This Sergei Polunin Interview Is Everything
(Photo by Thomas Whiteside for Interview)
Sergei Polunin, AKA everyone's dream ballet boyfriend, is something of a rarity in the world of classical ballet—super outspoken, honest and always looking ahead to the next move, he made a name for himself as the "James Dean of the ballet world." It's always exciting to hear what Polunin has to say (and we'll be getting plenty of that from his upcoming film, Dancer!), and this conversation with Interview magazine doesn't disappoint. Complete with some stunning photos, Polunin gets real (as per usual) with his answers. Check out some favorite quotes below, and be sure to catch the whole interview here.
Interview's Emma Brown: Dancer goes through key events in your life, like moving to London to study ballet, quitting the Royal Ballet, moving to Russia. Do you have any regrets about any of those decisions?
Sergei Polunin: If you ask about regrets, I normally don't regret. I enjoy everything, even if it's bad or good. But I wish I could, instead of destroying things like that, I wish I could build, build, build. Maybe if I'd had the right advisors—mentors—I probably would have done it differently. But that's the way I act out, and that's the way I knew how to do it. I could only destroy to build. That was just my way. I wish I could have built without destroying things.
EB: Do you still dance everyday?
SP: I do. I have to. I wake up and I do class straight away, so that gives me a free day to do things. I do it by myself. I do it at home.
EB: Do you think you're still getting better?
SP: I do. Not many people understand that, but if you open yourself to listening—you don't even have to exercise—you get better with time. If you open yourself as an artist, as a human being to this experience of growing, you grow anyway. You don't have to be every day doing the same thing—practice, practice, practice—you can grow. I feel like I'm getting stronger and stronger, and I don't practice as much as I used to.
Oh, hello. (Photo by Thomas Whiteside for Interview)
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.
The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
For a long time, I was the strongest dancer at my studio. But this year there's a new girl in my class who's very talented, and my teacher's attention has definitely shifted to her. I'm trying not to feel jealous or discouraged, but it seems like my whole dance world has changed. Help!
In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.