Scrolling your feeds endlessly can have a serious impact on your posture and alignment. "Since 2008 or so, I've seen a lot of heads and shoulders hunched forward," says Kim Fielding, a former dancer who created a Pilates class specifically to counteract the effects of technology. "Some dancers will overcompensate for this, leading to splayed rib cages and too much curvature in the lower spine."
Medical pros are now calling this set of symptoms "tech neck" or "text neck," and they can ultimately lead to neck herniations, rotator cuff injuries, and even foot and ankle problems. Here's how to keep your tech from hurting your technique.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Are stiff, swollen Achilles tendons making pointe class painful? You could be suffering from Achilles tendinitis. James Gallegro—MSPT, CMPT with the Manhattan Physio Group, who works with many professional dancers and companies—spoke to Dance Spirit about how to handle the all-too-common problem.
Back to school means back to dance full-time. But while you might be excited to spend every evening in the studio, your body likely isn't—and it'll let you know with some killer soreness the next morning. When should you push through the achiness and when should you take it easy? Dance Spirit looked to Natalie Imrisek, MSPT, CSCS, for advice.
We've all felt nagging pains in our lower backs, necks and shins—and we've all ignored them. It's easy for dancers to chalk these seemingly minor afflictions up to nothing more than #dancerprobz. But there comes a point when it's time to stop pretending everything's fine. “Most bigger dance injuries occur because of overuse, so dancers need to be diligent about the little problems," says Sean Gallagher, PT, founder of Performing Arts Physical Therapy in NYC. Dance Spirit spoke with Gallagher and Laura Hohm, PT, DPT, CFMT, of PhysioArts in NYC, about how to care for these unloved body parts.
You're at a checkup with your doctor, and she asks you to roll down and touch your toes. When you straighten up, she tells you there's a curve in your spine—she thinks you have scoliosis.
Don't panic! Having a curvy spine, or even wearing a brace, is rarely a reason to stop dancing. Case in point: Former New York City Ballet principal Wendy Whelan, whose scoliosis didn't prevent her from having an extraordinary career. Dance Spirit spoke with health care pros and dancers to find out what “curvy girls" need to do to stay healthy and keep dancing.
You spend your days jumping, leaping, bending, twisting and generally putting a ton of stress on your knees. But be kind to them—they’re two of your most important body parts! One of the best ways to avoid knee pain is to strengthen the muscles surrounding your kneecaps. “These exercises will help improve your alignment, which is essential for knee health,” says DS fitness consultant Michelle Rodriguez, who is the founder of Manhattan Physio Group in NYC. “Many knee injuries can be avoided if you pay careful attention to always keeping the knee over the middle of the foot, regardless of whether you’re in parallel or turned out.”
Bridge with Pillow Squeeze
Lie on your back with your knees bent and your feet flat on the ground, hip-width apart. Place a folded pillow between your knees.
Press into your heels to lift your pelvis off the ground until it’s level with your knees. Don’t let the pillow drop! Keep the sides of your pelvis level and your belly button pulled into your spine as you lower your hips to the ground. Repeat 10 times.
With your hips lifted in the bridge position, straighten one knee. Keep the rest of your body level and stable.
Keeping your hips elevated, bend your knee, and slowly lower your foot to the floor. Repeat on the other side. Repeat five times on each side.
Double Leg Squat (that’s “chair pose” for you yoga buffs!)
Stand with your feet hip-width apart.
Begin to squat by reaching your sit bones back past your heels and bending your knees to 100 degrees. Keep your weight in your heels and reach your arms forward to counter-balance your weight. Make sure your kneecaps don’t pass beyond your second and third toes. Press into your heels and activate your glute muscles to return to standing, bringing your hips in line with your shoulders and lowering your arms to your sides. Repeat 10–15 times.
Parallel Pliés with Heel Taps
Stand on your right leg with your left leg extended in front of you, a few inches off the ground. Hold your left arm out to the side for balance.
Bend your right knee—be sure to align your kneecap directly over your second and third toes—as you reach your left foot to the ground in front of you, lightly tapping your heel to the floor.
Straighten your right knee as you lift your left leg, reaching your left foot out to the side.
Plié your right leg as you tap your left heel to the floor. Your right leg should be doing all the work.
Repeat to the front and side, completing 10 reps each and then switching to the opposite side. Pay attention to proper alignment throughout the exercise. Your working knee should bend directly over your toes.
Michelle Rodriguez, MPT, OCS, CMPT, is the founder and director of Manhattan Physio Group. She is a physical therapist specializing in orthopedic manual therapy and dance rehabilitation.
Photography by Sibté Hassan. Hair and makeup by Chuck Jensen for Mark Edward Inc. modeled by nikeva stapleton.
Nikeva Stapleton is a graduate of the Ailey/Fordham BFA Program. She is currently a freelance dancer and model in NYC.
The day-to-day grind of class, rehearsal and performance can, over time, strain the ligaments and tendons in your feet, eventually leading to overuse injuries. Whether from bad habits, such as rolling in and not keeping heels down in plié, or from wearing shoes that are too tight, these foot conditions plague students and pros alike. Here’s how to treat, prevent and rehabilitate three common injuries.
