Henry Leutwyler)
Principal Dancer, New York City Ballet
“One of my most memorable performances took place at the Palais Garnier in Paris in 2008, alongside dancers of the Paris Opéra Ballet. I danced the ballerina role in the second movement of George Balanchine’s Symphony in C. It took a lot of mental preparation for me to get ready for that moment—dancing this monumental role at probably the most famous opera house in the world, where Symphony in C actually had its premiere in 1947.
On a more personal note, my childhood ballet teacher was a dancer with POB. She was the first person who believed in me. She told me I had the potential to make something of myself as a dancer. I proudly danced that performance of Symphony in C in her honor. I still have my pointe shoes from that night. It’s the only pair of shoes I’ve ever saved from a performance.”
(Courtesy LINES ballet)
Alonzo King LINES Ballet
“One performance that remains clear in my memory was in Vaison-la-Romaine, in the Provence region of France. LINES danced there at an ancient open-air amphitheater. We were performing a collaboration with some of the Shaolin monks, and the feeling of being onstage with them, with ancient columns and worn bricks surrounding me and constellations in sight whenever I looked up, was overwhelmingly beautiful.”
(L to R) Jennifer Di Noia, Afra Hines, Nathan Peck
Ghost: The Musical on Broadway
“My most memorable performance was my Broadway debut in Wicked in 2006. Growing up I was primarily a dancer—I didn’t sing or act. So doing Wicked on Broadway opened a whole new world to me. Now I’m in my third Broadway show, and I love it.”
Megan Branch (courtesy Celebrity Dance Competitions)
“Last summer, I competed for the last time at West Coast Dance Explosion Nationals with my studio, Dance Connection 2. I improvised my solo, and it placed in the top three. It was a little nerve-racking knowing I would be on my own the next year pursuing my dance career, but it felt really good to take the stage that last time and give it my all.”
Kenny Wormald (far right) with Timberlake (second from left) and dancers
“When I was performing on tour with Justin Timberlake, we did a show in Boston, MA, at the TD Banknorth Garden. I’m from Boston, and just a few years prior to the performance, I’d been back home in my living room trying to learn JT’s choreography. To return to my hometown performing with my favorite artist in the world was amazing. It taught me that anything is possible!”
Alicia Graf_Mack (by Andrew Eccles)
Alicia Graf Mack
Alvin Ailey American Dance Theater
“I performed Memoria this last New York season—it’s a piece choreographed by Alvin Ailey that I have loved since I was young. Memoria takes its lead dancer on a journey: She hears calls to go to heaven and ascends to another world. Groups of dancers move around her for much of the piece, so it feels like you’re dancing in a swirl of light. It was my first season back after not dancing for three years because of a knee injury and arthritis, so the plot of transcendence was close to my heart.”
Jacalyn Tatro (Michele Welsh/Inspirations Photography)
Student, Inspire School of Dance in Naperville, IL
“Last year, I performed a dance called ‘The Lost Soldier’ at New York City Dance Alliance Nationals. Because it was on the Fourth of July, I felt a deep connection to what soldiers go through. I think all of us were able to move people in the audience even more than we usually do at competitions.”
Melinda Sullivan (center) (by Richard Termine)
“This past October, I performed with the New York Song & Dance Company at the Career Transition for Dancers Gala in NYC. I was featured as a vocalist and tap dancer in a number called ‘I’ve Got You Under My Skin.’ I looked into the wings during the performance and saw Chita Rivera sitting there, smiling at us. I thought, ‘Oh my gosh, I’m singing and dancing for one of the world’s greatest song and dance women!’ After the show I had the chance to meet Chita. We had an exchange I’ll never forget. She was just like, ‘Do your thing, girl!’ ”
Hefa (left) and his brothers on the "DWTS" set
“Recently, my brothers and I performed a piece that I choreographed on “Dancing with the Stars.” To share that moment on the stage with my brothers—to be on TV in front of thousands of people with the people I love most—was so beautiful to me. The energy was kind of spiritual; it almost brought tears to my eyes.”
It's time to get your pirouette on! From September 5th to September 30th, we're hosting a contest to find out who's the best turner of them all.
Put together your most impressive turning combo. Post a video online. Share your turns with us and thousands of other dancers around the world. And if our editors think you're the top turner, you'll win a fabulous prize.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
I know I'm not getting good enough dance training from any of my local studios. But I'm not sure I'm ready to move away to study at a big-name school, either. How do you know when you're ready to leave home to pursue your passion?
Instagram star Kylie Shea has built a following of nearly 170,000 with her playful workout videos, which combine traditional fitness activities, like jumping rope or running on the treadmill, with pointe shoes and sassy choreography. Shea's effortless cool-girl-next-door vibe and solid ballet technique make her vids totally irresistible.
Now Shea's using her platform to address the body image issues that tend to plague dancers. In a poignant video, she sheds her clothes and tugs at her skin. The caption explains her relationship with her body and the pressure she feels to maintain a certain aesthetic as a dancer.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Think about it: How often do you see a ballet pas de deux for two women? Almost never, right? Sometimes, choreographers will forgo the traditional danseur-ballerina pas to make a duet for two guys, since they can lift and partner each other easily. But a dance for two ballerinas is a rare thing.
That's part of what makes "Duet," a new video by director Andrew Margetson featuring Royal Ballet beauties Yasmin Naghdi and Beatriz Stix-Brunell, so compelling.