Take It From Travis
Growing up on the competition and convention circuit is great, but how do you transition from comp kid to working dancer? Travis Wall has been there—he competed with his mom’s studio, Denise Wall’s Dance Energy, then went on to become a Season 2 finalist and Emmy-nominated choreographer on “So You Think You Can Dance.” He’s choreographed for Adele and Florence and the Machine for performances at award shows and about “Dancing with the Stars.” Now he’s here to dish on what you need to know to make moves in the professional dance world.
1. Go to competitions and conventions to meet people.
I stopped competing when I was 16 to tour with conventions. I wanted to become more well-rounded, and as I traveled, I met other dancers and choreographers. I got my name out and made important connections. By breaking away from my studio and traveling on my own, I was able to meet people like Wade Robson, who I still work with today.
2. Be a familiar face.
When I’m teaching at a convention, I notice the dancers who come to city after city, year after year. I get to watch them improve over time and I start to care about their dancing. When I see these dancers taking class seriously, I take them seriously.
3. Make friends.
Next time you go to a competition or convention, look around at your fellow dancers. You’ll probably be working—or even living—with them consistently for the rest of your career. When I was younger, I toured with New York City Dance Alliance. The dancers I assisted with are still my best friends. If you decide to move to L.A. or NYC, you may not know anyone at first. But you’ll find people who are in the same boat as you, and they will become your friends for life.
4. Make smart decisions.
I can’t say whether you should go to college or move to a city after high school. Neither decision is for everyone. Be smart and make an informed choice. Form an opinion by talking with your parents, your teachers and directors, judges or choreographers you’ve met at competitions. Say, “You’ve seen my dancing, you know me—this is what I think I want to do, but what do you think is the best decision?” Take it all in and then decide. Whatever you want to do is fine—just be educated about it.
5. Don't be bland.
No matter how good your dancing is, people beyond the comp world will make assumptions about you based on your dance background. Know how to dress for auditions and have confidence. A few years ago Jordan Casanova (“SYTYCD” Season 8) auditioned for me for the MTV Video Music Awards. She came in wearing a crop top and booty shorts with her hair down in her face. She had great legs, but I cut her because she wasn’t interesting enough. I told her she was amazing, but she needed to stand out—and I suggested that she chop her hair off. The next time I saw her was at “SYTYCD” Vegas Week, with short hair—and she got on the show! I’m not saying everyone should go out and cut their hair, but you have to stand out and be exciting.
6. Never stop training.
If you move to L.A. to be a commercial dancer, keep taking contemporary classes. If you want to be on Broadway, stay in ballet class. Having solid technique will work to your advantage. Don’t just wait around for a job—stay in the studio.
7. Be money savvy.
So many dancers move to L.A., can’t get a job right away and then move back home because they don’t have money. Don’t set yourself up for that. Save up first, then suck it up if you have to and wait tables or work at Starbucks. If being a dancer is your dream, do what you have to do to make it happen. Swallowing your ego is the hardest part of moving to a city.
8. Be drama-free.
People want to work with the best dancers, but they also want to work with professionals. No one has time to baby you, worry about you or deal with your attitude problems. It’s important who you associate yourself with. If you hang out with someone who has a bad name in the industry, people will equate you with that person. I will only work with people I believe in. I care how artists treat dancers and I won’t work with choreographers who disrespect their dancers. Surround yourself with great people.
9. Have something extra.
Knowing how to tumble is practically a must today. Have a trick in your pocket that’s more impressive than a grand jeté. Be ready to show your wow moment.
10. Don’t sell yourself out.
Always stay true to who you are. Maintain your integrity in this industry, no matter what. Just be yourself.Want more Travis? He’s got a new reality show coming out with his friends (and roommates!) Nick Lazzarini and Teddy Forance.
Where's Travis now? He’s in Miami, working as a choreographer on his first movie: Step Up 4.
The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
For a long time, I was the strongest dancer at my studio. But this year there's a new girl in my class who's very talented, and my teacher's attention has definitely shifted to her. I'm trying not to feel jealous or discouraged, but it seems like my whole dance world has changed. Help!
In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.
Marzia Memoli may be the Martha Graham Dance Company's newest dancer, but her classical lines and easy grace are already turning heads. Originally from Palermo, Italy, Memoli started studying at age 16 at the Academy of Teatro Carcano in Milan. Later, she attended the Rudra Béjart School in Lausanne, Switzerland, before heading to NYC in 2016 to join MGDC. This month, she'll perform The Rite of Spring in the Martha Graham Studio Series in NYC, and tour with the company in Florida. Read on for the dirt.
The union of dance royalty isn't something we take lightly—especially when it's between legendary hip hopper WilldaBeast Adams and dance phenom Janelle Ginestra. (#RelationshipGoals much?) So when we heard we were invited to their Big Day we sort of lost it. (I mean, what does one wear to the wedding of two dance icons? Better yet, what kind of dance moves does one practice for the reception?) Ok, so we might be getting a little ahead of ourselves, because we'll all be able to watch the wedding from the comfort of our own wifi. In true immaBEAST fashion the dance moguls decided to share their special day with devoted fans by streaming it online.