Abby Lee Dance Company goes to Nationals! Considering how awesome everyone dances, there’s an awful lot of crying in this episode that I could live without. I’ve also chosen to ignore the Candy Apples in this recap, because they were just too annoying. (Although I did think the thirty seconds of Cathy’s creepy cackle perfectly illustrated her personality.) With that said, on with my top five moments:
5. Not that Abby generally holds back when insulting her students, but Abby calling Paige stupid was below the belt. Kelly storms out. Silver lining? This means she’s outside and free when she gets a call offering Paige a photo shoot. Yay Paige! We’re not really sure what this photo shoot was for, but it was a nice moment in the spotlight. She really is a beautiful kid.
4. So there's this new trend on “Dance Moms” where Abby waits until the last minute to cast a routine. It’s not fun for the girls, it’s not fun for the moms and it’s really not fun for me. This week, the routine in question is a solo, and the three contenders for the spot are Chloe, Kendall and Nia. In an unexpected twist, Abby makes the moms be the judges. Shocker of shockers, all the moms choose their own kids to win the part. Who will break this three-way tie? Mom Melissa, of course. (Do we think producers were upset about the lack of mom drama last week?) Melissa picks Nia! Yay Nia! I’m so proud of… wait, Abby doesn’t want Nia. You mean this whole letting-the-moms-choose idea was just a ruse?! Abby convinces Melissa to choose Chloe, which makes Kendall cry. "We already knew who was going to get it," says sad-face Kendall. Excellent point. Chloe’s happy to get the part, but she’s feeling the pressure. And now Chloe’s crying, too. I told you there was a lot of crying in this episode. Well done, Abby. Well done.
3. Maybe I’m still coming down from the excitement of meeting Maddie and Chloe last week, but I love that these two are constantly cheering each other on instead of pulling each other’s hair out. They both competed solos this week, danced beautiful, and (most importantly) beat Justice! As Abby so eloquently says, “Justice has been served!” Maybe the judges were as turned off by all the fake blood in his routine as I was. Anyway, back to the girls. Chloe’s beaming smile backstage while Maddie performed was just priceless. Time for crowning: Maddie got second place, and Chloe got first! Maddie was so happy for her. Mom Christi was a mess. So was I. Go Chloe! Cue the victory music.
2. Remember how nothing makes me happier than seeing Mackenzie dressed up like an animal? So obviously I was thrilled when Abby announced that this week, little Mac would be a killer bee. Wait, is that the same solo music that Vivi once used? Uh oh, I sense impending drama… Luckily, Mackenzie was so darn cute that nobody stayed angry for long. Basically, she put Vivi’s sad shimmying to shame. A well-deserved first place. “She’s not Maddie. She’s Mackenzie, and she’s an amazing little dancer,” said mom Melissa. Truth.
1. A moment of silence at a dance competition is a very rare thing, but Abby manages to inspire one with this week’s group routine. “My Last Text,” about a group of kids who die because they’re on their phones in the car (creepy!) was well danced, mature and super poignant. The audience was in tears and even Cathy called it “absolutely brilliant.” Not surprisingly, this number wrapped up the Abby Lee Dance Company’s clean sweep. All in all, an excellent way to end the season.
We know you’ve got a lot of reality dance shows to watch this year—“So You Think You Can Dance,” “Dancing with the Stars” and “All The Right Moves,” to name just a few. But get ready for one more!
That’s right, “SYTYCD” producer and judge, Nigel Lythgoe, is at it again. His new show, “A Chance to Dance” premieres August 17 on Ovation. It follows Michael Nunn and William Trevitt, former Royal Ballet dancers and founders of London-based BalletBoyz dance company, on their quest to form a new troupe in the U.S. After a nationwide search, they select a dozen dancers who travel to Jacob’s Pillow to rehearse for a final gala performance. DS attended the taping of that final episode back in May, and afterwards, sat down with Nigel to talk about the show.
Dance Spirit: You filmed the entire show in only 6 weeks. What was that like?
Nigel Lythgoe: Getting it all together in that time was remarkable. They took two weeks to audition around the country, and it took two more weeks to do background checks on the chosen dancers. Then they went up to Jacob’s Pillow and choreographed the final number with the help of Allison Holker. Two weeks later, they performed at the gala in New York. I thought they were terrific. I was shocked at how good they were in such a short time. They looked like they’d been a company for a while.
