“So You Think You Can Dance” Recap: Meet the Top 20
And the Top 20 finalists are: (bottom row L-R) Malece Miller, Amy Yakima, Makenzie Dustman, (middle row L-R) Fik-Shun, Tucker Knox, Brittany Cherry, Nico Greetham, Alexis Juliano, Jade Zuberi, Paul Karmiryan, Curtis Holland, Mariah Spears (top row L-R) Jasmine Harper, Jenna Johnson, Carlos Garland, Alan Bersten, , Hayley Erbert, Bluprint, Jasmine Mason and Aaron Turner (by Mathieu Young/FOX)
I kind of can’t believe this week’s episode lasted a full two hours: it went so fast! There was so much classic “SYTYCD” drama to focus on, it felt like the episode was over before Mary Murphy could even mention the Hot Tamale Train. Along with plenty of nail-biting moments as the Top 20 were chosen, Cat Deeley kept reminding the audience that there’d be a total of ten (!!!) performances squeezed in between footage of anxious would-be Top 20-ers facing the judges. Yet among all this craziness, a few moments still managed to really stand out from the rest:
1. Aaron Turner made it into the Top 20 at the last minute! Aaron had gotten cut at this very point last season, and we all thought that history would repeat itself in Season 10 as the judges told Aaron he was going home. But lo and behold, Emilio Dosal’s unexpected injury freed up a spot for Aaron! You can’t really get excited about such a turn of events, but points to Aaron for his amazing performance in Anthony Morigerato’s tap routine last night—way to prove that you deserve to be on the show.
2. Tucker Knox is in! Yay! Call me cynical, but it seems like everybody on reality TV has to have a tragic sob story—and the (arguably excessive) on-camera waterworks to go with it. But Tucker’s history really grabbed me. (After a serious car accident, his ability to walk, let alone dance, was in grave danger.) Tonight, Tucker cried tears of joy after dancing the Stacey Tookey routine, left almost inarticulate by how his life has changed since the accident. But I still can’t decide if Mary Murphy totally ruined the genuinely emotional moment when she cooed, “You’re just overwhelmed, aren’t you?” Awkward.
(L-R) BluPrint and Jade Zuberi: the biggest things in animation since Cyrus (by Adam Rose/FOX)
3. Against the odds, both Jade Zuberi and Dorian “Bluprint” Hector made the Top 20. The “SYTYCD” producers were totally messing with our minds here: the decision came after dramatic footage was shown of Jade’s struggles with partnering, tWitch repeatedly told Bluprint to “come back and see us again” and Cat wondered out loud several times whether there was a spot in the Top 20 for an animator. Who would’ve known that both animators would make it through? I know I’ll be on the edge of my seat for the rest of the season where these two are concerned. Will Jade and Bluprint become a dream team or bitter rivals? Or will they just crash and burn under the pressure of having to perform new styles?
4. Did anyone else notice that Amy Yakima and Jasmine Mason had Sonya Tayeh-style topknots for their victory performance (which, um, Sonya Tayeh choreographed)? I certainly hope that was a conscious choice, or it would just be too funny a coincidence. Mary called them “princess warriors,” but I thought they looked more like Amazons from outer space—in the fiercest way possible, of course.
5. Christopher Scott’s sand routine for the top 10 guys. This was just so cool that I almost wish it had been the episode’s final number. It seemed like choreographer Scott got really excited about carrying out the concept of the piece, which he described as man “manipulating the earth.” With epic music and stunning visuals (strong, tough-guy hip-hop danced while sand floated through the air), this number made me think of Cirque du Soleil. Even Nigel was blown away (sorry, I couldn’t resist the pun). He raved, “When I die, I would like you to dance with my ashes like that.” Um, whatever you say!
Since you’ve got a whole week to kill before another thrilling episode airs, why don’t you enter our “SYTYCD” sweepstakes? You could win a trip to see the Season 10 finale live and in person!
Much of Janelle Ginestra's career has been about helping others shine. She's dedicated herself to supporting and cheerleading her partner, WilldaBeast Adams; the emerging talents in their dance company, ImmaBEAST; and the countless dancers she inspires at master classes and conventions. Her YouTube channel has become a launching pad for young talents like "Fraternal Twins" Larsen Thompson and Taylor Hatala, thanks to viral videos featuring Ginestra's creative vision.
But Ginestra's a skyrocketing success in her own right—an in-demand choreographer, a social media influencer, and a dance entrepreneur, building a legacy one eight-count at a time. It's time for her turn in the spotlight. And she's more than ready. "I want to be a legend in whatever I do," she says. We'd argue that she already is.
For more on choosing whether to compete or not, click here.
I started dance classes at a young age. By the time I was 3, I was training at The Dance Club, and I grew up there. I started with the basics—ballet and jazz—and eventually added tap, tumbling, contemporary, and hip hop.
Early on, I did compete. I remember my first time: I did a trio at a small local competition, and it got first place. The trophy was as tall as I was, and I loved it. I attended conventions as a mini, and had the opportunity to take classes from Travis Wall, Sonya Tayeh, Andy Pellick, and Joey Dowling-Fakhrieh. There was so much variety—I was in awe.
For more on choosing whether to compete or not, click here.
My mom was a dancer growing up, and she went on to become a dance teacher, so I've really grown up in the studio. I started classes when I was 2, and by the time I was 9, I was training at The Dance Club and knew I wanted to dedicate all my time to dance.
Daphne Lee is a queen, and not just in the "OMG Girl Boss Alert" sense of the word. She's an actual queen—a beauty queen. Crowned Miss Black USA in August, she's been doing double duty as she continues to dance with the Memphis based dance company, Collage Dance Collective. Lee's new title has given her the means to encourage other black girls and boys to pursue their dreams, while also pursuing dreams of her own. The scholarship money awarded with the pageant title will assist her as she earns a Masters of Fine Arts degree at Hollins University.
When a choreographer finds a composer whose music truly inspires her, it can feel like a match made in dance heaven. Some choreographers work with the same composers so frequently that they become known for their partnerships. New York City Ballet soloist and resident choreographer Justin Peck, for example, has tapped composer Sufjan Stevens numerous times (last spring, the two premiered The Decalogue at NYCB, to rave reviews); L.A. Dance Project's Benjamin Millepied's working relationship with composer Nico Muhly has spanned a decade and two continents; and when tap dancer Michelle Dorrance premiered the first-ever Works & Process Rotunda Project, a site-specific work for New York City's Guggenheim Museum, last year, percussionist Nicholas Van Young was by her side as an equal partner. Successful collaborations require compatibility between artists, direct and honest communication, and flexible, open minds. But when the stars align, working with a composer can be extremely rewarding.
For ballerinas, it's the dream role to end all dream roles: Odette/Odile in Swan Lake, the type of part dancers spend years preparing for and whole careers perfecting. And it's a role that New York City Ballet principal Tiler Peck never thought she'd dance. Though Peck is one of the world's preeminent ballerinas, her short stature made Odette/Odile, typically performed by longer, leggier dancers, seem (almost literally) out of reach.
Then—surprise!—her name popped up on the cast list for NYCB's fall season run of Swan Lake.