Dance News
Ashley Wallen's choreography brought The Greatest Showman to life. (Photo by Niko Tavernise, courtesy Twentieth Century Fox)

The 2018 Oscar noms are here. Which is fun and all; we'll never not get excited about a night of glitz and glamor and, when we're lucky, pretty great dancing. But we'd be a heck of a lot more excited if the Academy Awards included a Best Choreography category. And really—why don't they?

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Dance News
Mandy Moore (photo by Lee Cherry, courtesy Bloc Agency)

In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.

Read more at dancemagzine.com!

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...Everybody wins! The Wall Street Journal recently recruited three of our favorite choreographers to create touchdown dances for NFL stars (because why the heck not), and the results are straight-up hilarious.

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Dance News
Michael Becker/FOX

The competition is officially heating up—meaning this week, the Top 8 danced not only with their respective All-Star partners, but also with each other! Yay! (The solos have been great and all, but additional duets are way more exciting.) But first...

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Dance News
JT Church and Robert Roldan in Travis Wall's "The Mirror" on "So You Think You Can Dance" (Michael Becker/FOX)

Congrats to this year's Outstanding Choreography Emmy nominees, announced yesterday morning in Hollywood! It's a pretty stellar list of names, with "So You Think You Can Dance" and "Dancing with the Stars" choreographers earning four of the category's five slots. (Rockstar Mandy Moore was actually nominated for her work on both shows. 🙌 )

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Dance Videos

If, like me, you've ever wondered (and wondered) how that stunning opening scene in La La Land came together, do we have a treat for you.

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Dance News

It's funny to hear the New York Times describe choreographer Mandy Moore as "not a household name"—because, in our dance universe, she's basically THE household name. But that's why we're excited the Times just put out a great profile of Moore, talking about her work on the drop-dead gorgeous song-and-dance film La La Land. If a major newspaper is talking about her, hey, she's one step closer to mainstream fame, which she richly deserves.

What makes the Times story especially fun? We get to hear more about how, exactly, she taught stars Emma Stone and Ryan Gosling to dance. Well, OK—she wasn't starting from square one, given Stone's star turn in the jazzy Cabaret on Broadway and the video evidence we have of baby Gosling's insanely adorable dance moves. But Moore had to bring out their Fred and Ginger side, a kind of graceful naturalism. That involved training them in the fundamentals of tap, ballroom and jazz. “I tried to instill a general love of learning how to dance in them, because I thought that that was going to go a lot further than just teaching them steps," Moore told the Times.

Other tasty nuggets: She played Frank Sinatra for Gosling's training sessions, and Haim for Stone's (lord, could Emma GET any cooler?). Moore's choreo inspirations for various scenes included "I Feel Pretty" from West Side Story and "Rich Man's Frug" from Sweet Charity. Moore herself trained in belly dancing growing up, which is amazing.

It's the perfect read to get you through this pre-holiday hump day. And once you're done, go ahead and watch the La La Land behind-the-scenes featurette again, because you know you want to:

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Dance Videos

As if last night's Oscars didn't feature enough dance goodness (still obsessed with that swoon-worthy Justin Timberlake opener), "Good Morning America" gifted us with another fab show this morning—featuring a few of our fave dancers.

The performance on "GMA" was set to La La Land's catchy opening song "Another Day of Sun" and featured some fantastically old-Hollywood-esque choreo by Mandy Moore (she choreographed the film) and Al Blackstone.

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