Saying Goodbye to "ABDC"
At Dance Spirit, we’re super sad that one of our favorite dance shows has been cancelled after seven seasons. “America’s Best Dance Crew” not only showed off amazing dancers of all ages, but it introduced the audience to the challenges of coming up with unique and interesting choreography week after week. To celebrate the awesome accomplishments of the “ABDC” competitors, here’s a look back at our favorite moments from the winners of each season:
Season 1: The Jabbawockeez
On week one, this masked crew set the bar incredibly high. Every one of their performances was great, but their very first one blows me away to this day.
Season 2: Super Cr3w
When the Season 2 champs performed at “ABDC Champions for Charity”, they added an extra member to their crew—the cutest little member ever! Nothing makes me happier than seeing little kids steal the spotlight from the grown ups. This boy is amazing!
Season 3: Quest Crew
I love seeing props used in creative ways. On week 7, one dancer spins on his head on top of a piano, slowing down and speeding up in perfect time to the music, and it was pure awesome.
Season 4: We Are Heroes
OK, so this dance was actually performed on Season 6, when the ladies returned to perform. But you’ve gotta love how they prove that girls truly do run the world. Could any male hip hopper pull off back flips in heels? I don’t think so.
Season 5: I am Me
This crew is just non-stop with the energy, especially in their week 8 routine to Kanye West music. They give a whole new meaning to the "Dougie"! We especially love spunky Chachi—click here to read why.
Season 7: Elektrolytes
The newest “ABDC” winners truly mastered the art of “gloving” in this performance. Too cool!
"ABDC," you will be missed. Help us say goodbye by sharing some of your favorite routines in the comments!
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
The dancers who take our breath away are the risk-takers, the ones who appear completely fearless onstage. "When you see somebody trying to travel more, go farther, push the limits of their physical abilities, that's always going to be inspiring," says Ballet BC dancer Alexis Fletcher.
But dance training can feel like it's in conflict with that idea. We spend thousands of hours in the studio trying to do steps perfectly, and that pursuit of perfection can make us anxious about taking risks. What if we fail? What if we fall?
Luckily, fearlessness is a mental skill that you can work on, just as you work on your technique. Here's how you can learn to push yourself past your limits.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
When we think of a dancer who's broken barriers, American Ballet Theatre principal Misty Copeland tends to be the name that comes to mind. And though Copeland has been a crucial advocate for equality in the world of ballet, Raven Wilkinson—a mentor of Copeland's—is considered one of the original pioneers of the movement.
In 1955, Wilkinson became the first African American to dance with the renowned Ballet Russe de Monte Carlo. Her fortitude in the face of bigotry and hate cemented her legacy. Now, with the release of the new children's book Trailblazer: The Story of Ballerina Raven Wilkinson, a new generation of dancers will be inspired by her tale of overcoming obstacles to achieve a dream.
The book details Wilkinson's life, from her experience as a young dancer training in Harlem, to her run-ins with the Ku Klux Klan while on tour with Ballet Russe, to her later ballet career in Europe. "There were times where my heart really hurt because of the situations I had to deal with," she says. "But I always had faith that I was made to be a dancer and that I was gonna dance."
Dance Spirit spoke with Wilkinson to discuss the new book and get her take on racial equality within the ballet world.
Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.
She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.