When a choreographer finds a composer whose music truly inspires her, it can feel like a match made in dance heaven. Some choreographers work with the same composers so frequently that they become known for their partnerships. New York City Ballet soloist and resident choreographer Justin Peck, for example, has tapped composer Sufjan Stevens numerous times (last spring, the two premiered The Decalogue at NYCB, to rave reviews); L.A. Dance Project's Benjamin Millepied's working relationship with composer Nico Muhly has spanned a decade and two continents; and when tap dancer Michelle Dorrance premiered the first-ever Works & Process Rotunda Project, a site-specific work for New York City's Guggenheim Museum, last year, percussionist Nicholas Van Young was by her side as an equal partner. Successful collaborations require compatibility between artists, direct and honest communication, and flexible, open minds. But when the stars align, working with a composer can be extremely rewarding.
If you've ever seen a Janelle Ginestra class video, you know how lit her combos are. What you don't see in those clips is how devoted Ginestra is to her students. We went behind the scenes at one of her sold-out IMMA SPACE classes to see Ginestra in her element, mentoring some of L.A.'s most talented dancers. It was an inspiration feedback loop.
All photos by Joe Toreno.
After most dancers graduate from The School of American Ballet they have lots of "firsts": first company contract, first performance with that company, and maybe even first solo role. But 2017 SAB grad Gianna Reisen is experiencing a different kind of "first" during her inaugural year in the professional ballet world: She's making her first choreographic debut at Lincoln Center. At just 18, Gianna Reisen is the youngest person ever to create a piece for the renowned New York City Ballet (NBD!). Her new work, Composer's Holiday, set to music by Lukas Foss, will premiere at the company's fall gala on September 28th.
Reisen impressed NYCB ballet master in chief Peter Martins with the ballets she made for SAB's Student Choreography Workshop and The New York Choreographic Institute, prompting Martins to invite her to create a piece for the main company. And though the pressure of such a proposal would intimidate even the most seasoned choreographer, Reisen's pragmatic poise about the whole thing assures us that she's up to the task.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
You know Galen Hooks as the choreographer who creates the stellar dance moves for dozens of viral videos, and the dancer who's performed for everyone fromthe Biebs to Rihanna. But now she's gearing up for two different roles; director and composer.
Hooks' new dance film, " Wait for Me," was written, composed, directed, styled, and choreographed by the versatile artist. And though the overachiever could've easily danced in it, too, she chose instead to feature an army of all-star dancers including Ashley Everett, Jasmine Harper, Kyle Robinson, Melinda Sullivan, and Kenny Wormald. Read our exclusive interview with Hooks and discover what prompted this shift towards directing.
Amy Seiwert is an important voice for contemporary ballet. Since 1999, her company Amy Seiwert's Imagery has been showing San Francisco audiences just how experimental, passionate, and relevant ballet can be. It's a philosophy Seiwert developed over 19 years dancing with the LA Chamber Ballet, Sacramento Ballet, and Smuin Ballet, and while choreographing on major companies like New York City Ballet (for the New York Choreographic Institute). Next year, Seiwert will become the artistic director of Sacramento Ballet. Catch AXIS Dance Company performing Seiwert's Reflective Surface in October in Oakland, CA—and read on to learn how Seiwert keeps thinking of new ways to look at ballet. —Helen Rolfe
Travis Wall has taken the contemporary world by storm with his Emmy-winning creations for "So You Think You Can Dance" and mesmerizing works for his own company, Shaping Sound. But this month, he'll dip his toe into the ballet world with a new work for Cincinnati Ballet. (Wall also choreographed a piece for Los Angeles Ballet back in 2010.)
With all the ugly headlines these days, it's inspiring to see people who can move past their differences—especially when they find common ground in dance. And a new video from Jubilee Media proves that dance can even transcend language barriers.