Paige Faure snatches the audience’s attention right from the beginning of How to Succeed in Business Without Really Trying. Leggy and animated, she fires high kicks and struts down winding stairs, showing off balletic gams and grace. Later, as a grumpy cleaning lady, she morphs into a comedienne, hunched and shuffling. Moving between chic and zany seems effortless for the ensemble member and lead cover. “Versatility is my marketability,” she says. “I want to take whatever they throw at me.” Her tactic is working: After success on tours and in regional houses, she’s on Broadway boards for the first time in H2S.
Growing up in Atlanta, GA, Paige studied ballet, tap, jazz, lyrical and modern at the Alpharetta Dance Theater and also competed with the school. She added choir in her early teens and then “molded my own musical theater major at North Springs High School, the arts magnet,” Faure says. “I wanted to be a better actor and singer while still dancing.”
After she graduated, Paige attended Marymount Manhattan’s theater program for a year and started auditioning in the city. She quickly nabbed an ensemble track understudying a lead in Elton John and Tim Rice’s national tour of Aida. Four years of tours and regional shows followed, Faure’s “on-the-job education,” she says. “Touring teaches you to keep a performance fresh, to take care of yourself—and how to be tough!”
Then, Paige got her big break with H2S. “I was thrilled just to be in that audition room with H2S’s director and choreographer Rob Ashford,” she says. “The choreography was challenging, but it felt right on my body.”
Paige says her Broadway debut has been dreamy. “The veterans in the cast say this is a particularly positive experience, and that I’m getting spoiled,” Paige says, with a giggle. “The rehearsal process was seamless—everyone got along and worked toward the best product. It’s easy to go in with Daniel Radcliffe and assume it’s about his fame and Harry Potter. But we know it isn’t. The show’s success is contingent on everyone and we have an incredible hit.”
Paige’s looking forward to a long run with H2S, and also hopes to “work with as many choreographers and directors as possible, do cool new projects and move into roles, especially those that use my versatility. But I’m happy exactly where I am!”
Favorite movies: It’s a Wonderful Life, 10 Things I Hate About You, Mary Poppins
Favorite food: Dark chocolate
Favorite dance class: Derek Mitchell’s lyrical class
It's time to get your pirouette on! From September 5th to September 30th, we're hosting a contest to find out who's the best turner of them all.
Put together your most impressive turning combo. Post a video online. Share your turns with us and thousands of other dancers around the world. And if our editors think you're the top turner, you'll win a fabulous prize.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
I know I'm not getting good enough dance training from any of my local studios. But I'm not sure I'm ready to move away to study at a big-name school, either. How do you know when you're ready to leave home to pursue your passion?
Instagram star Kylie Shea has built a following of nearly 170,000 with her playful workout videos, which combine traditional fitness activities, like jumping rope or running on the treadmill, with pointe shoes and sassy choreography. Shea's effortless cool-girl-next-door vibe and solid ballet technique make her vids totally irresistible.
Now Shea's using her platform to address the body image issues that tend to plague dancers. In a poignant video, she sheds her clothes and tugs at her skin. The caption explains her relationship with her body and the pressure she feels to maintain a certain aesthetic as a dancer.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Think about it: How often do you see a ballet pas de deux for two women? Almost never, right? Sometimes, choreographers will forgo the traditional danseur-ballerina pas to make a duet for two guys, since they can lift and partner each other easily. But a dance for two ballerinas is a rare thing.
That's part of what makes "Duet," a new video by director Andrew Margetson featuring Royal Ballet beauties Yasmin Naghdi and Beatriz Stix-Brunell, so compelling.