DS: What makes this show different than other dance reality shows we’ve seen?
NL: The boys are sort of fish out of water. They’re not used to American dancers, and they didn’t know what to expect. And, unlike “SYTYCD”, they really only wanted contemporary dancers. But at the end of the day, it isn’t very different. It’s a competition, and it’s one big audition from beginning to end.
DS: Will we see you on the show?
NL: My contract with FOX excludes me from judging on any dance competition shows other than “SYTYCD.” But at the end, the 12 dancers in the company were supposed to go on tour with “SYTYCD.” Then we found out that this year we can only take 8, so just after the final performance when everyone was excited about the experience, the company was told that not all of them could go out on the road. I was there for that, to explain that to them. It was very tough, and there were a lot of tears.
DS: What will happen to the company after the “SYTYCD” tour?
NL: It’s Michael and William’s company. We were there to film the experience of creating it, but now it’s up to them what they do with it.
Tune in August 17 on Ovation for the first episode!
All photos by Adam Taylor, courtesy ABC Family
If you’re like the DS staff, you’re already obsessed with “Bunheads,” the new ballet-centric show on ABC Family. What’s not to love? The show’s star, Sutton Foster, has serious Broadway cred, the plot gives us a sometimes dramatic, sometimes hilarious look at the life of a dancer and, best of all, four real-life dance students get their big breaks on the small screen! Kaitlyn Jenkins, 20, who has trained in ballet, modern, hip hop, tap, jazz and ballroom, plays Boo, who loves to dance but struggles with the fact that she doesn’t have the perfect ballet body. Former School of American Ballet student Julia Goldani Telles, 17, plays Sasha, who’s got the dream body and the talent but doesn’t really have the heart. The musical-theater loving Bailey Buntain, 22, plays Ginny, who yearns to break out of her small town life. And Emma Dumont, 17, who has a couple of small movie roles under her belt, plays fun-loving Melanie. Read on for The Dirt with all four breakout stars.
Dancer you would drop everything to see: Natalia Osipova!
Biggest guilty pleasure: “The Ellen Show’s” Hidden Camera Pranks and Dance Dares.
One thing most people don’t know about you: I eat raw garlic. It’s great.
What are your pet peeves? People who leave the toilet seat up! GROSS!
Dance-wise, do you have any bad habits? Many, but I like to think of it as interpretive dancing ;)
What’s the strangest thing in your dance bag? A plastic monkey watch that I once found in a classroom
What was your reaction when you found out you were cast in Bunheads? I ran around my house in my pajamas, howling.
When you were little, what did you want to be when you grew up? A spy.
Where do you see yourself in ten years? On a remote island, formulating my world-domination plan.
If you could dance with any performer, past or present, who would it be? Fred Astaire. But before we could start dancing he would have to pick me up off the floor from fainting.
Biggest guilty pleasure: Cuddling up in bed, eating Wheat Thins and watching Instant Netflix on my nights off. Wow, I’m exciting… J
Favorite food: I LOVE Mexican food.
One thing most people don’t know about you: I’m an Auntie to 9 nieces and nephews, and I’d rather hang out with them than most adults. They are the sweetest little people.
One thing you can’t live without: My sisters. They’re my best friends, my inspiration, and the good kick in the butt I sometimes need.
Who would play you in a movie? Oh probably one of the Victoria’s Secret models. Oh wait… HA! I’m sorry I fell asleep for a minute and was DREAMING.
What are your pet peeves? The sound of snoring drives me a little nuts. Oh and I hate getting to a movie late and missing the previews.
Dance-wise, do you have any bad habits? I carry tension in my shoulders. If I had a penny for every time I’ve heard “Shoulders down!”…
What’s the strangest thing in your dance bag? Floss. Oral hygiene is no joke.
When you were little, what did you want to be when you grew up? Belle from “Beauty and the Beast.” Clearly, I was a very realistic child.
Dancer you would drop everything to go see: Ariana Lallone. She used to dance for Pacific Northwest Ballet, and she is stunning. I’ve ever seen anyone command attention in their dancing like she does.
Most played song on your iPod: “Bad Reputation” by Joan Jett
Favorite movie: Billy Elliot. I own it on VHS and have seen it a thousand times. I also love Fight Club.
