When I crush on a dancer, I crush hard. I look at every Facebook photo I can find, I stalk Twitter and Instagram, and I stay up way too late YouTube-ing the dancer until my eyes start to close.
Thank goodness for the internet, right?
Here's who I can't stop talking about right now...
Jeremy Hudson: He's easily the most-booked dancer in Hollywood. Jeremy, when was the last time you had to audition for something? Right, never. Because people love you and you direct book for superstars like it's nothing. Jeremy spent a long time dancing with Lady Gaga, and now he's branching out and I'm on the edge of my little seat waiting to see what his next major move will be.
Juliet Doherty: She's the love of my life. At just 16, this ballerina is wise beyond her years, and I'm so happy she's getting exceptional training at the San Francisco Ballet School. Keep an eye out, people—this one's going places. Places that probably come with the title "principal."
The Revolting Children from Matilda: It took me far too long to finally see this critically-acclaimed Broadway musical. Oh, you haven't seen it? Go now. I'll wait here while you purchase your tickets. Oh, tickets are "too expensive?" I don't care. Buy them. Figure it out. You're going to love this show, I promise. The kids are so darn talented, and the "big kids" are equally endearing. I sobbed during "When I Grow Up," and again during the curtain call, as I always do.
Jayci Kalb: Classically beautiful, exceptionally talented. Jayci's the total package.
The "Waltz of the Snowflakes" scene from The Nutcracker: Halloween is a thing of the past, which means we can officially start talking nonstop about sugar plums! No matter how many times I see it—or just hear the music—the snow scene gives me chills.
Which dancers, groups or shows are you obsessed with right now? Let me know in the comments—maybe you'll find your dance crush in an upcoming issue of DS!
Hey there, lucky San Francisco dance fans: There's a pretty amazing exhibition happening at the de Young Museum right now, "Rudolf Nureyev: A Life in Dance." If features a display of 80 costumes that the dance legend and his co-stars wore—which is especially fitting because Nureyev was famously involved in creating the costumes for his performances. It's a fascinating slice of ballet history.
And if you visit tonight, there's a bonus. The museum is giving a multimedia presentation, "From Tutu to Haute Couture: Costume and the Ballet," which will not only go through the history of ballet costumes but also include a performance and fashion show by talented San Francisco Ballet School trainees. Plus, it's free! Get the details here.
“The first time I saw Chantel Aguirre dance was in a video,” recalls choreographer Travis Wall. “My first thought was that she had crazy lines. My next thought was that I wanted to meet her.” A few months later, Wall did meet Chantel, who was 18 at the time and working as an assistant at a convention. “She was quiet and reserved, but she was excited to learn,” he says. “She was trained and hungry for work—she wanted to get her hands on any step, phrase or piece of choreography.”
Travis Wall and Chantel backstage at "Dancing with the Stars"
Last year, when Wall was asked to choreograph a piece for the Macy’s “Stars of Dance” segment on “Dancing with the Stars,” he rounded up his go-to group of strikingly talented dance friends, including Jaimie Goodwin, Danny Tidwell, Nick Lazzarini and Tiler Peck—and he brought in newcomer Chantel. “Since that job, I’ve hired her for every single project I’ve done,” Wall says. “Chantel does whatever you ask of her and more. She’s the most professional dancer I know and she’s always full-out. She has become my go-to person.”
Wall isn’t the only choreographer who has fallen for Chantel’s quirky, ballet-based style. When Billy Bell formed his own company, Lunge Dance Collective, Chantel was one of his first members. “When I first saw her dance, I felt like I was stuck in one of those movies where everything around you freezes,” says Bell, who met Chantel when she was assisting Sonya Tayeh on “So You Think You Can Dance.” “She has this way of controlling a room with her focus that creates a timeless quality to her movement. It’s like she’s floating.”
So what is it about this 22-year-old that has the industry’s top choreographers dying to hire her? We sat down with Chantel to find out.
Chantel is one of those dancers who quite literally grew up in a dance studio. Her mother, also a dancer, owned Ballet Repertoire Theatre in Santa Cruz, CA, and Chantel was in dance classes by the time she was 2. It didn’t take long for Chantel to become hooked on dancing. “My mom’s studio was an amazing little competition studio, but I knew I wanted more—I wanted to do this forever,” she says.
Photo by Nathan Sayers
She trained in all styles at Ballet Repertoire Theatre, but Chantel wanted to focus on ballet. At 11 she enrolled at The Studio of Classical Ballet, also in Santa Cruz. “It was always reiterated to me that you need solid technique and strong ballet skills no matter what sort of dance career you want to have,” she says. In search of more intense training, Chantel auditioned for the San Francisco Ballet School during her freshman year of high school. “That’s when everything changed,” she says. “I was surrounded by the best dancers in Santa Cruz, but I was getting complacent. I wanted to keep getting better, and I knew I had to go beyond Santa Cruz for that to happen.”
Chantel remembers being “totally terrified” at the SFB audition. “Everyone knew the combinations already because they had been in the school for years, and I wasn’t even wearing the right color to the audition,” she says. “I got corrected every time I did something and the teacher was on me during every exercise.” To her surprise—“They must have seen potential or something,” she says—Chantel was accepted to the school as a level-six student (out of eight levels).
Always Wanting More
Throughout high school, Chantel attended academic classes until 1 pm every day, and then she would commute three hours round-trip for four hours’ worth of classes—all on pointe—at SFB. The work was challenging, but Chantel’s drive and motivation never waned. In fact, she became more ambitious. “I didn’t want to sacrifice my other training and just do ballet,” she says. So on the side, the already busy girl performed with the Dance Company of San Francisco, a troupe of young artists that included future “So You Think You Can Dance” alums Nick Lazzarini and Melody Lacayanga.
