“So You Think You Can Dance” Season 10 Recap: The Performance Finale!
You voted last night, right? I hope so, because it was your last chance!
Last night, Season 10's Top 4 contestants—Amy, Fik-Shun, Jasmine and Aaron—duked it out dance-style for the title of America's [Latest] Favorite Dancer, a $100,000 prize and, what we think is the best part, a spot on the December cover of Dance Spirit.
These two...I can't get enough! (Photo courtesy FOX)
As always, the evening included plenty of highs (Gabby Douglas didn't have much to say as a guest judge, but she's the cutest ever and rocked that yellow dress!) and a few lows (the moment when tWitch and Fik-Shun's duet ended and I was sad because I wanted it to go on forever).
Here are my Top 5 Moments from last night's performance finale:
1. Aaron and Amy's jazz fusion routine. Ray Leeper, where did this choreo come from?! I adore Ray and I think he's one of the greatest men in the entire competition and convention industry. (Seriously, sweetest, most genuine guy ever, plus he's always so beautifully tan.) This was a total deviation from his usual jazzy stuff and it really worked on these two. Hot Amy killed it in that costume and is Aaron a dream partner or what?
2. Jasmine and Comfort's hip-hop routine. Fun fact: The entire DS staff watched last night's episode together. And we're a chatty bunch, so we sort of missed the intro to this routine and all the rehearsal footage. By the end, after watching All-Star/my hip-hop alter ego Comfort booty pop her way through this piece, we all looked at each other and asked, "Wait, who choreographed this?" We were psyched to see NappyTabs giving their piece a standing O from the audience. This routine was all about girl power and Jasmine worked it hard, keeping up with Comfort juuuuust fine.
3. tWit-shun/Fik-witch. Oh my godddddd. You're familiar with my love for tWitch by now. And then these two together? It was just so good. One of the DS editors said tWitch and Fik-Shun looked like Will and Jaden Smith up there, having the best time ever. Right? Right. This piece was the funnest.
4. Amy and All-Star Robert falling in contemporary love. Thank you for this, Stacey Tookey. I love Amy. I looooove Robert. I loved them together and enjoyed being taken into the happy-magical world they created onstage.
5. Mark Kanemura's back! Mark Kanemura's back! His choreography for his piece with Jenna a few weeks ago was possibly my favorite of the entire season. And while I actually didn't adore last night's piece for Jasmine and Amy quite as much, I do love that Mark is potentially becoming a regular choreographer on the show. I also love that he used Jasmine and Amy to "tell the age-old story of Siamese twins from the fierce jungles of Saturn." What? Doesn't matter. Mark, you are the quirkiest and we love you for it.
Bonus #6: No one was eliminated last night! It was just a fun, enjoyable show where everyone was safe and got to dance full-out. Though is it just me or are these dancers starting to look tired? Get them massages, stat, Nigel!
Fess up: Who got you to pick up the phone last night? Any predictions for next week? I've got mine, but I'll keep them a secret for now. OK fine, I won't: Looking at last night's performances as well as the entire season leading up to the performance finale, I think Amy and Fik-Shun are worthy of the America's Favorite Dancers title.
Agree? Disagree? Tell me in the comments!
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
When we think of a dancer who's broken barriers, American Ballet Theatre principal Misty Copeland tends to be the name that comes to mind. And though Copeland has been a crucial advocate for equality in the world of ballet, Raven Wilkinson—a mentor of Copeland's—is considered one of the original pioneers of the movement.
In 1955, Wilkinson became the first African American to dance with the renowned Ballet Russe de Monte Carlo. Her fortitude in the face of bigotry and hate cemented her legacy. Now, with the release of the new children's book Trailblazer: The Story of Ballerina Raven Wilkinson, a new generation of dancers will be inspired by her tale of overcoming obstacles to achieve a dream.
The book details Wilkinson's life, from her experience as a young dancer training in Harlem, to her run-ins with the Ku Klux Klan while on tour with Ballet Russe, to her later ballet career in Europe. "There were times where my heart really hurt because of the situations I had to deal with," she says. "But I always had faith that I was made to be a dancer and that I was gonna dance."
Dance Spirit spoke with Wilkinson to discuss the new book and get her take on racial equality within the ballet world.
Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.
She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.