Biggest guilty pleasure: Butterfingers. Butterfinger Crisp. Butterfinger ice cream. Anything Butterfinger.
One thing most people don’t know about you: I play Roller Derby.
If you weren’t a dancer/actress, what would you be? A biomedical engineer.
Who would play you in a movie? A teenage Amanda Bynes.
What’s the strangest thing in your dance bag? An allen wrench.
Do you have any pre-performance habits or superstitions? Right before I go on stage, I like to put a little Tiger Balm under my nose. It smells great and reminds me to smile.
Dancers you would drop everything to go see: Desmond Richardson & Diana Vishneva
Favorite movie: The Help and Tim Burton’s Alice in Wonderland
Biggest guilty pleasure: CUPCAKES!!!
One thing most people don’t know about you: I have this burning desire to ride a motorcycle.
If you weren’t a dancer/actress, what would you be? I would want to pursue a singing career or possibly photography. It would have to be something “artsy!”
One thing you can’t live without: My iPhone <3
Who would play you in a movie? Jennifer Lawrence
What are your pet peeves? When people lie
Dance-wise, do you have any bad habits? Sometimes my turnout isn’t as good as it could be.
Do you have any pre-performance habits or superstitions? First I jump up and down and then I shake my arms out. Then, I give a little prayer and blow a kiss to my pointe shoes!
It’s official, times are a-changin’ on “Dance Moms” this week. New moms, new dancers, new rival studios—it’s getting a little hard to keep track! To help you out, I’ve compiled the three most awesome—and three most awkward—moments from the latest episode.
AWKWARD The moms’ strategy to get Kelly back to the studio. Because they spend way too much time with their daughters, it appears the moms have reverted back to fourth grade, and have decided to give Abby the silent treatment. Melissa even hides behind her Sweet Tarts box so Abby can't see her. Abby is confused. I’m confused, too. Why would that bring Kelly back? Didn’t Kelly decide to leave on her own? And most importantly, who’s watching all the children while the moms are busy silently loitering in Abby’s parking lot?!?!
AWESOME Everybody’s replaced. Don’t get me wrong, I love all the little cuties that usually make up ALDC, but it’s nice to see Abby finally put her money where her mouth is. We’ve certainly heard her say, “Everyone’s replaceable,” enough times. Plus, these new girls are mega-talented! We knew Ally was phenomenal, but with the addition of Bella and Kaeli, she looks even better (and fits in better height-wise). An excellent threesome, but we’re told another kid is on her way…
AWKWARD Enter Sophia, the “Maddie replacement.” Let’s hold off talking about her dancing for a minute and focus on her voice. Unless Mom Jackie is married to Mickey Mouse, there’s no way that’s natural, right? But even after Abby makes fun of her high, squeaky pitch, she sticks to it. I guess she’s not faking it…Until later, alone in the confessional, her voice suddenly sounds perfectly normal. Something fishy is going on here. I smell a publicity stunt.
AWESOME I wish Abby hadn’t felt the need to hype Sophia’s dancing up as much as she did. Truth is, it was unnecessary. This girl’s talent speaks for herself. And her solo? I still can’t get over those fouettés. Just for fun, check out this clip of her pirouetting on “Ellen”:
AWKWARD A new rival dance-studio owner is emerging, and it’s Yvette, the dance mom we loved to hate (but mostly hated) on “Abby’s Ultimate Dance Competition.” Yvette’s daughter is Hadley, who Abby infamously referred to as “road kill” back in L.A. She’s got a grudge, and she’s out for blood. But does this mean our old rival is out of the picture? Don’t get too excited. In a strange, unnecessary clip this week, Mom Jill is "in the area", so she stops by Candy Apples to have an uncomfortable conversation with Krazy Kathy. Ohio is in the same "area" as Pittsburgh, right?
AWESOME The old ALDC girls band together for a mall performance. They choreographed it themselves and the moms put out the word, but will anyone come? Obviously. The mall goes insane! They might as well have been One Direction for the number of crazed teenage fans packing the place and shoving their iPhone cameras in each other’s faces. The dancers did one routine on a makeshift stage, and, while it was cute, it was not up to their normal high caliber. It’s nice to see them having some fun, but Mom Holly admits, "The girls need discipline. They need a dance teacher." Well, duh.
