"SYTYCD" Season 9: Vegas Week Recap
Vegas! Vegas! VEGAS! After what seemed like endless weeks of ho-hum auditions episodes, I, for one, was ready for some real dancing, and some real drama, on "So You Think You Can Dance." As usual, Vegas week more than delivered on both counts. During their time in Sin City, this season's contestants showed off a lot of talent—and shed a lot of tears.
This being Vegas week, there weren't so much top moments as there were top...journeys. Epic journeys, complete with dramatic music and slow-mo reaction shots and, naturally, plenty of crying. Here are the top 5:
1. The Danielle Saga, aka Nice Girls Finish Last. Poor, poor Danielle. During Sonya Tayeh's jazz routine, Danielle was paired with Debbie Downer Shafeek, who completely gave up on her. Never mind; she made it through, and trooper that she is, came back onstage later to partner a contemporary dancer in need—who, of course, kicked her in the head. She was taken out on a stretcher. When she returned later, after spending eight hours in the hospital, she was sort of blamed for messing up the routine of the group she belatedly joined (which, really? She had a head injury). And then, of course, she was sent home. Someone give this girl a hug.
2. The Cyrus Saga, aka We'll Cut the Adorable Hip Hop Guy Some Slack. Cyrus is the only one of the talented Dragon House Crew trio who made it past Vegas' first round. He had a LOT of close calls as the rounds rolled by—frankly, I wasn't sure he was going to make it after that disastrous cha cha. But his dance-for-your-life solo reminded everyone just how amazing he is in his own style (shades of Madd Chadd, am I right?), and he seemed so genuinely happy to be there. I'm not sure he's going to nab a Top 20 spot, but if he doesn't—is that a Dragon House Crew guest performance I smell later in the season? Why yes, yes it is.
3. The Amelia Saga, aka Don't Count Your Top 20 Spot Before it Hatches. Remember silent-movie lover Amelia (who is, come to think of it, a bit of a Krysten Ritter lookalike)? Amelia cruised through the first few rounds, getting just a tad overconfident. She looked completely shocked when she was asked to dance for her life after Sonya's jazz routine. Luckily her solo was a great showcase for her particular brand of quirky appeal (not to mention her legit technique). "I am so ready to make you love me!" she cried tearfully afterward. And the judges did love her, or at least like her enough to shepherd her safely through Vegas week. Her whole flapper shtick grates on my nerves a little, but let's be honest: We all want to see this one stick around to do some really weird Sonya choreography, right?
4. The Alexa Saga, aka Alexaga, aka Don't Count Your Top 20 Spot Before it Hatches Part 2 (But Really, You're Going to Get a Top 20 Spot). Alexa probably looks familiar—and not just because she made it to the bitter end of last season's Vegas shenanigans: She was our 2010 Cover Model Search winner!* All of us at DS know from experience that Alexa is crazy talented—but man, a lot of the judges' criticisms of Alexa's "lights are on and nobody's home" performances (as Tyce "Keith" DiOrio put it) were justified. She seemed vacant and terrified through much of the episode. Luckily she pulled it together in time for the cha cha round—in which she looked SMOKIN'—and survived Vegas. Debbie Allen's verdict? "This child could win." Go Alexa! (Just ease up a tad on the bronzer, OK?)
5. The Sore Losers Saga, aka Here Are a Few Examples of How Not to Behave on National Television. Jeez louise, there were a lot of unhappy campers on last night's show. From Teddy "Why come back and waste my time? I just looove to be reprimanded in public" Tedholm to Shafeek "I will smoke Lil' C. Matter of fact Lil' C's cool, I will smoke Nigel" Westbrook, a surprising number of booted contestants chose not to exit gracefully. Yes, getting cut is very, very painful, but a word of advice: You will always end up regretting acting like a total brat on camera. Next time, maybe save the venting for the hotel room, OK?
The "So You Think You Can What?!" Moment of the Night:...was actually not part of the episode. There were several ads for "The Choice" during the commercial breaks—you know, that rip-off of "The Voice" where people like Mike "The Situation" Sorrentino try to pick dates based on the sound of the girls' voices? Oh, you haven't heard of it? Congratulations—you're a respectable member of society. So why is the lovely, amazing, wayyyy-too-talented-for-this Cat Deeley hosting this abomination? Cat! It's not worth it! And if "The Choice" is the reason you've barely shown your pretty face on "SYTYCD" so far this season...no, I'm not even going to make a "wrong Choice" pun here. DON'T LEAVE US, CAT!
What did you think of last night's episode? Too much drama? (Is there such a thing?) And don't forget to check back next week for our recap of the episode we've all been waiting for: The Top 20 reveal!
*(For the record: Last year's CMS winner, the awesome Kaitlynn Edgar, was also all over this episode. She and Alexa were actually in the same "Wolf Pack" group number. Not ringing a bell? They wore matching stonewashed denim vests. There you go.)
Well, this brings class videos to a whole new level! Choreographer Phil Wright and dancer Ashley Liai have been together eight-plus years, but she was still in total shock when he proposed to her mid-dance at Millennium Dance Complex earlier this week. Why? Well, the whole thing was unbelievably perfect.
In the dance industry, dancers don't always have a say in what they wear on their bodies. This can get tricky if you're asked to wear something that compromises your own personal values. So what should you do if you find yourself in this sticky situation? We sat down for a Q&A with "Dancing with the Stars" alumn Ashly Costa to answer that very question. Here's what she had to say about the options dancers have surrounding questionable costumes.
The groundwork for Erin Carpenter's company, Nude Barre, began when she was a teenager. At 16, she earned a spot in the residency program at The Kennedy Center in partnership with Dance Theatre of Harlem. "We were required to wear nude—as in, our actual skin tone—tights and shoes," she remembers. Carpenter brought her "sun tan" tights and a pair of pink ballet shoes with her, because that was all she could find. But she wasn't allowed in class because her dancewear didn't match her skin. "I was so embarrassed," she says. "I looked unprepared. I just didn't have the right nudes." Her teacher explained that the dancers dyed their tights and pancaked their shoes.