"So You Think You Can Dance" Recap: The Last One Before The Academy
Is it just us or does it feel like the audition rounds have been going on for a really long time this season? (They haven't. In fact, this season only visited two cities—L.A. and NYC—and now we're already headed to The Academy. But for some reason, it's felt long.) This week, we wrapped things up in NYC and met—and re-met—a few stellar dancers along the way. Here are the names you'll need to know this season.
Magda & Kiki
This ballroom couple has been dancing together for eight years, and they perform a cha-cha to "Move Your Body" by Sia. (Sadly sans a Maddie Ziegler cameo.) "It's a very cheeky, fun dance," Magda says, before telling the world that they are dance soulmates. Kiki has killer legs and is super sexy; together they're technical, talented, and totally in sync. Is the routine on par with Danny and Lacey's epic Season 3 samba? Nah. But is it good enough to earn them tickets to The Academy? Yup!
The judges say: Nothing, actually. They just held up three Academy tickets.
If Zachary looks familiar, that's because he auditioned for the show two years ago during Season 12. He made it all the way to the Green Mile (aka that pressure-mounting walk down the memory-filled hallways onto the stage where the judges or All-Stars reveal your fate, NBD) before being cut. But did he let disappointment get him down? Nope: Zachary's back, motivated, inspired, and shirtless! He calls his piece "animalistic," and it's so strong and leggy and powerful and Ailey-esque. Clearly, he's going to the Top 10.
The judges say: Standing ovation! Mary says it was amazing and that Zachary gets to board the Hot Tamale Train. "I just cannot see you not making it this time," she tells him.
Vanessa says: "Oh my gosh, I'm dying. You were so frickin' fierce. You're like a bird. Almost."
A mix of classical Indian dance and contemporary? Who says you can't teach a 14-seasons-old show new tricks? Ramita is trained in classical Indian dance but also "jazz, ballet, tap, all of that stuff," she says. She wanted to make all dance more accessible to her Indian parents, and it seems to be working.
The judges say: "I found that really interesting," Nigel says. Mary says it was "mesmerizing and joyful" and that she "could watch it all day long." Ramita's through to choreography and, ultimately, The Academy.
Vanessa says: "I love your hands! I want them!"
Arielle has been dancing since she was 4, and she has a very sad story about her mom being diagnosed with breast cancer a few years ago. But now she's in remission, thankfully! A competition dancer from Florida, Arielle comes equipped with a striking presence and gorgeous legs and feet. She's very bendy, very strong, and very much Top 10 material. (That sultry eyebrow raise!)
The judges say: "You have all the moves. So spot on," Mary says.
Vanessa says: "At one point you smiled, and it made me smile."
Romainson, who wins the Best Name prize, has auditioned for the show several times before. Now he's 29, which means this is his last shot, because 29 is very old in "SYTYCD" Land. He, too, has a very sad story: His cousin died in a factory accident, and Romainson is (understandably) very upset about it. So he dances it out.
The judges say: "I'm seeing that sadness inside you," Nigel says. "I want to see this move off your shoulders." Mary praises his perseverance and cries. It's very emotional.
Vanessa says: "I feel like you have so much inside of you that I want to see more of."
This perky, Larsen Thompson-y, bubbly babe is a ballerina! "You can have a big personality while being a ballet dancer," she says. Gotta love that. As for the performance? We're suckers for ballet being mainstream. Is Claire the best ballerina ever? Nah. But she has nice feet and is very talented, and it's likely she's proficient in other styles, too, which we hope to see more of.
The judges say: Mary praises her grace, elegance, presence, control, and core. Nigel says, "that too."
Vanessa says: "I was dizzy just watching you!" (Someone teach Vanessa how to spot, STAT!)
So we're saving the best for last, huh? If you're fluent in contemporary or Broadway, Lex Ishimoto is already a familiar face and name. Not only was the hip-hop–trained dancer part of the Billy Elliot national tour, he's also a member of Shaping Sound. So basically, he can do it all, and we predict he will—as a part of the show's Top 10. He takes a risk by doing an improv routine for his audition, and it's a standing-O–worthy hit.