And now, the QUOTE OF THE WEEK:
"Hadley wasn't exactly road kill. She was just the road, and Sophia drove right over her." —Abby
I guess Abby feels really bad about that road kill comment. You showed her, Hadley. Oh wait, no you didn’t. Better luck next time.
The suspense is killing me for the next episode. Who will still be a member of ALDC? The new girls only got second place, so will Abby kick them to the curb? And what will the poor old dancers we love do without a teacher?! Check back here next week for another recap.
by Joe Toreno
There’s no better feeling than rooting for your favorite “So You Think You Can Dance” contestants all season long and then seeing them come out on top. That’s exactly what happened for ballet enthusiasts across the country, who have been hoping since Vegas Week that America would recognize Eliana Girard and Chehon Wespi-Tschopp’s fantastic technical skills (not to mention their onstage charisma). The Season 9 winners—the first male/female pair to be named America’s Favorite Dancers—have come a long way, and their journeys started long before they set foot in front of the judges.
Photography by Joe Toreno
It was one of the most emotional moments in one of “So You Think You Can Dance” Season 9’s most emotional routines: Chehon Wespi-Tschopp, 23, leapt across the stage, his face a picture of anguish, to rest his head on a suitcase that represented all the possessions he had left in the world. By the time the dance was over and the judges were wiping away tears, there was no doubt: Ballet dancer Chehon had proven that his passion and performance were every bit as strong as his classical technique.
Still, no one was more surprised than Chehon himself when Cat Deeley announced he was the season’s male winner. “I knew I would be the runner-up, and I was OK with that! I was ready to hug Cyrus [Spencer] and congratulate him,” Chehon says. “When Cat said my name, I was shocked. I didn’t know I had that much support from the viewers.”
It wasn’t an easy road to “SYTYCD” success, but Chehon earned his title as America’s Favorite Guy. Here’s how he made the most of his time in the Top 20—and found a place in America’s hearts. Overcoming a Late Start
Born in Chicago and raised in Australia and Switzerland, Chehon didn’t take his first ballet class until he was 13. “I saw my first ballet performance—Swan Lake,” he says. “Afterward, I tried to do the choreography in my living room. I hit my head and had to go to the hospital—so my parents decided to find me a proper dance school.”
He started at a ballet school in Zurich, and a year later asked his parents about going abroad to study more seriously. After auditioning and being accepted to Germany’s Hamburg Ballet School, the John Cranko School at Stuttgart Ballet and The Royal Ballet School in London, he chose RBS.
“When I got to London, it was a shock,” Chehon says. “I’d never seen so many guys in ballet. I showed up thinking I’d be the next Mikhail Baryshnikov, and it burst my bubble. I had a lot of catching up to do.” But he did catch up, going on to win the 2009 Senior Grand Prix at the American Dance Competition. He was ready to go pro.
Finding a Professional Path
In September 2009, Chehon joined Los Angeles Ballet, where he stayed for two seasons. With LAB, Chehon performed Giselle, The Nutcracker, George Balanchine pieces and works by “SYTYCD” notables Sonya Tayeh and Mandy Moore. “Chehon really matured during his time with us,” says Colleen Neary, co-director of LAB. “When we hired him, he had very good technique, but he didn’t have much performing experience. In those two years, he grew into an artist.”
Working with Tayeh and Moore exposed Chehon to a side of dance he’d never seen. “They opened my eyes,” he says. “From then on, I knew I wanted to move into the commercial world.” He started by taking himself further from his classical comfort zone by joining the national tour of Twyla Tharp’s Come Fly Away. He was on that tour when he took the leap and auditioned for “SYTYCD.”
A “SYTYCD” Journey
Unlike fellow winner Eliana Girard, Chehon wasn’t an early favorite. He struggled in Vegas Week, never having studied anything besides ballet, and in the live shows he had trouble emoting. “Leaving home at a young age meant I had to let go of a lot of friends. I find it hard to open up,” he says. “And I treated the first episodes as a ballet audition, without thinking to bring personality.”
He landed in the bottom three early on, but the judges were quick to save him. “We had so much faith in Chehon,” says judge Mary Murphy. “We wanted everyone to see what we saw.”
