Picture Perfect: How to Take a Headshot That Will Get You the Gig
L.A.-based dancer McKenzie Anderson recently booked a major industrial for Reebok. When she saw the photos of the other dancers they hired, she noticed one thing they all had in common: “Everybody who booked the job had a fitness headshot. There were no commercial headshots."
“Open auditions barely happen anymore, so your headshot is often your first audition," says Jennie LaCovey, an agent at Bloc. “If you don't have a great picture with great hair and makeup, you're not going to get called in." So what can you do to make sure your headshot gets you in the door? Read on to find out.
What Makes a Great Picture?
When casting directors look at your headshot, they should be able to imagine you in a range of different roles. That means you need to avoid anything distracting and keep the focus on your face. In commercial headshots, LaCovey recommends skipping the jewelry, crazy poses and busy backgrounds. Carolyn McLeod, who cast the recent movie High Strung, says casting directors look for images that “convey personality and energy." Even if you're auditioning for a dance role, they won't just be looking at your lines. “Don't forget to engage the face and eyes," McLeod says.
While it may be tempting to wear lots of makeup or ask for heavy photo editing, remember that you still need to look like yourself. “There's nothing worse than someone coming in to a casting and looking nothing like their photograph," McLeod says.
How Many Different Looks Do I Need?
For dancers hoping to book a wide range of jobs—from tours to movies to commercials—having a range of headshots is crucial. In addition to her fitness shot, Anderson has an “edgy" dance shot she submitted for a music video with pop artist Sofia Carson, and a clean-cut shot that helped her land a commercial for Amazon.
At minimum, LaCovey advises dancers to have two looks: a commercial shot and an edgier body shot. Commercial shots are generic and clean-cut—think light makeup, no jewelry and a bright T-shirt. Full-body (non-dance) shots are used for auditions for tours and music videos. Wear formfitting clothing, but make sure you're comfortable (if you're not, it'll show in your pictures).
Nicole Niestemski's fitness shot (Lindsay Rosenberg)
Most dancers opt to do one or two additional looks, depending on their budget and the types of auditions they're hoping to land. Dancers with a younger look often do a shot geared toward the kind of teen-focused roles you might see on the Disney or Nickelodeon channels. For these, you can take on more of a character—think layers or a mix of bright colors. A trendy or fashion-forward shot works well for dancers who often go on hip-hop auditions or to castings that ask you to “show your personal style." If you're interested in fitness modeling gigs, be sure to include a shot that shows your athleticism, highlighting muscle tone and flexibility.
What Should I Wear?
Picking your outfits can be the hardest part of the process. If you have an agency, make sure to run your outfits by them first. You don't want to spend money on photos only to find out afterward that your agency doesn't want to use them. “What looks good in person sometimes isn't what looks great on camera," Anderson says. Photographer Lindsay Rosenberg recommends steering clear of highly visible brand logos in your fitness shots. “Not wearing a huge logo is usually better so that you're not appealing to just one company."
How Should I Wear My Hair and Makeup?
While dancers spend a lot of time worrying about what to wear for headshots, hair and makeup are just as important. LaCovey says that one of the biggest problems she sees is when dancers don't vary their hairstyle or makeup between looks. “They don't change their commercial makeup into more intense makeup for an edgier shot, or they don't change their hairstyle, so when the pictures come back everything looks the same."
Consider enlisting professional help. While dancers are used to doing their makeup for the stage, professional makeup artists know what looks good on camera. They'll also have higher-quality makeup and be there to touch you up throughout the day. Check with your photographer for hair or makeup recommendations—most will have a list of people they work well with.
Rosenberg loves when dancers come in with a clear sense of what their goals are. “If you know yourself and you know what you want out of your dance career, it's a lot easier for us to work as a team to get you exactly the shots you need to get hired."
Don't be afraid to speak up on the day of the shoot. Your photographer and your hair and makeup artists will likely check in to see if you like how you look or how the shots are turning out. “If you're not happy about something, say it!" says Rosenberg. “Don't say yes to please anybody. This is your shoot, your day. Don't worry about offending us."