The company, directed by Chris Jacobsen and Sonya Tayeh, entered local competitions, performing mostly contemporary routines. “Competing with the company taught me that competitions don’t have to be all glitz, glamour and sequins,” Chantel says. “We were really serious about performing, not about the awards.”
Chantel did her homework in the car going to and from rehearsals, and she admits to getting “very little sleep” at the time. But this commitment to learning, training and latching on to every possible resource is what sets Chantel apart from other dancers. “My mom raised me with the belief that if you don’t know exactly what you want to do, just do as much as you can. And I wanted to do everything possible,” she says.
Chantel in the City
Photo by Nathan Sayers
After graduating from high school, Chantel was ready to conquer the professional dance world—but she didn’t know where to start. “The hardest decision I’ve faced in my career was deciding where to go after high school,” she says. She spent some time living with Tayeh in L.A. while she faced the ever-stressful “L.A. vs. NYC” debate. Though she says she was “too scared” to just move to NYC, ultimately that’s what she did, enrolling at New York University’s Tisch School of the Arts as a dance major, with a minor in business.
Chantel lived in the NYU dorms, took dance and academic classes and continued auditioning for commercial and industrial work through her Clear Talent Group agency representation. During her freshman year at NYU, she performed as a dancer in the televised Victoria’s Secret Fashion Show and booked a two-week performance job at a film festival in Dubai. It was all good—but it was also too much.
“I was just going through the motions,” Chantel says. “I loved school and I loved training, but I was missing jobs and auditions that I desperately wanted. I had so many conflicts, and I needed to make a decision.” Chantel credits her year and a half at NYU as her “segue into NYC,” but she didn’t want to turn down paying jobs while her family struggled to pay for her to be in school. She took a leave of absence from college, moved into an apartment on the Lower East Side and began her full-time dance career. Soon she was performing at the MTV Video Music Awards with Taylor Swift and dancing with Justin Giles’ SoulEscape company.
The Timeless Dancer
Without rigorous academic demands, Chantel fully immersed herself in dance classes and auditions. She spent another year and a half in NYC and then got a call from Tayeh, who was forming her own company in L.A. and wanted Chantel to be part of the group’s first show. “Chantel is such a determined dancer—of course I wanted her with us,” Tayeh recalls. “She’s spirited and has so much heart, and her dancing is regal and lovely. She’s well-rounded and eager. That’s what makes a timeless dancer.” For Chantel, the move came at the right time. “I loved NYC, but my lease was up, so I packed a few things, figuring I’d go out for the show and then come back to NYC,” she says. But things didn’t go according to her plan: Right after Tayeh’s show wrapped, Chantel got a call to audition for the 2010 Academy Awards, and the L.A. job offers snowballed from there.
“Performing at the Academy Awards was unbelievable,” Chantel says. “I remember standing onstage during a commercial break, waiting to perform, and Sandra Bullock was sitting right in front of me, looking at me. I stood on that stage and suddenly everything made sense. I knew I wasn’t going back to New York.”
Chantel performing with Billy Bell's Lunge Dance Collective
Since moving back to California, Chantel has performed on “Dancing with the Stars” five times and at the Video Music Awards with Florence and the Machine. She is a member of Billy Bell’s Lunge Dance Collective and Travis Wall’s Shaping Sound Dance Company, was a featured dancer in Cristina Perri’s “Jar of Hearts” music video, performed at the Billboard Awards with Beyoncé, danced at the Macy’s Passport fashion shows and worked as a member of the skeleton crew for Step Up 4. Plus Chantel takes classes (“nonstop,” she says) at EDGE Performing Arts Center and Millennium Dance Complex, and has started teaching at local studios and setting competition routines on younger dancers.
As Chantel continues to work hard and hone her ever-growing list of skills, the world is taking notice. When Wall held auditions for his company late last year, Chantel arrived amid hundreds of other dancers. “She stood next to Jaimie Goodwin—and everyone knows Jaimie is my favorite female dancer—but Chantel just roasted everyone in the room,” Wall says. “She blew the audition out of the water. In the past year and a half, Chantel has come into a spot where everyone in L.A. knows who she is. All eyes are on her.”
Chantel’s Fast Facts
Birthday: May 6, 1989
Hometown: Scotts Valley, CA
Most-played artist on her iPod: James Blake
Favorite books: The Brain That Changes Itself, by Norman Doidge, MD
Favorite TV show: “Dexter”
Favorite movies: Kill Bill, Andre (“the one about the seal”), Inglourious Basterds and A Little Princess
Favorite food: Sushi
Favorite dance step: “Can I say the ‘bend and snap’?!”
Dance crush: Robert Roldan
If you could work with any performer, past or present, who would it be? Dwight Rhoden. “I took a summer workshop with Dwight and Desmond Richardson, and they blew my mind. They are both such exceptionally talented geniuses. They teach
a way my body wants to move, but I’m not quite there yet.”
If I wasn’t a dancer I’d be… “A surgeon. It’s incredible the way people can repair the human body. When I was younger I always wanted to be a doctor or a veterinarian. I used to put Band-Aids on my cat!”
Dance dream job: “I’d like to be in a professional contemporary ballet company someday, touring internationally. It’s not about the money for me—it’s about the creation and the positive environment.”