Earlier this year, Ballet 422—a documentary following the creation of Justin Peck's Paz de la Jolla for New York City Ballet—earned some pretty spectacular reviews after its debut at the Tribeca Film Festival. But NYC ballet nerds were the only ones able to see the film.
This winter, thankfully, that'll change: Magnolia Pictures has picked up Ballet 422 for wider distribution. It's scheduled to hit theaters February 6, 2015.
And with wider distribution comes better trailers!
Magnolia released the new Ballet 422 trailer last week, and it's pretty epic. We see Peck working not only with the dancers, but also with the orchestra, the costume designers and even the lighting technicians. It's a mini-portrait of the choreographic process from all angles—which makes us even more excited to see the full film's mega-portrait.
Take a look—then click here for theater locations and more info.
Ballet premieres are uniquely thrilling: The curtain rises, and suddenly you're watching a combination of music and movement and design that no one has ever seen before. It's pretty cool to see all the puzzle pieces come together in a single moment.
But fabulous as that is, ballet dancers know that the really interesting stuff goes on backstage, in the months before the glitz and flash of opening night. How do the choreographer and the dancers work together to shape the ballet? What inspires the costume designers? How does the orchestra figure out how to tailor its playing to the needs of the dancers? Knowing those nitty-gritty details makes watching the finished product an even richer experience.
Former New York City Ballet soloist Ellen Bar—the director of the awesome NYC-as-dance-playground film version of Jerome Robbins' NY Export: Opus Jazz, and currently NYCB's director of media projects (read: the brains behind their great video campaigns)—gets all that. She's working with NYCB to produce a documentary, Ballet 422, following the life of a new work, from its earliest rehearsals to the stage. Her subject is pretty nifty, too: the ballet Paz de la Jolla, choreographed by up-and-comer Justin Peck (who's also a NYCB soloist).
Bar and NYCB are running a crowdfunding campaign to raise the money needed to complete the documentary. Click here to find out more and donate to the cause.