"So You Think You Can Dance" Season 11 Recap: Meet the Top 20
(Before we begin—have you heard that we're giving away tickets to the "So You Think You Can Dance" season finale?! GO. ENTER. NOW.)
Wow. "SYTYCD" Season 11 is going to be pretty darn spectacular. This week, we watched 157 dancers travel to L.A. to duke it out for a spot in the Top 20. Guest judges this week included tWitch, Tara Lipinski, Adam Shankman and ballerina Irina Dvorovenko. It was pretty hard to know who would advance and who would be sent packing—the level of talent was just that high. There were also A LOT of cuts: Dancers had to make it through seven rounds, and there were even a couple dance-for-your-life performances. I'm not sure how the show's editors managed to get the entire week of callbacks into one jam-packed, action-filled episode—but they did. Here are my top five moments from last night:
1. Cameron. OK, OK, he’s not a competitor, he’s a newborn. But he was definitely part of one of my favorite “SYTYCD” stories of all time: Steven, a phenomenal hip-hop dancer from New Orleans, got news that his girlfriend had gone into labor right as callbacks began. Obviously, Steven was a little distracted. I mean, THERE WAS A BABY ON THE WAY. Somehow he managed to pull it together for the first few rounds…and then, Cameron arrived! Steven didn't make the cut after Sonya Tayeh’s choreography, but I think he’s already won, regardless.
2. Jaja, the red-headed wildcard. So, OK, she didn’t make Top 20. But to see this girl go from crazy krumper to slinky ballroom dancer just made me smile.
Let's hope Jaja auditions again next year. I know I'd love to see more of her transformations.
3. All the awkwardness. First, there was contestant Amanda’s, um, hiccup, when she said she felt lucky to have Marcquet as a hip-hop partner because, duh, he’s there for hip hop. Well, sorry Charlie, he’s a ballroom expert, and you’ve just learned what happens when you assume things—on national TV. Oops! (Disclaimer: In Amanda's defense, Marcquet can do it all—amazingly. My prediction? Top 4, easily.)
Next, we said goodbye to poor contestant Christopher’s front tooth. During the ballroom routine rehearsals, Chris got smacked in the face by his partner’s elbow. She lost quite a bit of skin and blood, and he lost half a tooth. OUCH.
Thankfully, the judges were kind to this (partially) toothless wonder of a dancer. He made it through the ballroom round.
And finally, did anyone else feel just a little guilty for laughing at the judge’s nasty comments during the group choreography round? Over the first four episodes this season, we’ve applauded the judges for not berating the auditionees who gave sub-par performances. Apparently, though, their snide remarks have been brewing, and after One Love’s group debacle, there was a firestorm of snark. My favorite zinger came courtesy of Adam Shankman: “I see you got your routine from those children on ‘Dance Moms.' " BOOM, roasted.
4. The surprise endings. A lot of our favorites from the audition rounds didn’t make it. This week, we unfortunately—and unexpectedly—bid adieu to Trevor Bryce, Marie Poppins, Megan Marcano, Erik “Silky” Williams, and DS cover beauty Kamille Upshaw.
5. The TOP 20, REVEALED! Without further ado, may we present—in the order they were introduced during the show’s credits—the 20 candidates vying to be America’s Favorite Dancer: Malene, Zack, Emily, Serge, Carly, Emilio, Tanisha, Stanley, Valerie, Nick, Bridget, Marcquet, Jacque, Rudy, Brooklyn, Teddy, Jessica, Casey, Jourdan and Ricky. Congrats, dancers! We can't wait to see what you bring this season!
What did you guys think? Are you happy with this season's Top 20? Was anyone sent home unfairly? Let us know in the comments—and check back here next week for our recap of the first live episode!
You've seen it a million times: A glamorous, toned dancer posts a perfectly styled shot of her colorful smoothie bowl. The caption gushes about how great you'll feel if you eat "clean"—but what does that actually mean? DS asked registered dietitian/nutritionist Rachel Fine and holistic health coach (and founder of The Whole Dancer) Jess Spinner for all of the dirt.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com a chance to be featured!
I'm being bullied by one of the girls at my studio, and it's awful. I've talked to my dance teacher and confronted the bully directly, but it hasn't made a difference. What should I do?
Bunheads, this one's for you. They say you can tell a Nutcracker by its "Snow" scene—and we fully believe it. There are so many versions with extra goodies—olive branches! Fake snow! Sleds! Choirs! Snow queens!—and each brings a special something to the holiday favorite. But do you know which ballet has what?
You're probably already following your favorite dancers on Instagram, but did you know that you can follow many of their dogs, too? We rounded up some of our favorite dog-centered accounts and hashtags to keep you pawsitively entertained (sorry, we can't help ourselves).
Consistent turns are a must for aspiring professional dancers, but pretty much everyone struggles with pirouettes at some point. Luckily, since we're all beholden to the same rules of physics, there are concrete steps every dancer can take to reach his or her top turning potential. “Three is the new two when it comes to pirouettes, but the secret to turning is technique, not magic," says Bojan Spassoff, president and director of The Rock School for Dance Education in Philadelphia.
Falling out of your doubles? Aspiring to go revolution for revolution with your class's star turner? No matter where you lie on the turning spectrum, our 360-degree guide to pirouettes will help you improve.
Let's face it—spare time is pretty tough to come by when you're a dancer. You're either rushing to get ready for rehearsal, rushing to rehearsal, a combo of the two, or in rehearsal (or performing, or in class, or at an audition...you get the picture). Well here at DS, we understand the struggle is REAL, which is why we've rounded up our favorite foolproof makeup hacks, approved by resident #LazyGirl when it comes to makeup (spoiler alert: it's me). On to the hacks!
Kalea (pronounced kah-LAY-uh) Hidalgo knows how to move. Her decisive, dynamic dancing commands the stage: She gobbles up space so confidently it's hard to believe you're watching a mere tween. Unsurprisingly, that presence and power have started turning heads in a serious way. Not only did Talia Favia choreograph one of her solos in 2017, but Kalea also recently signed with Bloc Talent Agency in L.A. and, last summer, placed first overall in the junior contemporary solo category at Radix Nationals.
"When you're out on the dance floor, don't ask for permission—ask for forgiveness."—Kalea Hidalgo
Taylor Swift is #blessed in many ways: She's got a great voice, insane song writing skills, and, to quote her new hit single, she's "Gorgeous." She is not, however, blessed in the dance department. But that doesn't stop her from busting out the occasional dance move. In fact, Swift likes to playfully show off her less-than-stellar dancing, be it in her music videos (hello, "Shake It Off") or at music award shows. So we weren't surprised when during the latest episode of her "Making of a Song" series for AT&T, she unveiled a new endearingly awkward maneuver, which she's dubbed the "dolphin body roll"—and it practically had friend and producer Jack Antonoff rolling on the floor!🤣
You rehearse your group routine to perfection, but when the big performance rolls around, everyone turns into speed demons. It's the runaway-train effect—and it only takes one loud tapper, or zippy turner, to throw the whole group off the music.
While nerves and excitement are partly to blame, the ability to keep to tempo begins in the studio. A well-developed sense of musicality is your best defense against the dreaded speed trap. "When you understand how the steps fit with the music, going too fast won't just feel like rushing," says Jeremy Arnold, lecturer of tap at the University of Texas at Austin. "It'll feel wrong." How can dancers develop that musicality? It all starts with learning to listen.