Dance News

Celebrate ABT's 75th Season by Watching PBS

Make a list of the best ballet companies in the world, and I'm going to take a wild guess you put American Ballet Theatre at, or close to, the top. And of course you did—for the last 75 years, the company has helped define what American ballet is, and where it's going. Photos of its company members line all of our childhood bedroom walls; I still gasp when I see one of its stars in real life.

(From left) ABT principals Hee Seo and Cory Stearns in rehearsal with soloist Joseph Gorak (George Seminara, courtesy PBS)

This season marks ABT's 75th anniversary, and PBS—the TV station that recently brought Mark Morris Dance Group and the School of American Ballet to our living rooms—will help commemorate the occasion with another gem on its lineup: "American Ballet Theatre: A History," part of the "American Masters" documentary series, will premiere on May 15.

Famed filmmaker Ric Burns is at the helm of the project, which actually started way back in 2006. Burns was given unprecedented access to the company's inner workings, capturing hours and hours of footage, including rehearsals, performances and interviews. The documentary captures ABT stars in action—like Julie Kent, Gillian Murphy, Misty Copeland, Marcelo Gomes, Hee Seo, Isabella Boylston, Herman Cornejo, Daniil Simkin, Joseph Gorak and Cory Stearns. There's also rare footage of Mikhail Baryshnikov, Antony Tudor, Jerome Robbins and Agnes deMille. Seriously—you don't want to miss this!

Watch the trailer below to get pumped, then check your local listings and set your DVR!

Amanda LaCount showing off her skills (screenshot via YouTube)

There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.

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Leap! National Dance Competition offers dancers of all skill levels an opportunity to showcase their talents in an event where the focus is on fun and competing is just a bonus!

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Dancer to Dancer

Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!

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The School at Jacob's Pillow's contemporary program auditions (photo by Karli Cadel, courtesy Jacob's Pillow)

Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.

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Watch This
Angela Sterling, courtesy PNB

Mark your calendars, bunheads! On Monday, January 29th, at 2:45 PM (EST)/11:45 AM (PST), Pacific Northwest Ballet will be streaming a live rehearsal of Act II of Kent Stowell's Swan Lake.

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Tavaris Jones dancing with the Cleveland Cavaliers' Scream Team hip-hop crew

We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)

So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.

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Dancer to Dancer
Photo by Joe Toreno

The coolest place she's ever performed:

I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!


Something she's constantly working on:

My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'


Signature look:

My hair! That, and a pair of leggings with a T-shirt or tank top.


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Dancer to Dancer
Photo by Travis Kelley, courtesy Kathryn Morgan

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!

Dear Katie,

For a long time, I was the strongest dancer at my studio. But this year there's a new girl in my class who's very talented, and my teacher's attention has definitely shifted to her. I'm trying not to feel jealous or discouraged, but it seems like my whole dance world has changed. Help!

Serafina

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Screenshot via YouTube

*suddenly feels the overpowering urge to purchase a million bottles of Pocari Sweat*

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Dance News
Mandy Moore (photo by Lee Cherry, courtesy Bloc Agency)

In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.

Read more at dancemagzine.com!

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