The judges say: Nigel says Lex is "gonna be a star," and we're over here like, "HE ALREADY IS, HE'S A MEMBER OF SHAPING SOUND, DUH." Mary likes his "double swipe," which interestingly is not a Tinder reference. She says he's in the "tenth dimension," which is also on board the Hot Tamale Train.
Vanessa says: "At one point, you jumped up and get so high off the ground and you kicked up your leg and the other leg came and you came down and it looked impossible!"
And that'll do it for the official audition rounds. Next week, we finally make our way to The Academy, where we'll be graced with choreography superstars including Nappytabs, Travis Wall, and Sonya Tayeh—plus this season's All Stars!
Misty Copeland. Her name is synonymous with exquisite artistry and outspoken advocacy. And her visibility has made a huge impact on the ballet world. Ballet's relationship with race has always been strained at best, hostile at worst. But Copeland's persistent message and star quality have finally forced the ballet industry to start talking about racial diversity, inclusivity, and representation. "The rarity of seeing ourselves represented is sad," Copeland says. "The more we see every hue and body shape represented on the stage, the more possibilities young dancers feel they have for themselves."
Last month, we asked why there wasn't a Best Choreography category at the Oscars—and discovered that many of you agreed with us: Choreographers should definitely be acknowledged for their work on the super-dancy movies we can't get enough of.
Now, we're taking matters into our own (jazz) hands.
We've decided to create a Dance Spirit award for the best cinematic choreography of 2017. With your input, we've narrowed the field to four choreographers whose moves lit up some of the best movies of the year. Check out our nominations for best choreography below—and vote for the choreographer you think deserves the honor. We'll announce the winner on Friday, March 2.
Being a dancer comes with the task of having to entertain the same questions over and over again from those outside the dance world. Of course, we love having our friends and family take an interest in our passion—but if someone asks ONE MORE TIME whether or not we've met Travis Wall, we might just go crazy.
Here are 10 questions that dancers hate getting asked.
Contemporary phenom Christina Ricucci has super-flexible hips, which means she can stretch her legs to unbelievable heights. But when she noticed herself making contorted positions in class, Ricucci realized she was approaching her extensions all wrong. "I went back to the basics in class, squaring my hips and using my turnout," Ricucci says. "I learned to create proper positions, rather than whacked-out versions of them."
Some dancers are so wonky they have a hard time supporting their high legs, while others struggle with limited flexibility. But no matter your facility, you can find a balance of stretch and strength to achieve your fullest range of extension. It's not about how high (or not) your legs can go: It's the quality of the movement, and how you get those legs up, that counts.
Once upon a time (until the 2014 Winter Olympics in Sochi concluded, to be exact), figure skaters had to compete to music without words. Before this rule change, a skater faced an automatic point deduction if the music even hinted at vocals. Understandably, there were *a lot* of Olympic programs skated to classical music, and you'd tend to hear the same music selections over and over and over.
There are plenty of current Olympic figure skaters who'd make beautiful dancers (first among them Adam Rippon, whose gorgeously choreographed long program won the internet, if not the gold). But today, as we wait for the women's figure skating competition to crown its new champions, we wanted to throw it back to one of the most beautifully balletic skaters of all time: Sasha Cohen.
The high-flying leaps of grand allegro are meant to be incredibly exciting. But at the end of an intense ballet class, when you're exhausted, it can be hard to give them the attention they deserve. Want to pump up your big jumps? Follow these 10 vital tips from Jennifer Hart, curriculum director and instructor at Ballet Austin.
"Whole, low-fat, or skim?" The question of which milk to drink has gotten a little more complicated lately, with a wide variety of nondairy milks popping up in grocery stores. To find out which ones are worth your milk money, we had registered dietitian Monika Saigal answer some FAQs.