Ever since High Strung: Free Dance—the sequel to the original, fabulously dancy movie—was announced last summer, we've been eager for peeks at the behind-the-scenes action. And yesterday, the High Strung team dropped the juiciest preview footage since our own Facebook Live events on set.
It's almost too good: To celebrate "Step Up: High Water" premiering on YouTube Red, producer Jenna Dewan-Tatum decided to share footage of her audition for the ORIGINAL Step Up movie. As in, a circa 2005 tape of baby Jenna showing off some impressive moves—and some impressive chemistry with baby Channing Tatum.
It is all kinds of d'awwwwww. And it is all kinds of obvious that the two young'uns have all kinds of real-life couple potential. 💘 💘 💘
We've been endlessly curious about budding ballerina Juliet Doherty's movie project, On Pointe, since we first got wind of it back in March. At that point, the film's producers were hoping to raise the funds they needed to complete the project via Kickstarter.
Well, they ended up not just meeting but exceeding their fundraising goal (bravo, ballet/Juliet fans!). And now On Pointe has released an official trailer.
Today in "How has this not already happened?" news: Benjamin Millepied—former New York City Ballet principal, former artistic director of the Paris Opéra Ballet, founder/director of L.A. Dance Project, and Mr. Natalie Portman—is going to direct and choreograph a big-screen film, Carmen.
You guys, there's a new animated ballet movie in the works called Ballerina, and while we don't know a ton about it, we're calling it now: It's gonna be great. Why? Let's review:
- The film's choreography is being overseen by incoming Paris Opéra Ballet artistic director Aurelie Dupont. That's a can't-go-wrong level of expertise.
- This $30 million project is described as a "Pixar-style musical in 3D." Sold.
- We already know dance and animation are meant to be together.
- According to IMDB, Maddie Ziegler will be voicing one of the characters.
Ballerina follows Félicie, a young dancer in 1800s France, who follows her dreams at the Paris Opéra Ballet school. It's only just been acquired by U.S. production company, The Weinstein Co., and will be released internationally later this year, so we might have to wait for it to hit U.S. theaters. We'll be keeping our eye out for more info!
A still from Ballerina. (Photo via Variety)
Want more Dance Spirit?
Here’s a recipe for a delicious dance movie mash-up: Gather a gaggle of gorgeous ballerinas and a few top-notch hip-hop crews. Mix in a bunch of talented classical musicians. Add killer choreography by Dave Scott. Shake well.
What’s this magical cinematic concoction called? High Strung—and it’s coming to theaters this summer.
(From left) Rik (Ian Eastwood) and Johnnie (Nicholas Galitzine) break it down in High Strung (photo courtesy Riviera Films)
The film’s story goes like this: Johnnie (Nicholas Galitzine) is a brilliant violinist fresh off the boat from Britain who’s desperate to get a green card. In the meantime, he’s making ends meet by busking in the NYC subways. Luckily, his new friend Ruby (Mariinsky Ballet alum Keenan Kampa), a ballet student at a prestigious performing arts school, has the inside scoop on a strings-and-dance competition that could land him $25,000 and a student visa to stay in the U.S. To wow the judges, Johnnie’s going to need not only Ruby’s help, but also an assist from his neighbors: the SwitchSteps hip-hop crew.
Per the usual dance movie formula, romance, drama and awesome dancing ensue. But this one just feels different from other dance films. “Having the classical music component really adds a lot,” Kampa says. “And the diversity of the dancing makes the movie special, too. It’s got everything from ballet dancers to b-boys to tango pros to tappers.”
Ruby performing her ballet solo (photo courtesy Riviera Films)
To find all of those accomplished artists, director Michael Damian, writer/producer Janeen Damian (Michael’s wife and a former dancer herself) and Scott had to cast a wide net. They held open auditions in L.A., NYC, Paris, London and Bucharest, Romania, and Scott personally recruited many of the dancers, including “So You Think You Can Dance” standout Comfort Fedoke and “America’s Best Dance Crew” alum Ian Eastwood.
The High Strung shoot, which took place in both NYC and Bucharest, was full of long, grueling days. But the stream of photos and videos on the film’s social media pages prove it definitely wasn’t all work and no play. “Imagine taking 60 great dancers to work every day and letting them loose,” Scott says. “It was just fun from
beginning to end.”
Johnnie romancing Ruby (Keenan Kampa) in NYC (photo courtesy Riviera Films)
High Strung’s Best Dance Scenes
The subway showdown: Two underground hip-hop crews throw down in this high-octane, in-your-face dance sequence filmed in a Romanian train station—
a stand-in for NYC’s subway. (Look for a cameo from Mr. Dave Scott himself!)
The ballet solo: Keenan Kampa gets the spotlight all to herself in a solo so extraordinary, you’ll end up applauding in the movie theater.
The gala: Dueling violins set the soundtrack as the SwitchSteps crew wreaks playful havoc on a formal fundraiser.
The finale: A creative combo of hip hop and classical ballet pulls out all the stops in an over-the-top grand finish.
