"SYTYCD" Season 9: The First Elimination
Last night on "So You Think You Can Dance," the Top 20 became the Top 16. The six dancers who received the lowest votes "from America" were Janaya, Alexa, Witney, Nick, Daniel and Chehon. The judges chose to save Witney and Chehon from elimination, and so we said goodbye to the other four. Major bummer. What happened, Alexa?
But the show wasn't a total sadness-fest. There was a bathtub! There was a "big sexy tomato." (Adam Shankman's words) named Cat Deeley, looking ravishing in bright red. ("Take a bite, why don't you," Cat quipped back at Mr. Shankman.) And best of all, there was a preview performance from the dancers of the upcoming Step Up Revolution, which opens in theaters July 27 and is guaranteed to be awesome.
Oh and if you think Kathryn McCormick, the film's leading lady, is super hot (which she is—this is not a debate), get excited for the November issue of DS. And if you think tWitch is the hottest male dancer of all time (also not a debate), you're in luck even sooner: He just may be all over our September issue.
On with the Top 5 Moments from last night's episode of "SYTYCD!"
1. The awesome Marilyn Manson opening number featuring the entire Top 20. The sequined outfits the dudes were wearing? The red-hot ladies with their crazy headpieces? Oh Nappytabs, you've done it again. It was sort of Afro Jazz meets hip hop meets Thriller and I totally dug it. Also, there were fog machines. You simply cannot go wrong with fog machines. Plus, I appreciated that all the dancers really blended. I wasn't focused on one dancer the entire time, even though Cyrus was kind of the routine's front-man. They all worked really well together.
2. Amber's arms. Oh, she did a tango last night? Cool. I barely noticed. For all I know the girl could've been wearing tap shoes and shuffilng up a storm. I could not take my eyes of her killer, oh-so-defined upper body. She's awesomely ripped and I want to be just like her. But yeah, she did do a tango, and it was pretty great. My ballroom expertise (that's a slight exaggeration) tells me that she nailed the quick, fancy footwork and her upper body was nicely pulled up and controlled. Well done, former DS cover girl.
3. Amelia and Will's Sonya Tayeh routine. While I always love Sonya's choreography, this routine was interestingly un-Sonya. I appreciated that Amelia quite literally threw herself into every single move, and Will seems like a fantastic I-will-always-be-there-to-
4. Audrey and Matthew, are you serious? These two are dynamite! Between last week's Titanic routine and this week's Sonya Tayeh number, they've solidly established themselves as two dancers to beat. This week, Audrey managed to be fantastically fierce, despite her sweet little braid and rhinestone-bedazzled bra. And Matthew, rocking the guyliner, has mastered the art of partner eye contact. These two rocked it last night. Dare I say they're my favorites at this point in the competition?
5. Tiffany's lilac-colored Foxtrot costume. It was so sparkly and gorgeous. I could not take my eyes off this dress! I'm not normally one to rave about the ballroom routines on "SYTYCD," but I thought The Tiffster and George did a pretty swell job with this one. But also, the dress. Where can I get it? It's very versatile, and I would be able to wear it out dancing, and to work, and at dinner parties and running in Central Park. I would never take it off.
The "So You Think You Can Whaaat?!" Moment of the Night:
Adam Shankman, I respect you and I enjoy the way you manage to layer so many tops each night (a shirt, a vest, a tie, a cardigan, a blazer, another vest, a sequined brooch...it all just keeps layering)—but please reel it in with the tears and the overly-dramatic statements. Every routine makes this guy cry. Every dancer seems to get a standing ovation. When he told Amelia her lines were "perfect" I was semi-baffled. Yeah, she's great, but from what I saw she needs to work a little harder to get those legs fully extended and those feet fully pointed. So to call her perfect? Seems a little over-reaching, Adam. Not every routine has to be OMG-the-best-thing-ever, and not ever dancer is the most incredible one you've ever seen onstage. Just keep it real, OK?
Congratulations to the Top 16! We're psyched to see what you have in store for us next week. Until then, what'd you think of last night's episode? Did you like having all the good stuff crammed into one show? Are you wicked pumped to see Step Up Revolution next week (the answer is yes)? And do you think America and the judges got it right by eliminating Alexa, Daniel, Janaya and Nick? Tell us in the comments!
