Not Your Average Jocks
First things first: Alvin Ailey American Dance Theater's Alicia Graf Mack is extraordinary. I initially watched this New York Times video without sound, and that was just fine: Mack's endless limbs and serene focus were enough to keep me glued to the screen. (There's some nice footage of AAADT performing Ailey's Revelations and Rennie Harris' new piece, Home, too.)
But then I plugged in my headphones and watched it again. And maybe I'm just in a bad mood today, but I couldn't stop myself from groaning (audibly—apologies to my cubemate!) at several points. Here's what bothered me: The heart of the video is a conversation between Mack and NYTimes sports columnist William C. Rhoden about how dancers are also athletes. I'm not usually one to hate on anything that gives good dancers good publicity, which this film certainly does. But really? Dancers as athletes? Is this news to anybody? It's been discussed again, and again, and again. (And those links are from a very, very superficial Google search.) We did a (great, if I do say so myself) story about it. There's even a Facebook page dedicated to it.
Why are people continually surprised by this idea? Of course dancers are athletes. Does anyone really NOT think about the physical aspect of dance as they're watching it? Even ballet, which is supposed to look effortless—part of the "wow" factor is seeing dancers conquer the sheer physical challenge ballet technique presents. In fact, companies like AAADT are sometimes accused of focusing on the athletic over the artistic.
I think we're all easily drawn in by the physical beauty of dance. (Myself included: See the first paragraph.) It's not hard to sell. And the positive thing about this video is that that superficial appeal might draw in sports fans who are otherwise intimidated by dance, who think they "won't get it." Fair enough. But as Mack says, dancers are more than athletes—so much more. And it's frustrating when dancers like Mack, who are deeply gifted artistically as well as physically, are featured in a way that essentially reduces them to beautiful shells. The famous Albert Einstein quote isn't "Dancers are athletes"; it's "Dancers are the athletes of god."
What do you think? Am I just crankypants? Or does this kind of thing bother you, too?
Some might say Charlize Glass' fame kicked off with a single three-letter word. In 2014, Beyoncé shared a video of the then–12-year-old dancer performing to "Yoncé" on Instagram, along with a simple caption: "WOW!"
But by that point, the hip-hop mini had already performed at the MTV Video Music Awards and on "The Ellen DeGeneres Show," and won first runner-up with her crew, 8 Flavahz, on "America's Best Dance Crew." And her Queen Bey Insta shout-out wasn't even the pinnacle of her tween career: She earned a spot on The PULSE On Tour as an Elite Protégé for the 2014–2015 season, and performed with Missy Elliott at the Super Bowl XLIX Halftime Show in 2015.
These days, the 16-year-old spends her time touring the country as Brian Friedman's assistant at Radix Dance Convention and blowing up YouTube and Instagram with her class-video cameos. And while the Char Char we fell in love with was a hip-hop cutie pie, the more mature artist we see today is sure to rock the dance world for years to come.
For some it's a holiday tradition, for others its an iconic spectacle, but no matter the reason, more than 1 million people will watch the Rockettes perform in the Radio City Christmas Spectacular each year. And though the production has been around since 1933, much of what goes on behind those velvety curtains and intricate sets remains a mystery. To curb our curiosity and find out what ensues when these leggy ladies aren't doling out their sky-high kicks, we got a backstage tour from the legends themselves.
From hair and makeup, to warm-up exercises, and costume quick changes (the fastest quick change in the show is a #mindblowing 75 seconds, by the way) we got a glimpse into the glamorous (and sometimes not so glamorous) world of the Rockettes.
In the summer of 2006, Heidi Groskreutz and Travis Wall performed a showstopping Mia Michaels routine on “So You Think You Can Dance" Season 2, a piece now remembered simply as “The Bench Dance." It was arguably the first time this particular dance style had been shown on live TV—a style both graceful and quirky, driven by storytelling and deeply felt emotion.
It was, in other words, the mainstream world's introduction to contemporary. And it earned “SYTYCD" one of its first Outstanding Choreography Emmy Awards.
Contemporary dance has come a long way (baby). While the style has been around for decades, as of late it seems to be everywhere. Today you can see contemporary choreography on concert stages (Shaping Sound's tour has been a massive hit), on TV (it's the favored style on “SYT" and pops up regularly on “Dancing with the Stars"), in films (remember Kathryn McCormick's character in Step Up Revolution?), in music videos (including Sia's viral films starring Maddie Ziegler) and even on Broadway (Michaels took her talents to the Great White Way for Finding Neverland).
The possibilities for contemporary dance seem to be endless. But how should the style keep evolving, and what has it outgrown? To find out, we talked to some of the contemporary world's most influential names.
Today, 20-year-old choreographer Emma Bradley spends her days touring with the dance convention NRG Dance Project, making work for students across the U.S. and Australia. But her first choreographic ventures were far more personal: During her junior and senior years of high school, Bradley started creating her own solos for dance competitions. “Making work on my body totally influenced the way I think about and process choreography," she says. “And it set me on a different artistic path than I imagined."
These days, more and more dancers are testing out self-choreographed solos at competitions. It can be risky—you could be going up against seasoned choreographers like Travis Wall—but the potential rewards make it worth taking the chance. “Choreographing your own solo is an invaluable learning experience," says Andrew Winghart, a judge and choreographer for JUMP Dance Convention. “It forces you to look outside of yourself as a dancer, to really analyze your facility and how you can look your best." Tempted to try your hand at self-choreography? Read on to find out more about taking creative control.
As a tap dancer, you're a student of history—whether you know it or not. Tap technique today is intimately connected to the great hoofers of the past. "Tap is incredibly personal, because all of these individuals have added to the public domain, the pool of steps you draw from," says Brian Seibert, dance critic for The New York Times and author of What the Eye Hears: A History of Tap Dancing. "You're constantly giving shout-outs to dancers who came before you."
It's also important to recognize tap's pioneers because they repeatedly broke down barriers, making tap accessible to everyone. "You don't have to overcome something to be here," says Tony Waag, artistic executive director of the American Tap Dance Foundation. "You're not the first black person or woman, you don't have to carry a certain card or have a particular lineage to succeed at tap. Gregory Hines used to say, 'If you have the shoes, you're in.' "
Come meet the artists who've shaped tap history. Because if you're a tap dancer, they're your family, too.
What's better than a good dance joke? They're corny, they're punny, and they're exactly what you need to get you through long Nutcracker days. These 10 jokes are guaranteed to put a smile on your face—no matter how much your feet are hurting.
"So you Think You Can Dance" Season 14 finalists Lex Ishimoto and Taylor Sieve shocked fans at home (at least the ones who hadn't thoroughly scoured their respective Instagrams) during Episode 14, when choreographer Mia Michaels asked if either of them had ever experienced "the kind of love that takes your breath away." They confessed that, yup, they had—with each other. The two met at The Dance Awards in the summer of 2016, where they were each named Senior Best Dancer, and went on to tour with the convention as assistants. Before long—and long before their "SYTYCD" journey—they became a couple.
Take a look at Dance Spirit's exclusive interview where they dish on everything from their favorite dates to the dance moves that give them all the feels.
There's a surprising twist to Regina Willoughby's last season with Columbia City Ballet: It's also her 18-year-old daughter Melina's first season with the company. Regina, 40, will retire from the stage in March, just as her daughter starts her own career as a trainee. But for this one season, they're sharing the stage together.
Yes, we all know dancers are strong. But sometimes it takes a truly epic workout video to remind us JUST HOW INSANELY STRONG they actually are.
Behold, National Ballet of Canada principal Svetlana Lunkina's oh-so-casual pre-class exercise: