Take It From Travis
Growing up on the competition and convention circuit is great, but how do you transition from comp kid to working dancer? Travis Wall has been there—he competed with his mom’s studio, Denise Wall’s Dance Energy, then went on to become a Season 2 finalist and Emmy-nominated choreographer on “So You Think You Can Dance.” He’s choreographed for Adele and Florence and the Machine for performances at award shows and about “Dancing with the Stars.” Now he’s here to dish on what you need to know to make moves in the professional dance world.
1. Go to competitions and conventions to meet people.
I stopped competing when I was 16 to tour with conventions. I wanted to become more well-rounded, and as I traveled, I met other dancers and choreographers. I got my name out and made important connections. By breaking away from my studio and traveling on my own, I was able to meet people like Wade Robson, who I still work with today.
2. Be a familiar face.
When I’m teaching at a convention, I notice the dancers who come to city after city, year after year. I get to watch them improve over time and I start to care about their dancing. When I see these dancers taking class seriously, I take them seriously.
3. Make friends.
Next time you go to a competition or convention, look around at your fellow dancers. You’ll probably be working—or even living—with them consistently for the rest of your career. When I was younger, I toured with New York City Dance Alliance. The dancers I assisted with are still my best friends. If you decide to move to L.A. or NYC, you may not know anyone at first. But you’ll find people who are in the same boat as you, and they will become your friends for life.
4. Make smart decisions.
I can’t say whether you should go to college or move to a city after high school. Neither decision is for everyone. Be smart and make an informed choice. Form an opinion by talking with your parents, your teachers and directors, judges or choreographers you’ve met at competitions. Say, “You’ve seen my dancing, you know me—this is what I think I want to do, but what do you think is the best decision?” Take it all in and then decide. Whatever you want to do is fine—just be educated about it.
5. Don't be bland.
No matter how good your dancing is, people beyond the comp world will make assumptions about you based on your dance background. Know how to dress for auditions and have confidence. A few years ago Jordan Casanova (“SYTYCD” Season 8) auditioned for me for the MTV Video Music Awards. She came in wearing a crop top and booty shorts with her hair down in her face. She had great legs, but I cut her because she wasn’t interesting enough. I told her she was amazing, but she needed to stand out—and I suggested that she chop her hair off. The next time I saw her was at “SYTYCD” Vegas Week, with short hair—and she got on the show! I’m not saying everyone should go out and cut their hair, but you have to stand out and be exciting.
6. Never stop training.
If you move to L.A. to be a commercial dancer, keep taking contemporary classes. If you want to be on Broadway, stay in ballet class. Having solid technique will work to your advantage. Don’t just wait around for a job—stay in the studio.
7. Be money savvy.
So many dancers move to L.A., can’t get a job right away and then move back home because they don’t have money. Don’t set yourself up for that. Save up first, then suck it up if you have to and wait tables or work at Starbucks. If being a dancer is your dream, do what you have to do to make it happen. Swallowing your ego is the hardest part of moving to a city.
8. Be drama-free.
People want to work with the best dancers, but they also want to work with professionals. No one has time to baby you, worry about you or deal with your attitude problems. It’s important who you associate yourself with. If you hang out with someone who has a bad name in the industry, people will equate you with that person. I will only work with people I believe in. I care how artists treat dancers and I won’t work with choreographers who disrespect their dancers. Surround yourself with great people.
9. Have something extra.
Knowing how to tumble is practically a must today. Have a trick in your pocket that’s more impressive than a grand jeté. Be ready to show your wow moment.
10. Don’t sell yourself out.
Always stay true to who you are. Maintain your integrity in this industry, no matter what. Just be yourself.Want more Travis? He’s got a new reality show coming out with his friends (and roommates!) Nick Lazzarini and Teddy Forance.
Where's Travis now? He’s in Miami, working as a choreographer on his first movie: Step Up 4.
Congratulations to Dance Spirit's 2017 Cover Model Search finalists: Haley Hartsfield, Kaylin Maggard and Michelle Quiner! One of them will win a spot on Dance Spirit's October 2016 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below.
We also want you to get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.
...This clip, "'Hamilton' Choreographer Breaks Down His Moves," popped up on my YouTube recommended list. I mean, I could watch Hamilton's dance wizard Andy Blankenbuehler talk about anything. Have you read our interview with him back when he was making the moves for Bandstand? The guy is freaking fascinating.
Great contemporary choreographers and soulful singer-songwriters have always made for a perfect match. That's why we were thrilled when we found out "SYTYCD" and "Dance Moms" choreographer Kristin McQuaid created the music video for "Light the Sky," a hit single from "America's Got Talent" winner Grace VanderWaal.
A lot of ballet men play around a little in pointe shoes—to get a feel for what their partners are experiencing, or just because they're curious.
But Houston Ballet's Hayden Stark, Derek Dunn, and Daniel Durrett aren't playing.
They're SLAYING. SO. HARD.
It's finally summer, which means you're probably spending as many long days outside in the sun as you are in the studio. You might think a quick mist of SPF 30 will do the trick, but there's a lot more to that number—and to sunscreen, in general. Here, we break down the sunscreen basics to keep your sunkissed skin safe.
We already know that Misty Copeland—who needs no introduction, but OK: American Ballet Theatre principal, trailblazing role model, all-around superstar—is an excellent dance show judge. Her turn on the "So You Think You Can Dance" judging panel back in Season 11 impressed dance fans everywhere. Obviously any professional dancer is going to have a leg up (sorry) when it comes to critiquing technique, but Copeland's feedback on "SYT" was particularly smart, incisive, and illuminating. (Remember when she told Rudy to think of his legs as tree trunks rooted in the ground, so he could better hold up the "flowers"—aka his partner?)
That's why we're very excited to report that Copeland is putting her judges' hat on again, this time for NBC's "World of Dance."
Serious question: Is there anything Maddie Ziegler can't do? Serious answer: Nope. Case in point? Her big screen debut as Christina in the new movie, The Book of Henry. But even more exciting than seeing Maddie in a movie theater is the fact that we get to see her dance, too! The trailer hinted at a dance scene, and you guys, it's better than we could've ever imagined.