Taja Riley's bold, full-out presence and unique ability to mix hard-hitting hip hop with smooth, sensual choreography paved the way for her success in the commercial industry. She's danced with music icons like Chris Brown, Janet Jackson, Ne-Yo, Kanye West, 50 Cent, Pitbull, and Bruno Mars, and has assisted with choreography for Britney Spears' Femme Fatale tour, Demi Lovato's Skyscraper tour, and Beyoncé's Mrs. Carter tour. She also appeared in Beyoncé's groundbreaking visual album Lemonade. Raised in Virginia Beach, VA, Riley grew up training at Denise Wall's Dance Energy. Currently, she's on faculty at New York City Dance Alliance, where you can catch her touring the convention circuit. —Courtney Bowers
P!nk, known for her high-flying, acrobatic awards show sets, has literally raised the bar for pop stars everywhere. For her performance at last night's American Music Awards, P!nk decided to break out some flips and tricks ON THE SIDE OF A BUILDING. WHILE FLAWLESSLY SINGING HER FACE OFF. You know, just casually, like you do when you're a full-on goddess.
When you think of a dancer, a double leg amputee may not be the first thing that comes to mind. But Eric Graise, who's one of the stars of the upcoming "Step Up: High Water" YouTube Red series, hopes to change that. Graise, whose legs were amputated as a child due to missing fibula bones, will play a character named King in the new dance series, set to debut early next year.
We all suffer from Nutcracker fatigue sometimes. After a zillion performances, it's hard not to. But there's nothing to restore your little-kid sense of Nutcracker wonder like a look at the sheer scale of a world-class Nut.
New York City Ballet's iconic production of George Balanchine's The Nutcracker opens on Friday, and for the past week, the company has been Tweeting out some seriously eye-popping #NutcrackerNumbers. The stats cover everything from the number of jingle bells used on each Candy Cane costume (that'd be 144) to the watts of light used in the show's grand finale (ONE. MILLION. WATTS.).
Oh hey there, Hallmark Channel! The producer of all those sweet, homey movies best watched in your PJs with your mom has a super dance-y film on its holiday lineup this season: A Nutcracker Christmas. And the casting is—to use a very Hallmark-y pun—perfectly on pointe.
A Nutcracker Christmas tells the story of a talented professional dancer, Lilly, whose supportive sister dies just as Lilly is about to perform the role of Clara in The Nutcracker with New York City Ballet. (Nit-picky fact-checking: In New York City Ballet's Nutcracker, she's known as Marie and danced by a child, but OK.) Lilly's boyfriend and dance partner, Mark, keeps her from performing in the show, which makes Lilly declare she'll never dance again. Fast-forward a couple of decades, and Lilly's niece, Sadie, is about to dance Clara in a different company's Nutcracker—a company run by, of all people, Mark. And tons of drama ensues.
Yes, it's a whole lot of plot to wrap your head around. But the real story here is that Sadie is played by none other than the phenomenal Sophia Lucia, and the ever-dashing Sascha Radetsky is also involved in the project. (Radetsky's exact role is unclear from the press material, but he seems like a pretty natural fit for Mark, no?) The odds seem good that we'll get the gift of some very high-quality dancing. Merry Christmas to us!
Sophia Lucia showing off those banana feet (via @sophialucia5678)
You can catch A Nutcracker Christmas on December 10 at 8 pm. Get your slippers and hot cocoa ready.
Consistent turns are a must for aspiring professional dancers, but pretty much everyone struggles with pirouettes at some point. Luckily, since we're all beholden to the same rules of physics, there are concrete steps every dancer can take to reach his or her top turning potential. “Three is the new two when it comes to pirouettes, but the secret to turning is technique, not magic," says Bojan Spassoff, president and director of The Rock School for Dance Education in Philadelphia.
Falling out of your doubles? Aspiring to go revolution for revolution with your class's star turner? No matter where you lie on the turning spectrum, our 360-degree guide to pirouettes will help you improve.
One of the most beautiful things social media has brought us is the ability to feel like we're up close and personal behind-the-scenes with all our favorite dancers. And one of our favorite stars to Insta-stalk are actually two casts of 36 scintillatingly synchronized precision dancers. I'm talking, of course, about my mild obsession with the legendary Radio City Rockettes.
Have we mentioned lately how much we love dance dads? Especially ones who show up to their daughter's ballet class sporting a tutu, like Thanh Tran.
You've seen it a million times: A glamorous, toned dancer posts a perfectly styled shot of her colorful smoothie bowl. The caption gushes about how great you'll feel if you eat "clean"—but what does that actually mean? DS asked registered dietitian/nutritionist Rachel Fine and holistic health coach (and founder of The Whole Dancer) Jess Spinner for all of the dirt.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com a chance to be featured!
I'm being bullied by one of the girls at my studio, and it's awful. I've talked to my dance teacher and confronted the bully directly, but it hasn't made a difference. What should I do?