After his brush with elimination, Chehon was shaken. “Chehon’s extraordinary, but when we were working on ‘I Will Always Love You,’ his confidence was low,” says choreographer Stacey Tookey. “I’d give him a step and he’d do what I wanted and more—and then he’d ask, ‘Was that okay?’ ” The piece was a triumph for Chehon and partner Witney Carson, but it took a few more weeks for Chehon to truly open up onstage. The week his mom traveled from Switzerland to see the show, he danced a steamy Argentine tango with All-Star Anya Garnis and an emotional solo. The next week, he moved the judges to tears in Tyce Diorio’s suitcase routine. “We’d just seen him make an enormous jump forward,” Murphy says. “Just like that, Chehon stepped into stardom.”
In the Top 4, Chehon’s vulnerable performance in Tookey’s “Leave” with All-Star Allison Holker brought the house down. “On top of the tricks, we finally saw Chehon the artist,” Tookey says.
For Chehon, being on the show “turned everything upside-down,” he says. “I entered the show feeling like I had so much growing to do—but I definitely didn’t expect to win!”
Full name: Chehon Biko Fidelio Wespi-Tschopp
Favorite movies: Star Wars, Avatar, Watchmen—“any epic science fiction”
On his iPod: Ólafur Arnalds, Max Richter, District 78
Non-dance hobbies: “I like going snowboarding whenever I’m home in Switzerland. I love to choreograph and can spend hours listening to new music. I also like to cook!”
Dance idols: Mikhail Baryshnikov, Carlos Acosta
Advice for Dance Spirit readers: “Dance with honesty and find ways to push through negativity. There will always be someone who can do something better than you can, so you have to find a way to make it yours. Also, ‘SYTYCD’ taught me that it’s not always about being perfect. Ultimately, the audience doesn’t connect to perfection—they connect to the passion and love in your movement. Watch everything and everyone—
there’s something to learn from even the most inexperienced dancer.”
Photography by Joe Toreno
“I went blank!” That was 21-year-old Eliana Girard’s reaction when Cat Deeley announced her as the “So You Think You Can Dance” Season 9 female winner. “People were clapping, I was crying and I honestly didn’t know what was going on,” Eliana says. “I’d dreamed of winning, but I never thought it would actually happen.”
That’s right: The girl who got nothing but praise from the judges all season never thought of herself as a shoo-in for the title. For Eliana, the journey to the finale was a reward in itself. “Every week, I got excited all over again,” she says. “I told myself, ‘This only happens once. Stay in the moment. Remember everything.’ ”
As a viewer, it was easy to see that enthusiasm and gratitude—both in Eliana’s complete commitment in the studio and onstage, and in her radiant smile after each performance. “Eliana is a ray of sunshine,” says choreographer Stacey Tookey, who created the stunning “Bang Bang” contemporary duet with All-Star Alex Wong that Eliana picked as her favorite routine of the season. “In addition to having this gorgeous ability and a great personality, she spent the show going, ‘Okay, what else can I learn?’ ”
Superb classical technique, natural artistry, the ability to adapt to any style, a genuine desire to grow and a positive attitude? Sounds like a recipe for a long and fulfilling career.
A Solid Foundation
A native of West Palm Beach, FL, Eliana started dancing when she was 3. She began at Jon Mullen Performing Arts Center, and then followed her best friend to Susan Lyle Studios, where she studied jazz, modern and acrobatics in addition to ballet. As a teen, Eliana attended summer programs at American Ballet Theatre and the Joffrey Ballet School in NYC. In 2007, the Joffrey Ballet School offered her a spot in its year-round program on full scholarship.
“Going from living at home to being on my own in NYC was a huge challenge,” Eliana says, “but I was ready to get out there.” After a year at the Joffrey Ballet School, Eliana realized classical ballet wasn’t her final destination. “I wanted to dance professionally, but in ballet, my body type was scrutinized,” she says. She wanted to branch out and learn other styles, which is how she ended up on scholarship at The Ailey School in 2008.
The Ailey faculty saw the seeds of what would captivate America on “SYTYCD.” “Eliana came to us with a wonderful facility,” says Tracy Inman, co-director of The Ailey School. “I was impressed with her ability not only to pick up choreography and perform it well, but also to understand that artistry is as important as technique.”
One day in 2009, Eliana showed up for class at Ailey and saw Cirque du Soleil was holding an audition in the building. “I went in and said, ‘I don’t have a headshot or a resumé, but I’d love to audition,’ ” she says. The gamble paid off: Eliana was chosen for the original cast of Viva ELVIS in Las Vegas. When the school year was done, she went to Montreal to start rehearsals.
