The year 2011 was filled with show-stopping onstage moments and exciting offstage drama. Whether you were captivated by New York City Ballet star Sara Mearns’ 32 fouettés in Swan Lake or danced along in your seat as Sutton Foster led the Broadway cast of Anything Goes through a series of time steps, there’s no doubt you were entertained. Here are the people who kept us on the edge of our seats in 2011.
Sarah Lane. Photo by Gene Schiavone.
When Natalie Portman won the Best Actress Academy Award for her role as a twisted-but-talented ballerina in Black Swan, she neglected to thank her dance double, American Ballet Theatre’s Sarah Lane, in her acceptance speech. Later, Lane stood up to the movie industry by demanding credit for her work.
- New York City Ballet principal Jenifer Ringer danced the Sugar Plum Fairy role in the company’s Nutcracker, last year, and while most gave her a standing ovation, New York Times dance critic Alastair Macaulay remarked in his review that it looked as though she’d “eaten one sugar plum too many.” Ringer quickly became a role model for women everywhere when she went on “Oprah” this February to discuss the critique and proclaim that she thinks her body is just fine. So do we, Jenifer. Rock on!
- As if Alexei Ratmansky wasn’t already the busiest man in ballet, he just extended his contract as American Ballet Theatre’s resident choreographer through 2023.
- Company tours are a lot of work. This year Ballet Nacional de Cuba embarked on its first U.S. tour in five years, hitting four cities along the way.
- American Ballet Theatre principal (and star!) David Hallberg became the first American dancer to enlist permanently with Moscow’s Bolshoi Ballet.
The Broadway production of Wonderland. Photo by Paul Kolnik.
Everyone wanted to go down the rabbit hole: Productions of Alice in Wonderland popped up everywhere, from ballet stages (The Royal Ballet, The National Ballet of Canada and Royal Winnipeg Ballet all showed versions) to Broadway (Wonderland was short-lived, but the choreography by Marguerite Derricks was quirky and fun).
- Apparently Harry Potter can sing and dance—or at least his real-life alter-ego can. Daniel Radcliffe drew massive crowds and rave reviews when he starred in How to Succeed in Business Without Really Trying. No magic wand needed.
The Book of Mormon. Photo by Joan Marcus.
The Book of Mormon was easily the most controversial debut on Broadway this year. The show, penned by “South Park” creators Trey Parker and Matt Stone with Avenue Q co-writer Robert Lopez and choreographed by Casey Nicholaw, may have offended some audiences, but it impressed the Tony Award voters and took home nine honors, including Best Musical.
On the Comp Scene
- Joe Lanteri, executive director of New York City Dance Alliance, changed 44 young dancers’ lives this summer when he presented $2.8 million in college scholarships. Go get those diplomas!
- Selecting the DS Cover Model Search finalists is never easy, but this year there were three dancers who stood out: Kaitlynn Edgar, Maddie Swenson and Zoey Anderson. All three hail from the competition circuit, and all three were wildly impressive.
- Melanie Moore won the title of America’s Favorite Dancer on “So You Think You Can Dance” Season 8 and landed on the cover of DS!
- When Beyoncé revealed her baby bump at the MTV Video Music Awards, she proved she runs the world—and so do her choreographers, Frank Gatson, Sheryl Murakami and Jeffrey Page. The trio won the VMA for Best Choreography for Beyoncé’s “Run the World” video.
- When Laurieann Gibson wasn’t throwing together award-winning choreography for Lady Gaga, she was starring on her own TV shows on E! and BET. We’re not necessarily on board with her screaming fits and harsh treatment of her dancers, but we do respect her moves.
Amanda and D'Angelo on "Live to Dance." Photo by Monty Brinton.
Paula Abdul’s “Live to Dance” wasn’t a hit, but it introduced us to D’Angelo Castro and Amanda Carbajales, who became the show’s champions. These tiny dancers won us over with their personalities and technique.
- Lil’ Buck may have been the coolest guy to get us talking this year. He starred in Janelle Monae’s “Tightrope” video and helped make jookin’ mainstream. His “Swan” performance alongside Yo Yo Ma? Breathtaking.
On the Big Screen
Natalie Portman accepts her Oscar for Best Actress. Photo by A.M.P.A.S.
She may not have done all the dancing as Nina, but Natalie Portman’s Black Swan performance was definitely Oscar-worthy. Plus, she met Benjamin Millepied, her boyfriend-turned-fiancé and father to her child, Aleph, on set.
- While no one can truly replace Kevin Bacon, Kenny Wormald proved that he’s a stud with smooth moves in this year’s remake of Footloose. Plus, his onscreen chemistry with costar Julianne Hough made us want to drag our own boyfriends to dance class.
- In First Position, audiences get a glimpse at the behind-the-scenes action at the Youth America Grand Prix finals in NYC. The documentary and its stars—Michaela DePrince, Joan Sebastian Zamora, Miko and Jules Fogarty, Aran Bell and Rebecca Houseknecht—received rave reviews at the Toronto International Film Festival.
In Modern Dance
- Bill T. Jones + Dance Theater Workshop = New York Live Arts. We love a good collaboration.
- When Judith Jamison retired as artistic director of Alvin Ailey American Dance Theater, Robert Battle was handed the reins to the prestigious modern company. We can’t wait to see what he does with the group in 2012.
Carreño flying high in "Diana and Acteon." Photo by Rosalie O'Connor.
If you're a bunhead like me, odds are you've been obsessed with former American Ballet Theatre principal José Manuel Carreño since...oh, I don't know—maybe 10 pm on February 3, 2003, when the documentary Born to Wild: The Leading Men of American Ballet Theatre aired on PBS?
The film shows off not only Carreño's ballet skills (along with those of Ethan Stiefel, Vladimir Malakhov and Angel Corella!), but also Carreño doing a little dancing in the streets of Havana, his hometown. He's pretty darn charming onstage, but nothing compares to that scene of him good-naturedly breaking it down Cuban style with a bunch of adoring fans. Later, he works the floor in a local salsa club, having a great time partnering anybody and everybody. Obviously the guy's a people person, as well as an amazing dancer.
Carreño gave his final performance with ABT in 2011. But yesterday it was announced that he'd be taking on a new role: artistic director of Ballet San Jose.
Things have been rocky at BSJ recently. In January 2012, longtime artistic director Dennis Nahat was ousted, and for a while the company's future seemed uncertain. Could a high-wattage, personable star as director be just what the doctor ordered for the troubled company? Maybe so. And Carreño has piloted the Carreño Dance Festival for several years, so he does have some directorial experience.
I can't find that clip of him dancing in the streets online, but this post wouldn't be complete without a bit of Carreño eye candy. So here's the next best thing: Carreño and his cousin, Ballet Nacional de Cuba star Alihaidee Carreño, performing the showstopping Diana and Acteon pas de deux in Havana (for perhaps the most appreciative audience in the world). Enjoy!