Photo by Travis Kelley, courtesy Kathryn Morgan

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.comfor a chance to be featured!

Dear Katie,

I'm being bullied by one of the girls at my studio, and it's awful. I've talked to my dance teacher and confronted the bully directly, but it hasn't made a difference. What should I do?

Faith

Keep reading... Show less
Dancer to Dancer
Photo by Travis Kelley, courtesy Kathryn Morgan

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.comfor a chance to be featured!

Dear Katie,

I dated a guy at my studio for almost a year, and we just broke up. It's terrible. I don't want to go to class, because every time I see him I feel awful. But I also don't want this breakup to affect my training. What should I do?

Jessalynn

Keep reading... Show less
Dancer to Dancer
Photo by Travis Kelley, courtesy Kathryn Morgan

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.comfor a chance to be featured!

Dear Katie,

I have a really bad habit: I bend my knee when I step up to piqué, especially during piqué turns. I feel like it should be a simple problem to fix, but I can't stop doing it. Help!

A fellow Kathryn

Keep reading... Show less
Dancer to Dancer
Photo by Travis Kelley, courtesy Kathryn Morgan

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.comfor a chance to be featured!

Dear Katie,

How do I know if I'm good enough to be a professional dancer? I'm one of the strongest dancers in my class, and my teachers like me. But I live in a pretty small town, so it's hard to tell how realistic my dance dreams are.

Amanda

Keep reading... Show less
Dancer to Dancer

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!

Keep reading... Show less
Dancer to Dancer

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.comfor a chance to be featured!

Dear Katie,

I'm a good "posing" dancer—I can make pretty lines—but once I start really moving, things fall apart. It's like all the individual pieces of my technique are good, but they don't add up to good dancing. How can I connect the dots?

Amelia

Dear Amelia,

Lucky you! I'm sure many of your classmates wish they had your beautiful lines. But it sounds like you need to build your strength. Good muscle control is what will allow you to maintain those pretty shapes while you're dancing. Start by focusing on your core. A strong core can improve everything else—once it's solid, you won't feel so "wonky." Look into Pilates, which strengthens while creating long, lean muscles.

In terms of your technique, watch the in-between steps. A glissade is just as important as a grand jeté. Those connecting steps are what make a series of poses into a dynamic dance. It's all in the details!


For more of Katie's helpful tips and advice, click here.

Dancer to Dancer

When a choreographer finds a composer whose music truly inspires her, it can feel like a match made in dance heaven. Some choreographers work with the same composers so frequently that they become known for their partnerships. New York City Ballet soloist and resident choreographer Justin Peck, for example, has tapped composer Sufjan Stevens numerous times (last spring, the two premiered The Decalogue at NYCB, to rave reviews); L.A. Dance Project's Benjamin Millepied's working relationship with composer Nico Muhly has spanned a decade and two continents; and when tap dancer Michelle Dorrance premiered the first-ever Works & Process Rotunda Project, a site-specific work for New York City's Guggenheim Museum, last year, percussionist Nicholas Van Young was by her side as an equal partner. Successful collaborations require compatibility between artists, direct and honest communication, and flexible, open minds. But when the stars align, working with a composer can be extremely rewarding.

Keep reading... Show less
Dancer to Dancer

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!

Dear Katie,

I love ballet, and I've been told that I have a lot of potential. I can see myself dancing professionally one day. But I'm also working toward my black belt in karate—and I'm passionate about that, too. How can I keep up my technique while also making time for the other things I love? Is that even possible?

Megan

Keep reading... Show less

Sponsored

Want to Be on Our Cover?

covermodelsearch-image

Video

Sponsored

mailbox

Get Dance Spirit in your inbox

Sponsored