High Strung's Stars
In a cast packed with dance talent, Keenan Kampa and Ian Eastwood shine especially bright.
Ian Eastwood (photo by Erin Baiano)
America’s Mos Wanted
Maybe you know him from Mos Wanted Crew, which snagged third place on “America’s Best Dance Crew” Season 7. Maybe you’ve watched some of his virtuosic dance videos on YouTube. Or maybe you’ve caught one of his always-packed classes at The PULSE. Basically, Ian Eastwood is everywhere—including, these days, in movie theaters.
Eastwood’s leap into the acting world started with a call from Dave Scott, whom Eastwood has known since the age of 11, when they met at a Monsters of Hip Hop convention in Chicago. “He said he’d gotten an audition for me, and really wanted me to come,” Eastwood says. “I love Dave and was starting to get into film on the directing end, so I was open to the idea of doing some acting.”
Eastwood landed the role of Rik, the freestyling king of the SwitchSteps crew. It was familiar territory for the innovative hip-hop dancer, who’s trained in a variety of styles. “I drew on real-life experiences I’ve had being in a crew,” he says. “The character felt like a fun, hyped-up version of myself.”
Even though the acting came naturally, Eastwood put a lot of pressure on himself to deliver dance-wise—especially in the intense finale. “I knew this was going to live on camera forever,” he says, “so I had to make it dope for every take.”
Now that the movie has wrapped, Eastwood’s setting his sights on his next ambitious project: a “dance mix-tape” he hopes to debut this summer. “It’s like a fusion of a dance short film and a music mix-tape,” he says of the 25-minute movie, which features a 10-song soundtrack. As the writer, choreographer, director and editor, Eastwood’s the main creative force behind the project, and he credits a lot of his newfound moviemaking skills to his High Strung experience. “I learned a ton about the technical side of things on the film,” he says. “Now I’m taking that knowledge and using it to make something else great.”
From the Mariinsky to the Movies
Ballerina Keenan Kampa was feeling pretty low in January 2014. Though she’d been the first American to join Russia’s prestigious Mariinsky Ballet two years earlier, her stellar career with the company was cut short by injury. She’d returned to the U.S. to undergo surgery to repair several labral tears in her left hip. But shortly after her operation, she received a tweet from High Strung director Michael Damian. “He’d seen me in a story NBC did on the 2014 Olympic ceremonies in Russia, which featured the Mariinsky,” Kampa says. “I wrote back and said that I’d always wanted to act—and was definitely interested in hearing more details.”
Keenan Kampa (photo by Erin Baiano)
Before Kampa could audition, she had to get well. She spent two months at a rehabilitation center in Vail, reclaiming her ballerina body. “I accelerated my recovery as much as I could,” she says. It was hard work, but it paid off: She read for the lead role of Ruby and nailed it, partly because she could relate to the character. “She reminded me of myself when I first started dancing,” Kampa says. “There’s a maturity and seriousness that comes with time, but Ruby’s still in the phase where she’s very wide-eyed and optimistic.”
Though—unlike Ruby—Kampa is a seasoned professional, she still had a thing or two to learn on set. Dancing for the camera rather than a live audience was an adjustment, as was working with a hip-hop choreographer. “I was a little nervous going in, because Dave and I come from such different backgrounds. But he couldn’t have been more fun to work with,” Kampa says. “He’d tell me, ‘I want this feeling,’ and then he’d show me a hip-hop move and ask how I’d translate it to ballet.”
Kampa also picked up a few things from the SwitchSteps dancers, who taught her everything from popping and locking to headspins. “It was like a party,” she says, laughing. “As ballet dancers, we tend to get lost in aesthetics and the quest for perfection. It was really eye-opening for me to see how much they just loved moving.”
Kampa’s acting career is now in full force: She recently signed with the company that manages Keira Knightley and Sienna Miller. Her original plan of returning to Russia after healing is now on hold, and she’s totally OK with that. “I’m going to take a break from the ballet company and see what happens with acting,” she says. “I’m in a very happy place right now!”
Is it Friday yet? WOMP. If you, like us, are suffering from a severe case of the Mondays, we've got a little something to ease your pain (or at least distract you from whatever productive thing you "should" be doing).
You know we love a good dance-in-movies supercut, and today, we're sharing perhaps the most epic montage yet. It features 88 dance scenes in just over three minutes (88!)—and it's set to Walk the Moon's "Shut Up and Dance," which is pretty much always good advice.
The coolest thing about this supercut is its range: It has your classic dance flicks—Dirty Dancing, Center Stage, Footloose, Save the Last Dance, Flashdance, White Nights—and a number of movies you wouldn't automatically associate with dance. Like who'd have thought to include Perks of Being A Wallflower in a dance supercut? Or what about She's All That, or (500) Days of Summer? This supercut genius thought outside the box, and we're pretty pleased with the results.
Now that we've given you a head start, it's time to test your dance-in-movies chops. Watch the supercut, and see how many of the 88 scenes you can name. (Or, you can cheat and read the comments—the movies are listed frame by frame.)