If you want to go far with dance after college, head to your university's career services office early and often. "We try to see all first-years during their first semester," says Faith McClellan, director of Field Work Term and career development at Bennington College in Bennington, VT. "That's when you should ask the big questions: What you love about dance, what you want to know about the field of dance, where you want to fit in the broader dance world, and how you want experiences like internships or intensives to help you explore those questions." Whether you're set on going pro right after graduation or just want your postgrad work to be somehow connected to dance, on-campus career counseling can prep you to do amazing things with your dance degree.
Navigating college can be tough, especially when you're balancing an intense dance schedule with academic classes and jobs—and trying to make new friends! About to begin your college adventure? We talked to these recent graduates about what they wish they'd known before starting college.
Applying for a college dance program can feel like a guessing game. Should you highlight all your competition titles and awards? How important are your academic grades? And how should you act in the audition? Here's advice from admissions officers from some of the top dance programs in the country about how to make your application stronger.
When it comes to college, you've got countless options. University or conservatory? BA or BFA? East Coast or West? But there's one potentially game-changing option you probably haven't considered yet: U.S. or international?
The perks of going global are hard to ignore. For one, international programs are often significantly cheaper than domestic ones. "The tuition for schools in Europe tends to be less than half that of U.S. programs," says Nicola Conraths Lange, director of comparative arts and a dance faculty member at Interlochen Arts Academy in Interlochen, MI. What's more, many programs offer a BA, a BFA, or an approximate equivalent in three years rather than four, which not only cuts tuition costs but also gets you into the professional dance world one year sooner.
And international programs will expose you to entirely new cultures, choreographers, and methods of training. "Our classes focus more on becoming thinking, creative movers than on perfecting technique," says Carlene Raibley, an American in her third and final year at London Contemporary Dance School (LCDS). Erica Badgeley, who joined a postgraduate student company at Salzburg Experimental Academy of Dance (SEAD), had a similar experience. "As opposed to the typical U.S. focus on vertical alignment, we learned to be three-dimensional movers, almost like amoebas," she says.
Many dancers forgo the international option because navigating the ins and outs of the application process seems intimidating. And it can be complicated—but it's worth the effort. Here's a breakdown of the process.
We've all gaped at those YouTube clips of dancers executing fiendish fouetté sequences, complete with doubles, triples and spot-changes, in astonishing unison. When it comes to wowing a crowd, there's nothing quite like unison movement—and when it comes to dancing in unison, “perfect synchronization is what carries the vision of the choreography," says University of Cincinnati Dance Team coach Jennifer Bernier.
Applying to colleges is beyond exciting. But it can also be beyond stressful, especially once you and your family start looking at tuition and room-and-board costs.
Many factors affect how much you and your parents will ultimately contribute to your education—and what your financial aid packages might look like. To help you understand your options, Dance Spirit asked a couple of experts to weigh in.
(Photo by ZimmyTWS/Thinkstock; Michael Quirk/Thinkstock)
Setting aside money for college should be a cumulative effort made over many years. Talk to your family about what they’re willing to contribute. When you begin high school, start saving for all the fees associated with college applications. “Travel, auditions, head shots, dance photos, school and financial aid applications themselves—those things add up,” says Heather McCowen, PhD, the post-secondary counselor at The Chicago High School for the Arts. Application fees vary by school. And McCowen notes that conservatories tend to charge higher fees than colleges and universities—often between $70 and $100.
Early in your junior year, start seeking private scholarships—merit- or need-based awards that are offered through businesses or nonprofit organizations. McCowen suggests looking in your hometown and into organizations related to the arts. Service clubs, like Rotary or Kiwanis, are great places to start. Investigate dance-related options, too, like the scholarships provided by the New York City Dance Alliance Foundation.
Figuring Out FAFSA
As your senior year approaches, make sure your parents have their tax returns in order, so they’re prepared to fill out the FAFSA (Free Application for Federal Student Aid). The application becomes available January 1. Roberta Daskin, from the financial aid office at Sarah Lawrence College, advises high school students to fill out FAFSA as soon as
possible, since, for those who qualify, funds for college may be limited.
Colleges (especially liberal arts schools) might also ask you to fill out the College Scholarship Service CSS/Financial Aid PROFILE. The PROFILE requires your parents to specify what type of tax return they file, along with information on whether the family receives certain forms of government assistance, their housing status and whether they’re self-employed. “The CSS PROFILE allows the college, rather than the federal government, to determine the student’s financial need,” McCowen says. “And schools are a lot more flexible than the government.”
Adding Up Your Aid
There are three major types of aid: grants, work-study jobs and loans.
Grants are basically free money—they’re gifts you don’t have to pay back. Some grants, like the need-based federal Pell Grant, are offered through the government and are determined by the FAFSA. Colleges and universities can also award other need-based and merit-based grants at their own discretion.
A work-study job means that you work a certain number of hours (about 10) and the school pays you a wage. “It’s a great way to get work experience while you’re in school,” Daskin says.
You are required to pay back loans, which can either be federal or private. There are two types of federal student loans: subsidized and unsubsidized. Subsidized loans don’t start accruing interest until six months after you graduate and are based on financial need. Unsubsidized loans accumulate interest right away and aren’t based on need. The school and your FAFSA determine how much of each (or either) loan you’re offered. There are also federal loans your parents can take out, called PLUS Loans. For all loans, you and your parents only have to borrow the loan money you need, no matter how much is offered to you.
Private loans are another option, though McCowen strongly discourages taking them out. “Students rarely qualify without a co-signer, meaning your parent takes partial responsibility for paying back the loan,” she says. If your aid package is only a few thousand dollars short of letting you attend your dream school, a private loan should be your last option to make up the difference—but know that they come with high interest rates and no option to defer payment.
Make It Work for You
What if your aid package isn’t quite enough? Once you’ve reviewed it, don’t be afraid to ask your dream school(s) for more money. It might feel uncomfortable, but, McCowen says, the amount of money available for aid can change dramatically between March and May. She recommends asking for a hard number and making sure the school knows you need non-loan aid.
“If your aid package at a specific school isn’t enough, and the trade-off is that you’ll have to stop dancing to pay off a mountain of debt, it’s not worth it,” McCowen says. “You’ll find the right place.”