Take It From Travis
Growing up on the competition and convention circuit is great, but how do you transition from comp kid to working dancer? Travis Wall has been there—he competed with his mom’s studio, Denise Wall’s Dance Energy, then went on to become a Season 2 finalist and Emmy-nominated choreographer on “So You Think You Can Dance.” He’s choreographed for Adele and Florence and the Machine for performances at award shows and about “Dancing with the Stars.” Now he’s here to dish on what you need to know to make moves in the professional dance world.
1. Go to competitions and conventions to meet people.
I stopped competing when I was 16 to tour with conventions. I wanted to become more well-rounded, and as I traveled, I met other dancers and choreographers. I got my name out and made important connections. By breaking away from my studio and traveling on my own, I was able to meet people like Wade Robson, who I still work with today.
2. Be a familiar face.
When I’m teaching at a convention, I notice the dancers who come to city after city, year after year. I get to watch them improve over time and I start to care about their dancing. When I see these dancers taking class seriously, I take them seriously.
3. Make friends.
Next time you go to a competition or convention, look around at your fellow dancers. You’ll probably be working—or even living—with them consistently for the rest of your career. When I was younger, I toured with New York City Dance Alliance. The dancers I assisted with are still my best friends. If you decide to move to L.A. or NYC, you may not know anyone at first. But you’ll find people who are in the same boat as you, and they will become your friends for life.
4. Make smart decisions.
I can’t say whether you should go to college or move to a city after high school. Neither decision is for everyone. Be smart and make an informed choice. Form an opinion by talking with your parents, your teachers and directors, judges or choreographers you’ve met at competitions. Say, “You’ve seen my dancing, you know me—this is what I think I want to do, but what do you think is the best decision?” Take it all in and then decide. Whatever you want to do is fine—just be educated about it.
5. Don't be bland.
No matter how good your dancing is, people beyond the comp world will make assumptions about you based on your dance background. Know how to dress for auditions and have confidence. A few years ago Jordan Casanova (“SYTYCD” Season 8) auditioned for me for the MTV Video Music Awards. She came in wearing a crop top and booty shorts with her hair down in her face. She had great legs, but I cut her because she wasn’t interesting enough. I told her she was amazing, but she needed to stand out—and I suggested that she chop her hair off. The next time I saw her was at “SYTYCD” Vegas Week, with short hair—and she got on the show! I’m not saying everyone should go out and cut their hair, but you have to stand out and be exciting.
6. Never stop training.
If you move to L.A. to be a commercial dancer, keep taking contemporary classes. If you want to be on Broadway, stay in ballet class. Having solid technique will work to your advantage. Don’t just wait around for a job—stay in the studio.
7. Be money savvy.
So many dancers move to L.A., can’t get a job right away and then move back home because they don’t have money. Don’t set yourself up for that. Save up first, then suck it up if you have to and wait tables or work at Starbucks. If being a dancer is your dream, do what you have to do to make it happen. Swallowing your ego is the hardest part of moving to a city.
8. Be drama-free.
People want to work with the best dancers, but they also want to work with professionals. No one has time to baby you, worry about you or deal with your attitude problems. It’s important who you associate yourself with. If you hang out with someone who has a bad name in the industry, people will equate you with that person. I will only work with people I believe in. I care how artists treat dancers and I won’t work with choreographers who disrespect their dancers. Surround yourself with great people.
9. Have something extra.
Knowing how to tumble is practically a must today. Have a trick in your pocket that’s more impressive than a grand jeté. Be ready to show your wow moment.
10. Don’t sell yourself out.
Always stay true to who you are. Maintain your integrity in this industry, no matter what. Just be yourself.Want more Travis? He’s got a new reality show coming out with his friends (and roommates!) Nick Lazzarini and Teddy Forance.
Where's Travis now? He’s in Miami, working as a choreographer on his first movie: Step Up 4.
What's better than a good dance joke? They're corny, they're punny, and they're exactly what you need to get you through long Nutcracker days. These 10 jokes are guaranteed to put a smile on your face—no matter how much your feet are hurting.
Some might say Charlize Glass' fame kicked off with a single three-letter word. In 2014, Beyoncé shared a video of the then–12-year-old dancer performing to "Yoncé" on Instagram, along with a simple caption: "WOW!"
But by that point, the hip-hop mini had already performed at the MTV Video Music Awards and on "The Ellen DeGeneres Show," and won first runner-up with her crew, 8 Flavahz, on "America's Best Dance Crew." And her Queen Bey Insta shout-out wasn't even the pinnacle of her tween career: She earned a spot on The PULSE On Tour as an Elite Protégé for the 2014–2015 season, and performed with Missy Elliott at the Super Bowl XLIX Halftime Show in 2015.
These days, the 16-year-old spends her time touring the country as Brian Friedman's assistant at Radix Dance Convention and blowing up YouTube and Instagram with her class-video cameos. And while the Char Char we fell in love with was a hip-hop cutie pie, the more mature artist we see today is sure to rock the dance world for years to come.
You're obsessed with class videos. We're obsessed with class videos. The passion, energy, and talent showcased in these clips, which give us an insider-y peek at the commercial dance world's hottest classes, are totally irresistible.
But at what point does the phenomenon go from being a good thing to a bad thing for dancers and the dance world? Is the focus on filming distracting from the work dancers are supposed to be doing in class? Are overproduced videos presenting a dangerously misleading picture of the dance world? Is the pressure to be a class video star becoming too much for dancers to handle? These are some of the questions A-list dancer and choreographer Ian Eastwood—no stranger to the class video himself—has been asking on Twitter. And they've sparked a lively, important debate.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
"So you Think You Can Dance" Season 14 finalists Lex Ishimoto and Taylor Sieve shocked fans at home (at least the ones who hadn't thoroughly scoured their respective Instagrams) during Episode 14, when choreographer Mia Michaels asked if either of them had ever experienced "the kind of love that takes your breath away." They confessed that, yup, they had—with each other. The two met at The Dance Awards in the summer of 2016, where they were each named Senior Best Dancer, and went on to tour with the convention as assistants. Before long—and long before their "SYTYCD" journey—they became a couple.
Take a look at Dance Spirit's exclusive interview where they dish on everything from their favorite dates to the dance moves that give them all the feels.
There's a surprising twist to Regina Willoughby's last season with Columbia City Ballet: It's also her 18-year-old daughter Melina's first season with the company. Regina, 40, will retire from the stage in March, just as her daughter starts her own career as a trainee. But for this one season, they're sharing the stage together.
Yes, we all know dancers are strong. But sometimes it takes a truly epic workout video to remind us JUST HOW INSANELY STRONG they actually are.
Behold, National Ballet of Canada principal Svetlana Lunkina's oh-so-casual pre-class exercise:
Dance Spirit is beyond excited to announce the first round of 2017 Future Star winners! Every year, DS partners with competitions to recognize dancers with exceptional presence and ability. The second round of winners will be featured in our January issue, so stay tuned!