Dance News

#TBT Dance Crush: Tanaquil Le Clercq

We all have dance crushes. But I'm a bit of a weirdo: The majority of my dance crushes are, uh, historical. Maybe I was born in the wrong era, because it's the artists of the '40s, '50s and '60s who really speak to me.

At the top of my crush list is Tanaquil Le Clercq, one of George Balanchine's first American muses (and his fourth wife). Why do I love her? Because she was effortlessly glamorous...

LeClercq in costume for La Valse, 1951 (photo Gjon Mili/Life magazine)

...but also totally down for photos like this:

LeClercq in costume for Bourée Fantasque, 1951 (photo Gjon Mili/Life magazine)

Le Clercq—friends called her Tanny—was one of the first dancers trained from the beginning in Balanchine technique, and her long, leggy body became the prototype for the Balanchine ballerina. She was also an incredible chameleon. Onstage, she could transition easily from coolly mysterious to deliciously witty. Balanchine made many ballets for her, and so did Jerome Robbins, one of her closest friends.

Le Clercq's career was cut short by tragedy. In 1956, when she was just 27 years old, she contracted polio, and became paralyzed from the waist down. Though she never danced again, she remained active in the ballet world. Later on, she coached the members of Dance Theatre of Harlem.

Why am I telling you all this right now? Well, there's a new documentary about Le Clercq's remarkable life—and it's coming to a television near you in just a couple of weeks. Tanaquil Le Clercq: Afternoon of a Faun will air on PBS on Friday, June 20 (check local listings for times). The film includes all kinds of fantastic old footage, early performances of ballets that have since become classics.

PBS has put out a couple of teasers, which feature clips of Le Clercq in Robbins' Afternoon of a Faun (alongside fellow legend Jacques d'Amboise) and Balanchine's Concerto Barocco and Western Symphony. Take a look—then set your DVRs for the 20th. (Totally in love with Tanny? The film will also be available on DVD starting June 24.)

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Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!

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So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.

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Photo by Joe Toreno

The coolest place she's ever performed:

I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!


Something she's constantly working on:

My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'


Signature look:

My hair! That, and a pair of leggings with a T-shirt or tank top.


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Photo by Travis Kelley, courtesy Kathryn Morgan

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!

Dear Katie,

For a long time, I was the strongest dancer at my studio. But this year there's a new girl in my class who's very talented, and my teacher's attention has definitely shifted to her. I'm trying not to feel jealous or discouraged, but it seems like my whole dance world has changed. Help!

Serafina

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*suddenly feels the overpowering urge to purchase a million bottles of Pocari Sweat*

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Dance News
Mandy Moore (photo by Lee Cherry, courtesy Bloc Agency)

In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.

Read more at dancemagzine.com!

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