Ryan Steele has become a Broadway mainstay, thanks to his powerful technique and commanding stage presence. He's been a part of the original casts of hit shows, including Newsies and Matilda, played a Lost Boy in Peter Pan Live!, and performed in the first national tour of An American in Paris. A Walled Lake, MI, native, Steele started dancing at Dance Dynamics Performing Arts Center at 6. He began studying ballet seriously at 11, and was about to sign with Ballet Austin when he was offered a role in the 2009 revival of West Side Story on Broadway. This spring, you can catch him dancing in the Great White Way revival of Carousel. —Courtney Bowers
Much of Janelle Ginestra's career has been about helping others shine. She's dedicated herself to supporting and cheerleading her partner, WilldaBeast Adams; the emerging talents in their dance company, ImmaBEAST; and the countless dancers she inspires at master classes and conventions. Her YouTube channel has become a launching pad for young talents like "Fraternal Twins" Larsen Thompson and Taylor Hatala, thanks to viral videos featuring Ginestra's creative vision.
But Ginestra's a skyrocketing success in her own right—an in-demand choreographer, a social media influencer, and a dance entrepreneur, building a legacy one eight-count at a time. It's time for her turn in the spotlight. And she's more than ready. "I want to be a legend in whatever I do," she says. We'd argue that she already is.
How did hip-hop prodigies Taylor Hatala and Larsen Thompson become the “Fraternal Twins"? Well, let's see: Both are rising stars on the commercial scene, booking coveted gig after coveted gig. Both are members of Will “WilldaBeast" Adams' immaBEAST crew and Brian Friedman's Suga N Spice crew. Both dominate in Janelle Ginestra's crazy-popular YouTube videos. Both are known for giving profoundly, overwhelmingly impressive stank face.
"You come from a generation that has been empowered like none before in humanity. You have been taught to question authority - to do your own thing -- from an early age. Many of you have been raised where 'everyone gets a trophy,' and your teachers, parents and coaches, trying to be encouraging, often praised you just because. Furthermore, in the age of the Internet everything is accessible instantly and effortlessly.
When you are asked to work at something because that is simply what one does, many of you ask 'Why should I? So-and-so made this thing and it went mad viral.' A few people are genuine overnight sensations -- results of our spectacle-hungry, media-addicted culture. Most sudden phenoms, however, have been toiling quietly for years before their 'moment.'
Success is a process."
While she definitely has some interesting thoughts and I don't think they're completely unfounded, I can't say I agree with all of them. Yes, there are entitled dancers that aren't willing to put in the hard work that is necessary for true success. But, I'm happy to report that most (if not all) the young dancers we find ourselves watching, interviewing, obsessing over are putting in countless hours in the studio and on the road at conventions, competitions and summer programs.
However, there's another point Beckford makes that I do agree with. She says:
"Your teacher's job is not to make you like her, not to make you want go have coffee or drinks, or to be lifelong or even Facebook friends. Personally, I like it when I become friends with students. But this happens because before anything else the student trusted me -- my skills and knowledge as a dancer and teacher.
If you don't trust your teacher you might find her corrections disrespectful... It is much easier for your teacher to ignore you, and spend time on someone who makes changes quickly. Only a teacher who thinks you have potential would bother to try to help you. Not disrespectful at all -- exactly the opposite.
And that puts the onus on you, to take responsibility for yourself. If you don't understand why you are getting a correction five times per class or why your dancing is not getting the compliments you'd like, ask!"
Dancers, trust your teachers. They care about you—they want you to succeed! Remember your success is their success. And if you're having trouble dealing with criticism, read this article.
Now you tell me—what do you think? Do you agree with her points? Tell us in the comments below!