When Statues Come to Life
You know the sculpture: A young girl in a tutu stands in an open fourth position, gazing up in awe as if she’s watching a prima ballerina leap before her. But you probably don’t know the story behind the sculpture—the story of ballet student Marie von Goethem, who, at age 14, became the muse of renowned artist Edgar Degas. This month, Marie’s tale will come to life onstage at Washington, D.C.’s Kennedy Center, in Little Dancer, a brand-new musical directed and choreographed by Susan Stroman. None other than New York City Ballet principal Tiler Peck will star as Marie. Peck is no stranger to the world of musical theater: She first played Gracie Shinn in Stroman’s revival of The Music Man on Broadway at just 11 years old. Dance Spirit caught up with Peck to find out more about Little Dancer.
(Photo by Matthew Karas, Courtesy The Kennedy Center)
Dance Spirit: How does working on this show compare to your experience when you were younger?
Tiler Peck: The Music Man was such a surprise for me. I don’t think I really grasped what Broadway meant. Now, being in Little Dancer means so much more. Not only am I working with Susan Stroman again, but Rebecca Luker, who was also in Music Man, is playing Marie’s older self. It’s like I’ve come full circle.
DS: What’s challenging about playing a young girl?
TP: Well, it’s just like doing Romeo and Juliet. No one who plays Juliet is actually her age. The key is your mannerisms and the way you hold yourself. I’ve also been looking at tons of Degas’ works, and I’ve been reading as many books as possible to find out about Marie’s life. She was very witty!
DS: Why should people see the show?
TP: For dancers, the show is easy to relate to because you see Marie face so many of the challenges that both young dancers and professionals go through today. And Broadway people will love the music. It’s so beautiful; you just have to dance to it.
DS: What’s the best part about being in Little Dancer?
TP: Marie is a starring role, and the whole show revolves around her. Getting to create the part—being the first person ever to play it—has been so special.
A crumpled, torn magazine photo of a ballerina sparked a 4-year-old orphan’s dream of becoming a professional dancer. That orphan was Michaela DePrince, now a rising talent at Dutch National Ballet. (You may know her from the 2011 documentary First Position.) DePrince’s new memoir, Taking Flight, recounts her incredible journey from war-torn Sierra Leone to the ballet world. There are moments that will leave you in tears—yet her inspiring story (co-written with her adoptive mother, Elaine DePrince) is one you’ll never forget. —Sophie Moyer
Dance Spirit spoke with DePrince about her writing process.
(Courtesy Random House Children's Books)
The events you describe early in the book are unfathomable. What was writing about them like for you?
I wrote everything in small snippets—thoughts, memories, feelings.
They were like bits of clay that I handed to my mother, who organized them and turned them into a beautiful piece of art. In a way, it was therapeutic—I was able to get all of the happenings out of my head and onto paper. But even more therapeutic was reading the final product. Although it all came from my memory, it still moved me to tears.
Why did you write Taking Flight?
I’m especially interested in reaching kids who are feeling hopeless because their life circumstances aren’t ideal. I want to inspire them to grab onto a dream and find ways to make it come true.
Have you met the woman who inspired your own dream—Magali Messac, the former Pennsylvania Ballet dancer on the Dance Magazine cover you found in Sierra Leone?
I’ve communicated with her online, but I haven’t actually met her in person. We live so far away from each other—she’s in Washington State and I’m in the Netherlands! Oddly, though, without having met her, I still feel like she’s not real—just the ballerina in the picture.
Where do you see yourself in 10 years?
Right now, I’m with the Dutch National Ballet, and love everything about it. I’d like to stay here as long as possible, and I hope I’ll rise through the ranks. I’d also like to start a free school for the arts in Sierra Leone. I feel deeply about the children there who lack opportunities—I want to share my good fortune with them.
What's better than a good dance joke? They're corny, they're punny, and they're exactly what you need to get you through long Nutcracker days. These 10 jokes are guaranteed to put a smile on your face—no matter how much your feet are hurting.
Some might say Charlize Glass' fame kicked off with a single three-letter word. In 2014, Beyoncé shared a video of the then–12-year-old dancer performing to "Yoncé" on Instagram, along with a simple caption: "WOW!"
But by that point, the hip-hop mini had already performed at the MTV Video Music Awards and on "The Ellen DeGeneres Show," and won first runner-up with her crew, 8 Flavahz, on "America's Best Dance Crew." And her Queen Bey Insta shout-out wasn't even the pinnacle of her tween career: She earned a spot on The PULSE On Tour as an Elite Protégé for the 2014–2015 season, and performed with Missy Elliott at the Super Bowl XLIX Halftime Show in 2015.
These days, the 16-year-old spends her time touring the country as Brian Friedman's assistant at Radix Dance Convention and blowing up YouTube and Instagram with her class-video cameos. And while the Char Char we fell in love with was a hip-hop cutie pie, the more mature artist we see today is sure to rock the dance world for years to come.
You're obsessed with class videos. We're obsessed with class videos. The passion, energy, and talent showcased in these clips, which give us an insider-y peek at the commercial dance world's hottest classes, are totally irresistible.
But at what point does the phenomenon go from being a good thing to a bad thing for dancers and the dance world? Is the focus on filming distracting from the work dancers are supposed to be doing in class? Are overproduced videos presenting a dangerously misleading picture of the dance world? Is the pressure to be a class video star becoming too much for dancers to handle? These are some of the questions A-list dancer and choreographer Ian Eastwood—no stranger to the class video himself—has been asking on Twitter. And they've sparked a lively, important debate.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
"So you Think You Can Dance" Season 14 finalists Lex Ishimoto and Taylor Sieve shocked fans at home (at least the ones who hadn't thoroughly scoured their respective Instagrams) during Episode 14, when choreographer Mia Michaels asked if either of them had ever experienced "the kind of love that takes your breath away." They confessed that, yup, they had—with each other. The two met at The Dance Awards in the summer of 2016, where they were each named Senior Best Dancer, and went on to tour with the convention as assistants. Before long—and long before their "SYTYCD" journey—they became a couple.
Take a look at Dance Spirit's exclusive interview where they dish on everything from their favorite dates to the dance moves that give them all the feels.
There's a surprising twist to Regina Willoughby's last season with Columbia City Ballet: It's also her 18-year-old daughter Melina's first season with the company. Regina, 40, will retire from the stage in March, just as her daughter starts her own career as a trainee. But for this one season, they're sharing the stage together.
Yes, we all know dancers are strong. But sometimes it takes a truly epic workout video to remind us JUST HOW INSANELY STRONG they actually are.
Behold, National Ballet of Canada principal Svetlana Lunkina's oh-so-casual pre-class exercise:
Dance Spirit is beyond excited to announce the first round of 2017 Future Star winners! Every year, DS partners with competitions to recognize dancers with exceptional presence and ability. The second round of winners will be featured in our January issue, so stay tuned!