Have you ever seen a ballerina’s arabesque and thought, Wow, her back is so flexible—does she even have a spine? Believe it or not, a bendy back isn’t the only key to a killer arabesque. “Dancers who focus exclusively on stretching often fall into improper alignment, crunching the lumbar spine and splaying the ribs to maximize arabesque height,” says Rachel Hamrick, a conditioning expert and former professional ballet dancer. “To achieve the desired aesthetic, you need strength in the hamstrings, inner thighs, abdominals and back, as well as flexibility in the hip flexors.” (All photos by Nathan Sayers.)
Practice the following four exercises, which focus on stretching and strengthening these supporting muscle groups, and you’ll be passing 90 degrees in no time!
You'll need: an FLX Ball or a medicine ball and a Thera-Band
Plant your left knee in the corner where the wall meets the floor, with the top of your foot pressed against the wall. Step your right leg forward and bend it at a right angle, so your knee is directly above your ankle. Place your hands on either side of your right foot. Keeping both legs parallel, push your hips forward and down. Hold for 10–15 slow breaths. Repeat the stretch twice on each side.
Hamrick says: “If you’re performing this exercise on a hard floor, place a towel or mat under your knee to cushion it.”
For extra stretch, keep your legs in the same position, but place your hands on top of your right thigh. Push your hands away from your body to lift your chest, keeping your shoulders relaxed as you sink your hips forward.
Hamrick says: “Lengthen through the left hip flexor so that your pelvis is vertical.”
Hamrick says: “Imagine stitching your inner thighs together to keep your right knee in line with the midline of your body.”
1. Lie on your left side, resting your head in your left hand. Place your knees in front of your hips and your ankles directly below your knees, forming two right angles. Lift your right leg slightly so that your legs are hips-width apart, and use your right hand to place the ball behind your right knee.
2. Flex your right foot and squeeze the ball behind your knee, feeling the activation of your hamstring and the connection between your right heel and sitz bone. Place your right hand on the floor in front of your belly button to stabilize yourself.
4. Return to the starting position. Repeat 10 times on each side.
Hamrick says: “Engage your abs to keep your torso from arching and activate the inner thigh muscles to keep your legs parallel and hips-width apart.”
1. Lie on your stomach with your legs turned out and your feet pointed, hips-width apart. Place the ball under your chest. Stack your hands on top of each other and rest your forehead on them, keeping your elbows out to the sides and your neck in line with the rest of your spine.
3. Lower with control to your starting position. Do three sets of 10 reps.
Hamrick says: “Don’t crunch in your lower spine to lift your torso. Imagine your spine lengthening as you rise.”
2B. Inhale and lift your torso, keeping your shoulders drawn down your back and your neck long.
Hamrick says: “Don’t puff out your lower abs to push yourself up. Imagine hollowing them out so they don’t touch the floor throughout the exercise.”
Single Leg Lift
1. Lie on your stomach with your legs hips width apart and turned out, and your feet pointed. Fold the Thera-Band in half lengthwise and hold one end in each hand. Prop yourself up on your elbows, placing them by your sides, underneath your shoulders. Place your forearms at a slight outward angle to create resistance in the Thera-Band. Press down through your arms and feel your chest pulling forward.
3. Lengthen your leg as you lower to the starting position. Do two to four sets of 10 reps on each leg.
Hamrick says: “Keep your spine long throughout this exercise. Don’t allow the lifting of your leg to cause you to crunch in your lower back. Hold your abs, and imagine lengthening to bring your leg up, rather than lifting.”
Picture this: It's your third class of the day, and you're exhausted. After a marathon of a barre, you've got almost nothing left—but you're prepared to squeeze out every last bit of energy for center. Then adagio happens. And after promenade number four (bazillion), something awful occurs: Your arabesque begins to droop. (NOOOO!)
You'll probably get a speech about how in the "good old days," ballet masters would whack you with a stick for such an offense. But the "good old days" are over, and we have to decide the new, 21-century punishment for lackluster arabesques.
Cue L-Munny and the sophomore dance majors of Ryerson University. Their hilarious new video, "Don't Drop That Arabesque," uses rap as a semi-instructional tool, and we're OBSESSED with it.
Just remember the wise words of L-Munny: "Ballet ain't easy. It's never turned down." That's right...ballet turns down for nothing. Happy Saturday!