Definition: Inflammation of the Achilles tendon, which attaches the calf muscle to the heel bone.
Symptoms: Achilles tendonitis is first noticeable as a mild pain during and after exercise that gradually worsens with continued use. Running and jumping generally increase this pain, and feet may feel weak during repeated relevés and fast allegros. The tendon will often feel stiff until calf muscles warm up. Sometimes there is a point about an inch and a half above the heel bone that is tender to the touch.
Causes: Tight and/or weak calf muscles, jumping without being fully warmed up, chronic rolling in and not putting heels down in successive relevés or when landing jumps.
Rehabilitation: Ice for 10 minutes, 2-3 times a day, and rest from activities that strain the tendon—especially petit and grande allegro. Release tension by massaging the calf (with hands or a small ball) while stretching. Also, pay attention to how you stand in and out of class. For example, when standing on flat, weight should be divided evenly between the pads of the big and little toes and the heel. If your arches continue to roll in, your doctor or physical therapist may prescribe orthotics—supports that are worn inside street shoes to keep arches lifted.
Dangers if untreated: Continued inflammation of the tendon can irritate ankles, including the bursas (see “Bursitis” for more on bursas), to the point of a partial tendon tear or rupture. A rupture is an emergency requiring surgery. If the tendon ruptures, you won’t be able to stand or walk on the affected leg. Rehabilitating from a tear or rupture takes much longer than treatment for tendonitis.
Prevention: Maintaining both flexibility and strength in calf muscles is essential. Warm up calf muscles with ankle circles and by sitting with legs extended straight in front of you and pointing and flexing feet 30 times or more. Release tension from the calf muscles by stretching after every time you dance. Assess foot mechanics, taking care to put heels down during demi pliés, before taking off for and when landing from jumps. Stretching the calf muscle regularly will help to break the habit of popping heels.
Definition: Bursitis is an inflammation of the bursas, soft fluid-filled sacs located between tendons and bones and tendons and skin. Bursitis may develop quickly and severely (acute) or over time (chronic). In the foot, the most common site is where the Achilles tendon attaches to the heel bone.
Symptoms: Pain or tenderness at the back of the heel bone. Often, there is swelling or redness in the area, and movement may be restricted or painful during pliés or relevés.
Causes: Normally, bursas decrease friction between surfaces, but when inflamed, ankle movement becomes painful as these surfaces rub against each other. Bursas can inflame from a direct blow or from chronic pressure caused, for instance, by poorly fitting street or dance shoes. Pulling the strings on ballet slippers too tightly will press on bursas. Some dancers prefer to wear shoes without drawstrings or to sew elastics directly from the heels of their shoes to take pressure off tender tendons.
Rehabilitation: Symptoms subside in 7 to 14 days after the source of stress on the bursas is removed. Elevate and rest feet whenever possible to keep swelling down. Frequently massage with ice: Fill a child’s sized Styrofoam or paper cup with water and freeze, then tear a small amount from the top and massage exposed ice firmly over the injured area for 15 minutes, three to four times a day.
Dangers if untreated: The longer you take to treat bursitis, the longer the healing time once you begin treatment. Swelling may limit the movement of the ankle; repeated flare-ups damage joints and ultimately restrict dancing.
Prevention: Don’t wear street or dance shoes that pinch the backs of ankles or are too tight across the balls of the feet.
Definition: Plantar fasciitis is a painful foot condition caused by inflammation of the plantar fascia, a thick band of connective tissue between the heel bone and the ball of the foot. When you walk, run and dance, this tissue transmits your weight through the foot.
Symptoms: Pain on the bottom of the foot close to the heel. Discomfort is most acute when trying to walk first thing in the morning or after prolonged sitting. Many patients with plantar fasciitis also develop a heel spur—a protrusion of bone that can be seen in an X-ray jutting from the heel bone.
Causes: Pronation (rolling in), very high arches, sudden weight gain and tight Achilles tendons can all cause plantar fasciitis. Less common causes are poorly fitting shoes or running without warming up.
Rehabilitation: It may take weeks or even months to heal. After class, roll your foot on a frozen 3/4–full plastic water bottle. Massage the bottoms of feet by rolling them across a small rubber ball or tennis ball first thing in the morning and whenever you have a chance throughout the day. If your feet roll in, try taping arches during class; outside of class, wear shoes with good arch support. (No flip-flops!) Gentle and consistent stretching of the calf muscles is also helpful. When the plantar fascia flares up, take a break from big jumps in class.
Dangers if untreated: Left unattended, an inflamed plantar fascia will continue to pull on the bone spur, making it larger and more painful. Continued spur growth could require surgery.
Prevention: If you were born with high arches, regularly massage the bottoms of feet with a pinkie ball. Maintain strong and flexible feet and ankles through daily exercises with an exercise band. When dancing, keep weight equally divided between the pads of the big and little toes and the heel. Toes shouldn’t grip the floor when standing or in demi-pointe.
Neuromuscular specialistDeborah Vogel directs the Institute for Performance Studies in Ohio, cofounded the Center for Dance Medicine in NYC, and is the author of Tune Up Your Turnout.