"SYTYCD" Season 9: L.A. Auditions Recap
Welcome, to "So You Think You Can Dance!" This week, we're in L.A. for the third round of auditions—and I'm thrilled to report that these auditions were far more successful and entertaining than what we saw on last week's show.
On with the recap!
The Top 5 Moments From The L.A. Auditions:
1. Jesse Tyler Ferguson on the judging panel. I love him on "Modern Family" and I don't even care that he may not be a dance expert. He's so stinkin' lovable as a self-proclaimed "super fan of the show," and you could tell he genuinely enjoyed sitting up there with Nigel and Mary. Adorable and hilarious.
2. Alexa Anderson! Our former Cover Model Search winner was the first one up last night, and she got sent straight to Vegas. No surprise there: We knew she was a star when we spotted her on the competition scene, you knew she was a star when you voted her the winner of the 2010 CMS battle, and now the rest of the world will know she's a star when Alexa inevitably makes it into the Top 20. (Seriously, Nigel and Mary: Put this girl in the Top 20.) We're rooting for you, Alexa!
3. "No lip syncing." Mary Murphy, I love you for this. High five. She told the crop of L.A. dancers that she did not want to see any lip syncing. Write this down, dancers and teachers. No one likes lip syncing! I don't care if you're doing a musical theater number to "Cell Block Tango" and you swear mouthing the words will make your performance more believable. Let the singers do the singing, you just worry about your sassy moves!
4. All the super-cute contemporary girls. I loved Sam Lenarz, whose mom kicked her out of the house and didn't support her dancing. Her story was heartbreaking, but with her killer feet and ability to light up the stage, I doubt she'll be held back in life. Then there was Megan Branch, who danced with a youthful innocence that I found incredibly compelling. Nigel called her a "little firecracker." And then there was Emily James! Emily was a DS Cover Model Search finalist and she was sent straight to Vegas. Duh.
5. Jonathan Anzalone. I basically like that he looks like Joey Lawrence, and I had a crush on Joey Lawrence when I was in elementary school and he was on that TV show "Blossom." Jonathan was quirky, fun to watch and could shake his booty better than any dude I've ever met.
The “So You Think You Can What?!” Moment of the Night:
How much did I love the "A-list celebrity on a B-list budget" twins, Nick and James Aragon? I loved them so much. They refer to themselves as the "ninja twins," one is a stylist, one works at "The Village Idiot," and their double cartwheels were to die for. Are they going to win "SYTYCD?" Um, no. Not at all. But they were adorable and I want them to take me shopping.
Check back next week when we'll be recapping Atlanta auditions. And of course, tell us what you thought of the show!
P!nk, known for her high-flying, acrobatic awards show sets, has literally raised the bar for pop stars everywhere. For her performance at last night's American Music Awards, P!nk decided to break out some flips and tricks ON THE SIDE OF A BUILDING. WHILE FLAWLESSLY SINGING HER FACE OFF. You know, just casually, like you do when you're a full-on goddess.
When you think of a dancer, a double leg amputee may not be the first thing that comes to mind. But Eric Graise, who's one of the stars of the upcoming "Step Up: High Water" YouTube Red series, hopes to change that. Graise, whose legs were amputated as a child due to missing fibula bones, will play a character named King in the new dance series, set to debut early next year.
We all suffer from Nutcracker fatigue sometimes. After a zillion performances, it's hard not to. But there's nothing to restore your little-kid sense of Nutcracker wonder like a look at the sheer scale of a world-class Nut.
New York City Ballet's iconic production of George Balanchine's The Nutcracker opens on Friday, and for the past week, the company has been Tweeting out some seriously eye-popping #NutcrackerNumbers. The stats cover everything from the number of jingle bells used on each Candy Cane costume (that'd be 144) to the watts of light used in the show's grand finale (ONE. MILLION. WATTS.).
One of the most beautiful things social media has brought us is the ability to feel like we're up close and personal behind-the-scenes with all our favorite dancers. And one of our favorite stars to Insta-stalk are actually two casts of 36 scintillatingly synchronized precision dancers. I'm talking, of course, about my mild obsession with the legendary Radio City Rockettes.
Consistent turns are a must for aspiring professional dancers, but pretty much everyone struggles with pirouettes at some point. Luckily, since we're all beholden to the same rules of physics, there are concrete steps every dancer can take to reach his or her top turning potential. “Three is the new two when it comes to pirouettes, but the secret to turning is technique, not magic," says Bojan Spassoff, president and director of The Rock School for Dance Education in Philadelphia.
Falling out of your doubles? Aspiring to go revolution for revolution with your class's star turner? No matter where you lie on the turning spectrum, our 360-degree guide to pirouettes will help you improve.
You rehearse your group routine to perfection, but when the big performance rolls around, everyone turns into speed demons. It's the runaway-train effect—and it only takes one loud tapper, or zippy turner, to throw the whole group off the music.
While nerves and excitement are partly to blame, the ability to keep to tempo begins in the studio. A well-developed sense of musicality is your best defense against the dreaded speed trap. "When you understand how the steps fit with the music, going too fast won't just feel like rushing," says Jeremy Arnold, lecturer of tap at the University of Texas at Austin. "It'll feel wrong." How can dancers develop that musicality? It all starts with learning to listen.
Have we mentioned lately how much we love dance dads? Especially ones who show up to their daughter's ballet class sporting a tutu, like Thanh Tran.
You've seen it a million times: A glamorous, toned dancer posts a perfectly styled shot of her colorful smoothie bowl. The caption gushes about how great you'll feel if you eat "clean"—but what does that actually mean? DS asked registered dietitian/nutritionist Rachel Fine and holistic health coach (and founder of The Whole Dancer) Jess Spinner for all of the dirt.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com a chance to be featured!
I'm being bullied by one of the girls at my studio, and it's awful. I've talked to my dance teacher and confronted the bully directly, but it hasn't made a difference. What should I do?
Bunheads, this one's for you. They say you can tell a Nutcracker by its "Snow" scene—and we fully believe it. There are so many versions with extra goodies—olive branches! Fake snow! Sleds! Choirs! Snow queens!—and each brings a special something to the holiday favorite. But do you know which ballet has what?