Performing with Cirque was a life-changing experience. In addition to mastering the aerial skills she showcased on “SYTYCD,” Eliana “learned to make the same choreography fresh every time, because we did the same show 10 times a week,” she says. “You have to make your work interesting for the audience, but also for yourself.”
Eliana danced in Viva ELVIS until February 2012. At that point, she was ready to see what other opportunities the dance world had to offer. “I heard ‘SYTYCD’ was having auditions in L.A. I’ve been a fan of the show since day one and I’d always wanted to audition,” she says. “So I thought, Why not?”
A Winning Performance
It was obvious from Eliana’s first audition that she was special. Executive producer Nigel Lythgoe’s comments while she was dancing—including “Love her” and “Wow, those legs”—led to a ticket right back to Vegas. Eliana sailed through to the Top 20. “The first live show was the most nerve-racking experience I’ve ever had,” Eliana says. “You’re onstage and you can see the whole audience, and then you see the cameras and realize this is going to be on TV. But I went into the show with no expectations other than to have the time of my life.”
In the Top 20, Eliana was partnered with animator Cyrus Spencer—a unique challenge, given his lack of formal dance training. But Eliana made the partnership into a learning experience for herself. “Cyrus helped me see how dancers from different backgrounds learn choreography,” she says. “I developed a new way of explaining dance so he could understand it.”
Not even an early dip into the bottom three—which judge Mary Murphy says made her jaw drop—could slow Eliana’s momentum toward the finale. She won over viewers with her passion and humility. The way she effortlessly combined classical pointe work with contemporary movement and acrobatics didn’t hurt, either. “Eliana never took a wrong step,” Murphy says. “She was a great partner, and she had her perfect moment in ‘Bang Bang.’ She entered a new league. She’s exquisite.”
What’s next for Eliana, now that the confetti from her win has settled? “I want to do concert dance,” she says. Among her dream companies: Cedar Lake Contemporary Ballet, Hubbard Street Dance Chicago and Nederlands Dans Theater. “I also want to sing, act and do Broadway and film,” she says. With her combination of talent, drive and optimism, the sky truly is her limit.
Favorite color: Mint green
Favorite foods: Sushi and ice cream
Favorite book: The Shack by William P. Young
Favorite TV show: “Community”
Non-dance hobby: Raising birds
If she weren’t a dancer, Eliana would be: A pilot or a child psychologist
Dance idols: Alessandra Ferri, Sylvie Guillem
Advice for Dance Spirit readers: “Never take no for an answer! The amount of work you put into your craft is the amount of growth and success that will happen. And remember to be patient. Everything happens at the right time!”
At Dance Spirit, we’re super sad that one of our favorite dance shows has been cancelled after seven seasons. “America’s Best Dance Crew” not only showed off amazing dancers of all ages, but it introduced the audience to the challenges of coming up with unique and interesting choreography week after week. To celebrate the awesome accomplishments of the “ABDC” competitors, here’s a look back at our favorite moments from the winners of each season:
Season 1: The Jabbawockeez
On week one, this masked crew set the bar incredibly high. Every one of their performances was great, but their very first one blows me away to this day.
Season 2: Super Cr3w
When the Season 2 champs performed at “ABDC Champions for Charity”, they added an extra member to their crew—the cutest little member ever! Nothing makes me happier than seeing little kids steal the spotlight from the grown ups. This boy is amazing!
Season 3: Quest Crew
I love seeing props used in creative ways. On week 7, one dancer spins on his head on top of a piano, slowing down and speeding up in perfect time to the music, and it was pure awesome.
Season 4: We Are Heroes
OK, so this dance was actually performed on Season 6, when the ladies returned to perform. But you’ve gotta love how they prove that girls truly do run the world. Could any male hip hopper pull off back flips in heels? I don’t think so.
Season 5: I am Me
This crew is just non-stop with the energy, especially in their week 8 routine to Kanye West music. They give a whole new meaning to the "Dougie"! We especially love spunky Chachi—click here to read why.
Season 7: Elektrolytes
The newest “ABDC” winners truly mastered the art of “gloving” in this performance. Too cool!
"ABDC," you will be missed. Help us say goodbye by sharing some of your favorite routines in the comments!