You probably know Ava Cota as the lovely, leggy dancer who was rejected from the Abby Lee Dance Company, on "Dance Moms," because she was "too tall." Now, that lanky frame is propelling her career as a model. Ava just made her New York Fashion Week runway debut, and we're guessing it won't be the last time the six-foot beauty graces NYC's catwalks.
Travis Wall has taken the contemporary world by storm with his Emmy-winning creations for "So You Think You Can Dance" and mesmerizing works for his own company, Shaping Sound. But this month, he'll dip his toe into the ballet world with a new work for Cincinnati Ballet. (Wall also choreographed a piece for Los Angeles Ballet back in 2010.)
When former ballet dancer Kayci Treu first joined the ballroom team at Brigham Young University, her coaches would often reprimand her for "backleading," or performing steps without waiting for cues from her partner. The Vaganova-trained dancer had done her fair share of ballet pas de deux—but, as she explains, "that's about a ballerina being supported by her cavalier or prince. Ballroom is more symbiotic. The heart of ballroom is the two-person connection—a man and a woman working together."
In the ballroom world, the role of "leader" typically falls to the male partner, while the female dancer is the "follower." But if you're a woman trained in a style like ballet or jazz, where you're in command of your performance at all times—or if you're just a type-A person—it can be challenging to relinquish control. We asked Treu and veteran "Dancing With the Stars" pro Ashly DelGrosso-Costa to offer tips to help you get out of your head and move in sync with your partner.
In an audition or onstage, knowing how to use eye contact appropriately is a total game changer. Dancers who aren't afraid to meet the eyes of judges or audience members exude a special confidence that allows them to be seen as capable, talented performers. When dancers look at the floor or around the room, though, they telegraph insecurity. Don't send your critics looking for flaws! Avoid these three no-no's and become a true master of eye contact.
It's one of the most magical times of the year—and we don't mean "magical" in the holiday-spirit sense, but in the wands-and-wizards sense: Today is Harry Potter's birthday! Whether you're a Slytherin, Gryffindor, Hufflepuff or Ravenclaw, its time to celebrate not only the birth of "The Boy Who Lived," but more importantly the creation of a world that has captivated the imagination of children and adults alike for the past two decades.
As dancers, we're always trying to take our dancing up a notch, to improve our technique and artistry. Here are six crucial things that'll make all the difference in your training this year. Check them out!
Five women in leather-soled boots sweep their feet across a sand-covered stage, accenting the music in maraca-like rhythms. With its chugs, brushes, heel drops and slides, their movement looks a lot like tap dancing, but the sound is different—scratchier and rougher. This is sand dance. The scene described is from tap dancer/choreographer Melinda Sullivan's 2012 video entry to the Capezio A.C.E. Awards, Gone. (She went on to win first place at the competition.) “Experimenting with sand dancing really changed the way I tap," Sullivan says. “It's like playing a whole new instrument." Interested in giving sand dance a try? Before turning your dance studio into a private beach, read on for the need-to-know on this sub-style.
We've all gaped at those YouTube clips of dancers executing fiendish fouetté sequences, complete with doubles, triples and spot-changes, in astonishing unison. When it comes to wowing a crowd, there's nothing quite like unison movement—and when it comes to dancing in unison, “perfect synchronization is what carries the vision of the choreography," says University of Cincinnati Dance Team coach Jennifer Bernier.