Your Body

Score Hot Hamstrings

Whether you’re rocking pink tights or booty shorts, a pair of toned hamstrings can be your best accessory onstage. Strong hamstrings give you a long, lean look by evening out your thighs and keeping your quads from getting bulky. Even better? They power développés that reach toward the sky, not the horizon. “Once your leg passes 90 degrees, it’s the hamstrings—not the quads—that hold it there,” says Jessica Sander, a personal trainer and freelance dancer in NYC. “They’re the keys to high extensions.”

Build these exercises into your routine three to four times a week, and you’ll start to see—and feel—results in about a month. Just make sure you don’t simply go through the motions. “The hamstrings don’t always fire on their own—other parts of the body like to take the work,” warns Sander. “So for all of these, pay close attention to your form.”

You’ll need:

1. a stability ball

2. a set of 10-lb. weights

Do each move 15–20 times. Rest, then repeat.

Dead Lift

Stand in parallel with your feet directly under your hips. Hold a 10-lb. weight in each hand, with your palms facing your thighs.

Hinge from your hips with a flat back and lower the weights to just above your feet, keeping your hands close to your shins and your head in line with your spine. Initiate from your hamstrings to slowly return to the standing position.

Sander says: “In the flat back position, let your legs be relaxed, but pull your abs in.”

Single-Leg Bridge

Lie on your back with one leg reaching straight up to the ceiling, and the opposite foot flat on the floor with the knee bent.

Slowly raise your hips until your knees, hips and shoulders come into a straight diagonal line, then return to the floor. Switch legs after a set of 15–20 reps. You should feel the burn in your supporting leg.

Sander says: “Don’t use that leg in the air for momentum—keep it perpendicular to the floor the whole time. This is a small, controlled movement.”

Quadraped Hamstring Curl

Start on your hands and knees, making sure your hips are over your knees and your shoulders are over your wrists. Reach one leg straight back, lifting it off the floor so it’s parallel to the ground and in line with your hip.Without letting your quad drop or your hips move, engage your glutes and bend your working knee until your shin is perpendicular to the floor, then straighten. Switch legs after a set of 15­–20 reps.Sander says: “Keep your abs pulling up the whole time so your back doesn’t arch.”

Hamstring Rollout

Start by lying on your back, with your knees bent in tight and a stability ball under your heels, as close to you as possible.

As you exhale, press your feet into the ball to lift your hips. Keep your shoulders and neck relaxed—there should be space between your chest and chin.

Keeping your core engaged, straighten your legs to roll the ball away from you, and then draw it back. Repeat 15–20 times. The goal is to keep your hips up in the air the entire time, but if you need to modify the exercise, you can come down between repetitions.

Sander says: “You have to engage your glutes for this one, or you’ll get a charley horse in your hamstrings.”

Watch it! Click here to see Jessica Sander walk our fabulously fit model, Elizabeth Yilmaz, through these moves.

 

 

Jessica Sander, a personal trainer certified by ACE, AFFA and Stott Pilates, holds a BFA in dance from Towson University. Elizabeth Yilmaz is a freelance dancer based in NYC.

Photography by Erin Baiano. Hair and makeup by Chuck Jensen for Mark Edward Inc. Modeled by Elizabeth Yilmaz. Clothing provided by Jo+Jax.

 

 

 

 

 

 

 

 

Dance News
Photo by Jayme Thornton

Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.

Keep reading... Show less

Leap! National Dance Competition offers dancers of all skill levels an opportunity to showcase their talents in an event where the focus is on fun and competing is just a bonus!

Keep reading... Show less
Dancer to Dancer

Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!

Keep reading... Show less
Dancer to Dancer
The School at Jacob's Pillow's contemporary program auditions (photo by Karli Cadel, courtesy Jacob's Pillow)

Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.

Keep reading... Show less
Dance News

When we think of a dancer who's broken barriers, American Ballet Theatre principal Misty Copeland tends to be the name that comes to mind. And though Copeland has been a crucial advocate for equality in the world of ballet, Raven Wilkinson—a mentor of Copeland's—is considered one of the original pioneers of the movement.

In 1955, Wilkinson became the first African American to dance with the renowned Ballet Russe de Monte Carlo. Her fortitude in the face of bigotry and hate cemented her legacy. Now, with the release of the new children's book Trailblazer: The Story of Ballerina Raven Wilkinson, a new generation of dancers will be inspired by her tale of overcoming obstacles to achieve a dream.

The book details Wilkinson's life, from her experience as a young dancer training in Harlem, to her run-ins with the Ku Klux Klan while on tour with Ballet Russe, to her later ballet career in Europe. "There were times where my heart really hurt because of the situations I had to deal with," she says. "But I always had faith that I was made to be a dancer and that I was gonna dance."

Dance Spirit spoke with Wilkinson to discuss the new book and get her take on racial equality within the ballet world.

Keep reading... Show less
Dancer to Dancer
Leah Morrison in Trisha Brown's If You Couldn't See Me, in which the soloist never faces the audience (photo by Julia Cervantes, courtesy Trisha Brown Dance Company)

Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.

She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.

Keep reading... Show less
Blankenbuehler (far left) with the rest of the "Hamilton" creative team scontent-iad3-1.cdninstagram.com

So book your tickets to Tulsa already, people!

Keep reading... Show less
Your Body
Amanda LaCount showing off her skills (screenshot via YouTube)

There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.

Keep reading... Show less
Watch This
Angela Sterling, courtesy PNB

Mark your calendars, bunheads! On Monday, January 29th, at 2:45 PM (EST)/11:45 AM (PST), Pacific Northwest Ballet will be streaming a live rehearsal of Act II of Kent Stowell's Swan Lake.

Keep reading... Show less
Watch This
Tavaris Jones dancing with the Cleveland Cavaliers' Scream Team hip-hop crew

We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)

So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.

Keep reading... Show less

Sponsored

Want to Be on Our Cover?

covermodelsearch-image

Video

Sponsored

mailbox

Get Dance Spirit in your inbox

Sponsored