Last night brought us round three of “SYTYCD” Season 11 auditions, a two-hour smorgasbord of delectable dancers that totally renewed my faith in the show. Confession time: I was a tad disappointed with the level of talent we saw during the first two episodes. I’d even started to wonder if the “SYT” talent pool might be drying up. But tons of auditionees totally knocked my socks off last night, and from the looks of the in-between-featured-dancers montages, there were dozens more impressive hopefuls we didn’t even get a good look at. Plus, lovely American Ballet Theatre soloist Misty Copeland came to Philly to guest-judge a round of auditions. Great dancers evaluating other great dancers? Yes. Yes please. (And continued kudos to the producers for celebrating the standouts rather than bullying the not-so-greats.)
Without further ado, here are my Top 5 moments from the episode:
1. #TeamBallroom was in the house… Whoa, you guys: The level of ballroom talent this season is staggering. First up were partners Serge (a Season 10 audition vet) and Alla, who, despite the romantic awkwardness between them—that “will you be my girlfriend” post-performance stunt was cringe-inducing—burned up the floor with their cha-cha. Next we saw Marlena and Armen (another Season 10 auditionee, perhaps best known as the guy who dropped Malece on her head); thankfully, their intense chemistry seemed totally real. Finally, there was Landon, my new favorite ever. With his extremely pinchable babyface, he looks like the most unlikely ballroom dancer in the world—and yet boy can work those hips. It didn’t hurt that his partner was Season 10 ballroom favorite Jenna (whom Nigel promptly asked to return as an All-Star, of course).
2. …and so was #TeamBallet. The ballerinas came out to play last night! I was thrilled to see Jourdan Epstein, one of my favorite members of Complexions Contemporary Ballet, nail her powerful solo. (Hey, Complexions co-directors Desmond Richardson and Dwight Rhoden—does this mean we can expect to see you back on the show this season? SAY YES.) And I fell in love with Amir, the “funky ballerina,” who, despite the small holes in her technique, showed so much charisma in her eclectic pointe piece to Beyoncé’s “Flawless.” Also, jeez louise, super-duper props to you ladies for dancing on pointe on waxed wooden floors, a.k.a. ice.
3. Johnny Waacks came back! I couldn’t get enough of Johnny during his Season 9 audition, when he introduced the judges to the art of waacking. (A sidenote for you, judges: Waacking is amazing and has been around for literally decades, so A. you should really know what it is by now and B. you should really, really, really stop giggling and making dirty jokes every time someone brings it up. K? Thanks.) This time around, Johnny rocked an incredibly fabulous skirt and waacked to WHITNEY HOUSTON and the world was filled with flowers and unicorns and happiness. Dance gods, hear my prayer: Please let this man make it through to the Top 20.
4. J-4 became the new frontrunner for the winner of “SYTYCD” Season 20. He’s 9 going on “18 and a half,” in his words, and he is just the cutest, most talented little b-boy. Naturally Nigel called Cyrus and Fik-Shun up onstage to freestyle with him, and while I’m getting a little tired of seeing past contestants hogging the spotlight, it was, I admit, a priceless moment. See you in nine years, J-4!
5. We heard some truly powerful stories. Sometimes I get frustrated when audition episodes focus on dancers with tragic pasts. There’s an exploitative quality to that kind of thing that makes me vaguely uncomfortable. But last night, the stories we heard were so moving that I repeatedly found a strange, watery substance leaking from my hard, cynical eyes. Contemporary dancer Bridget lost her father in a car crash when she was just 12; her last memory of him is the two of them watching “SYTYCD” together, and him telling her, “If you follow your dreams you can get there one day.” Krumper James was shot in the knee and nearly lost his leg, which gave him a new appreciation for life and dance. Shy, gentle Stanley lost his mom when he was 4, and was raised by a friend of hers after nobody from his father’s side of the family claimed him. (That weird eye-liquid—it was just pouring out of me during his segment.) A beautiful technician, Stanley was also able to channel the hurt and anger he’s felt in the past into an astonishing, “creaturelike” solo.
What did you guys think? Let us know in the comments—and come back next week, same time, same place, for our recap of the final auditions episode. We’re heading to Atlanta, and from the looks of the preview footage, things are about to get real intense, y’all.