American Ballet Theatre principal Sarah Lane charms audiences with her bright energy and crisp technique. The San Francisco, CA, native first started dancing at age 4 at a local community center, and at age 7 started training in Memphis, TN, at the Classical Ballet Memphis. Her family later moved to Rochester, NY, where she continued studying at the Draper Center for Dance Education. In 2002, she was a YoungArts Foundation winner in dance, allowing her to become a U.S. Presidential Scholar in the Arts. She joined American Ballet Theatre as an apprentice in 2003, was made a soloist in 2007, and was promoted to principal last fall. Recently, she originated the role of Princess Praline in Alexei Ratmansky's Whipped Cream. Catch her later this spring during ABT's Metropolitan Opera season. —Courtney Bowers
As New York Fashion Week comes to a close we're looking for ways to extend the glitz and glamour of the world's most fashionable event a little longer. And we're in luck because one of fashion's most iconic brands, Rag & Bone has given us some superb eye candy that we can replay to our hearts' content.
What's even better is this fashion film is a collaboration between some of the best dancers from multiple genres, and captures the fabulousness of fashion while incorporating some fierce choreography by none other than Benjamin Millepied himself. The dancer-turned-choreographer demonstrates his versatility as a co-director for the film and brings an edge that we've never seen before.
Former comp star Kali Grinder's stellar stage presence and graceful lines have served her well in her new life as a Broadway baby. She performed in Wicked on Broadway for one year, appeared on the show's national tour, and was a Rockette during The Radio City Christmas Spectacular. Currently, she's an ensemble dancer in the new musical Frozen. A Las Vegas, NV, native, Grinder started training at The Dance Zone at age 6. She briefly studied dance at Point Park University before heading to NYC to pursue her dreams. Catch her dancing with Anna and Elsa this month during the show's previews—and read on for the dirt!
Happy birthday, George Balanchine! The great choreographer and founder of New York City Ballet would have been 114 years old today. Balanchine revolutionized ballet, especially American ballet—and he also had quite a way with words. To celebrate Mr. B's birthday, we rounded up some of our favorite iconic Balanchine quotes.
Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.
She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.
Marzia Memoli may be the Martha Graham Dance Company's newest dancer, but her classical lines and easy grace are already turning heads. Originally from Palermo, Italy, Memoli started studying at age 16 at the Academy of Teatro Carcano in Milan. Later, she attended the Rudra Béjart School in Lausanne, Switzerland, before heading to NYC in 2016 to join MGDC. This month, she'll perform The Rite of Spring in the Martha Graham Studio Series in NYC, and tour with the company in Florida. Read on for the dirt.
Think the Rockettes are the only stars of the Radio City Christmas Spectacular? Think again. Each year, a few lucky girls share the role of Clara, who appears during the Nutcracker portion of the show. Clara gets to do some real dancing, too, including solos and pas de deux. (Past Claras include Juliet Doherty and Tiler Peck!)
Dance Spirit sat down with this year's three Claras—Emerson Alexander, JoseBella Morton, and Rachel Quiner, all 12 years old—to find out what it takes to play Clara in the Spectacular, and the best parts of sharing the stage with the world's most iconic precision dance company.
For some it's a holiday tradition, for others its an iconic spectacle, but no matter the reason, more than 1 million people will watch the Rockettes perform in the Radio City Christmas Spectacular each year. And though the production has been around since 1933, much of what goes on behind those velvety curtains and intricate sets remains a mystery. To curb our curiosity and find out what ensues when these leggy ladies aren't doling out their sky-high kicks, we got a backstage tour from the legends themselves.
From hair and makeup, to warm-up exercises, and costume quick changes (the fastest quick change in the show is a #mindblowing 75 seconds, by the way) we got a glimpse into the glamorous (and sometimes not so glamorous) world of the Rockettes.