How to Find a Photographer
- Get recommendations: If you have an agent, they'll have a list of recommended photographers. If you're unrepresented, talk to working dancers and see who they've had good experiences with.
- Do your research: Look at the photographer's work online. Think about what your style is, and whether you fit in with the other dancers the photographer has shot. Anderson suggests looking at dancers who are booking the kind of jobs you want—who shot their photos?
- Think about budget: Headshots can be a big investment. Consider which photographers fit into your price range. Prices vary depending on things like how many looks you do, so see what different packages they offer.
- Talk to the photographers: Chat on the phone or in person to see if they're a good fit. If you're not comfortable, your pictures won't come out well.
Get in, losers. We're going to Broadway.
OK, not losers, actually—more like the bajillion die-hard fans of Tina Fey's 2004 cult hit Mean Girls, who've been wearing pink every Wednesday since a musical adaptation of the film was first teased back in 2013.
Now their world is like a cake filled with rainbows and smiles, because Mean Girls the musical, which had a trial run in Washington, DC, last fall, is set to open at Broadway's August Wilson Theatre April 8. And in a very grool twist, it turns out the show—with direction and choreography by Casey Nicholaw and a book by Fey herself—is delightfully dancey.
Today in Ballet Dancers Are Actual Superheroes news:
You've no doubt heard that the fabulous Alicia Vikander is playing Lara Croft in the newest iteration of Tomb Raider, which hits movie theaters this Friday. But while her training for the high-octane action role was crazy tough, she says, studying at the Royal Swedish Ballet School was far tougher.
What do you get when a hoard of dancers collaborate to the catchy tune of "Love Somebody," by the band Frenship? The most epic dance party ever, of course! Said dance party was produced by the talented Michael Riccio, who's performed in feature films, including "Confessions of a Teenage Drama Queen" and "Shrek Forever After."
They say there's no "I" in "team"—and nowhere is that truer than the world of college dance teams, where precision reigns, uniformity is key, and a single misstep from any given "I" can cost a group a championship trophy. So it's unsurprising that securing a spot on one of the best dance teams in the country is no easy feat.
Members of these highly athletic teams rehearse for hours every week—on top of academic classes and commitments—and perform at football and basketball games, annual concerts, and nationally televised competitions (hi, ESPN). And "no I" rule notwithstanding, each of these top teams is made up of highly trained, highly technical, highly hard-core individuals, who come together to create a ready-for-victory pack.
These six teams aren't one-off success stories—they're consistently strong, and earn the top spots at major competitions like UDA and NDA nearly every year. Up for the challenge? Here's what to know before you go to auditions.
Are you a high school senior who's been accepted to a four-year accredited college or university program? Congrats! Within the 2017-2018 season, have you competed in events run by at least two of the organizations in the above graphic? Double congrats, because the Association of Dance Conventions and Competitions, or ADCC for short, wants to give you $1,000 (!!) towards college tuition.
From dancing in music videos (including Katy Perry's "Swish Swish") to performing on reality TV shows (including "Dancing with the Stars" and "The Voice"), 17-year-old Amanda LaCount is already conquering the commercial scene. If you've ever seen her dance, you understand why: She's a hard-hitting phenom with major stage presence. But in an industry where not having the "right" look can jeopardize your career, Amanda's also blazed her own path by accepting her beautiful curvy body the way it is.
Amanda's never let body-shamers discourage her from going after her dreams. She hopes that by breaking the "dancers are skinny" stereotype, she'll give others the courage to highlight their own unique features rather than hiding them or changing them to fit repressive industry standards. She's even started a campaign, #breakingthestereotype, to inspire artists of all shapes, colors, and sizes to dance for themselves.
We caught up with this dancing maverick to get her advice on cultivating body confidence in a world that's obsessed with the "perfect" body.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
All the dancers in my level auditioned for a prestigious summer intensive—but I'm the only one who got in. Now everything is incredibly awkward at the studio. I'm really excited about the program, but I don't want to make my friends feel bad. What can I do?
Can't get enough of the dance party T. Swift throws herself in her "Delicate" music video? Take a look at the two making-of clips Taylor just shared on her Instagram, showing her practicing the vid's charmingly awkward choreography.